Following on from her Aurealis and Australian Shadow Award-winning debut collection, Joanne Anderton’s Inanimates finds the terrifying in the everyday, bringing together seven stories where ordinary objects become the source of nightmares and extraordinary threat. In “Thread Embrace,” a well-dressed killer finds himself at the mercy of an unexpectedly sartorial attack. “Simulation Theory” sees a wounded soldier bond with the bomb disposal robot he worked with in the field. In the heartbreaking last story, “High Density”, the comfortable suburban ideal of a retired couple becomes a war against a dark and dangerous form of urban renewal. In turns wicked, delightful, horrifying, and fantastic, Inanimates: Tales of Everyday Fear showcases a hidden gem of the Australian genre scene, and highlights Anderton's ability to see the dark, supernatural threats inherent in ordinary things.
In The Bone Chime Song & Other Stories, Joanne Anderton explores the darkness and the beauty of humans caught on the fringes and pushed to the very edge of the abyss. Enter worlds where terrible secrets are hidden in a wind chime's song, where crippled witches forge magic from scrap, and the beautiful dead dance for eternity. With deities built from circuits and wires, sacrificial drought-ridden towns, and artists who dabble in bone and decay, every story plots a course from the gothic to the fantastic and winds its way back again. Whether charting bleak futures or delving into the darkest of horrors, Anderton’s extraordinary talent weaves magic into every tale, presenting stories guaranteed to draw you in—and never let you go. Winner of both The Australian Shadows Award and Aurealis Award for best collection, The Bone Chime Song & Other Stories returns to entice a new generation of readers.
A horde of criminally good horror writers took a walk down the mean streets of crime. Their task: to make your blood run cold, to scare you witless and to make your skin crawl. The rising dread of a good mystery doesn't need anything supernatural to keep you on the edge of your seat. But put the two together - crime fiction and horror - and all sorts of nasty business can come out of the woodwork. Sometimes literally. The stories herein include urban monsters, outback ghosts, contemporary lawyers, near-future police, and Victorian era mathematicians. Our Damnation Games are played by 19 Aussie, Kiwi and international authors: Gemma Amor, Joanne Anderton, J. Ashley-Smith, Alan Baxter, Aaron Dries, Gemma Files, Geneve Flynn, Philip Fracassi, Robert Hood, Gabino Iglesias, Rick Kennett, Maria Lewis, Chris Mason, Lee Murray, Cina Pelayo, Dan Rabarts, John F.D. Taff, Kyla Lee Ward, Kaaron Warren.
“Few things are more enjoyable or disturbing than a Joanne Anderton story. They feel like reality with the gravity turned off and, freed from those surly bonds, you float. But beware: broken things lurk in the darkness of space, earth, sea – and they’re hungry.” — Angela Slatter, award-winning author of All the Murmuring Bones A marriage dissolves in the middle of a spacewalk… A lonely robot searches for the remains of a long-lost child… An empty nester is haunted by victims of the bushfires that surround her home… These are tales of breaking and rebuilding, falling apart and being put back together. The stories in The Art of Broken Things blur the line between genres to explore some of our deepest, most fundamentally human concerns: what does it mean to build a family? And what are we willing to sacrifice, to keep that family together? From multiple award-winning author Joanne Anderton comes a new collection of dark science fiction, horror and weird. “Joanne Anderton is a master of the uncanny. Each of her stories is like a torch shone into the dark crevices of the imagination, and you may not always like what they reveal: terror, wonder, and a strange, dark beauty. Highly recommended.” — Helen Marshall, author of The Migration “Joanne Anderton’s stories are deeply atmospheric and powerfully engage the heart and the mind. She imagines futures both dark and entirely too possible, with characters you will come to know intimately. One of this generation’s most talented writers, this collection showcases an author firing on all cylinders.” — Alan Baxter, author of The Gulp and Devouring Dark
Based on the bestselling Oxford Companion to English Literature, this is an indispensable, compact guide to all aspects of English literature. Over 5,500 new and revised A to Z entries give unrivalled coverage of writers, works, historical context, literary theory, allusions, characters, and plot summaries. Discursive feature entries supply a wealth of information about important genres in literature. For this fourth edition, the dictionary has been fully revised and updated to include expanded coverage of postcolonial, African, black British, and children's literature, as well as improved representation in the areas of science fiction, biography, travel literature, women's writing, gay and lesbian writing, and American literature. The appendices listing literary prize winners, including the Nobel, Man Booker, and Pulitzer prizes, have all been updated and there is also a timeline, chronicling the development of English literature from c. 1000 to the present day. Many entries feature recommended web links, which are listed and regularly updated on a dedicated companion website. Written originally by a team of more than 140 distinguished authors and extensively updated for this new edition, this book provides an essential point of reference for English students, teachers, and all other readers of literature in English.
