Examines how three transnational groups in Hong Kong use familial narratives to promote critical empathy and decenter the oppressive logics behind dominant citizenship discourses.
“Illuminates with cutting truth the layers of longing and grief which underlie a transracial adoption . . . sharply written, intense, and page-turning.” —Randy Susan Meyers, bestselling author of Waisted Rowan Kelly knows she’s lucky. After all, if she hadn’t been adopted, she could have spent her days in a rice paddy, or a windowless warehouse assembling iPhones—they make iPhones in Korea, right? Either way, slowly dying of boredom on Long Island is surely better than the alternative. But as she matures, she realizes that she’ll never know if she has her mother’s eyes, or if she’d be in America at all had her adoptive parents been able to conceive. Rowan sets out to prove that she can be someone’s first choice. After running away from home—and her parents’ rules—and ending up beaten, barefoot, and topless on a Pennsylvania street courtesy of Bad Boy Number One, Rowan attaches herself to Never-Going-to-Commit. When that doesn’t work out, she fully abandons self-respect and begins browsing Craigslist personals. But as Rowan dives deeper into the world of casual encounters with strangers, she discovers what she’s really looking for. With a fresh voice and a quick wit, Lauren J. Sharkey dispels the myths surrounding transracial adoption, the ties that bind, and what it means to belong. A Finalist for Foreword Review’s 2020 INDIES Book of the Year Award in Adult Fiction—Multicultural “Stirring . . . a moving account of Rowan’s difficult reckoning with her identity. This is an adept portrayal of the long shadow of abuse and the difficulty of being an adoptee.” —Publishers Weekly
In On the Inconvenience of Other People Lauren Berlant continues to explore our affective engagement with the world. Berlant focuses on the encounter with and the desire for the bother of other people and objects, showing that to be driven toward attachment is to desire to be inconvenienced. Drawing on a range of sources, including Last Tango in Paris, Ralph Waldo Emerson, Claudia Rankine, Christopher Isherwood, Bhanu Kapil, the Occupy movement, and resistance to anti-Black state violence, Berlant poses inconvenience as an affective relation and considers how we might loosen our attachments in ways that allow us to build new forms of life. Collecting strategies for breaking apart a world in need of disturbing, the book’s experiments in thought and writing cement Berlant’s status as one of the most inventive and influential thinkers of our time.
A sequel to The Seven-Petaled Shield finds fierce warrior woman Shannivar joining forces with Zevaron, the heir to the magical Seven-Petaled Shield, to battle monstrous stone-drakes from the far northern regions who serve a legendary, evil embodiment of chaos.
“The plot twists ingeniously...an engaging, often chilling book.”—The New York Times Book Review A writer in California. A doctor in Boston. A motel owner and his employee in Nevada. A priest in Chicago. A robber in New York. A little girl in Las Vegas. They’re a handful of people from across the country, living through eerie variations of the same nightmare. A dark memory is calling out to them. And soon they will be drawn together, deep in the heart of a sprawling desert, where the terrifying truth awaits...
Strangely Rhetorical establishes the groundwork for strangeness as a lens under the broader interdisciplinary umbrella of rhetoric and composition and shares a series of rhetorical devices for practically thinking about how compositions are made unique. Jimmy Butts explores how strange, novel, weird, and interesting texts work and offers insight into how and why these forms can be invented, created, and stylized to generate the effective delivery of rhetorical messages in fun, divergent ways. Using a new theoretical framework—that strangeness is inherent within all rhetorical interactions and is potentially useful—Butts demonstrates how rhetoric is always already coming from an Other, offering an ethical context for how defamiliarized texts work with different audiences. Applying examples of seven figures for composing in and across written, aural, visual, electronic, and spatial texts (the WAVES of media), Butts shows how divergence is possible in all sorts of refigured multimodal ways. Strangely Rhetorical rethinks what exactly rhetoric is and does, considering the ways that strange compositions help rhetors connect across a broad range of networks in a world haunted by distance. This is a book about strange rhetoric for makers and creatives, for students and teachers, and for composers of all sorts.