The Oxford Companion to English Literature has long been established as the leading reference resource for students, teachers, scholars, and general readers of English literature. It provides unrivalled coverage of all aspects of English literature - from writers, their works, and the historical and cultural context in which they wrote, to critics, literary theory, and allusions. For the seventh edition, the Companion has been thoroughly revised and updated to meet the needs and concerns of today's students and general readers. Over 1,000 new entries have been added, ranging from new writers - Chimamanda Ngozi Adichie, Patrick Marber, David Mitchell, Arundhati Roy - to increased coverage of writers and literary movements from around the world. Coverage of American literature has been substantially increased, with new entries on writers such as Cormac McCarthy and Amy Tan and on movements and publications. Contextual and historical coverage has also been expanded, with new entries on European history and culture, post-colonial literature, as well as writers and literary movements from around the world that have influenced English literature. The Companion has always been a quick and dependable source of reference for students, and the new edition confirms its pre-eminent role as the go-to resource of first choice. All entries have been reviewed, and details of new works, biographies, and criticism have been brought right up to date. So also has coverage of the themes, approaches and concepts encountered by students today, from terms to articles on literary theory and theorists. There is increased coverage of writers from around the world, as well as from Ireland, Scotland, and Wales, and of contextual topics, including film and television, music, and art. Cross-referencing has been thoroughly updated, with stronger linking from writers to thematic and conceptual entries. Meanwhile coverage of popular genres such as children's literature, science fiction, biography, reportage, crime fiction, fantasy or travel literature has been increased substantially, with new entries on writers from Philip Pullman to Anne Frank and from Anais Nin to Douglas Adams. The seventh edition of this classic Companion - now under the editorship of Dinah Birch, assisted by a team of 28 distinguished associate editors, and over 150 contributors - ensures that it retains its status as the most authoritative, informative, and accessible guide to literature available.
A romantic comedy which offers a challenging mixture of tragic and violent events, lyrical love-speeches, farcical comedy, pastoral song and dance, and, eventually, dramatic revelations and reunions.
Dive into "Chilling Tales" by Dino Dhamphyr—a haunting collection of horror stories that masterfully blend terror, suspense, and the macabre into an unforgettable reading experience. Each story is a dark journey into a world where nightmares are not just figments of the imagination, but tangible fears lurking in the shadows. What Lies Within? Haunted houses with secrets yearning to be unearthed. Cursed objects with a life of their own, wielding unimaginable powers. Vengeful spirits that don't rest until they claim their due. Demonic entities that defy the boundaries between our world and the unknown. As you turn each page, prepare for your pulse to quicken, your breaths to shorten, and your grip to tighten. Dino Dhamphyr crafts each tale with a compelling narrative and vivid imagery that will immerate you in a world you'll wish you could escape from—but will be too captivated to leave. Reader Beware: This collection is not for the faint of heart. "Chilling Tales" will keep you on the edge of your seat, holding your breath until the very last word. Once you enter Dino Dhamphyr’s spine-tingling world of horror, there's no turning back. Satisfy your craving for the terrifying and the dark. Enter if you dare, but be warned—you may never see the world the same way again.
Gothic television is the first full length study of the Gothic released on British and US television. An historical account, the book combines detailed archival research with analyses of key programmes, from Mystery and Imagination and Dark Shadows, to The Woman in White and Twin Peaks, and uncovers an aspect of television drama history which has, until now, remained critically unexplored. While some have seen television as too literal or homely a medium to successfully present Gothic fictions, Gothic television argues that the genre, in its many guises, is, and has always been, well-suited to television as a domestic medium, given the genre’s obsessions with haunted houses and troubled families. This book will be of interest to lecturers and students across a number of disciplines including television studies, Gothic studies, and adaptation studies, as well as to the general reader with an interest in the Gothic, and in the history of television drama.
