"In too deep: Private investigator Harry Lonnigan isn't fooled by Charlie Jones's boyish disguise. He knows she's all woman. And if she isn't careful, she'll blow his cover and get herself hurt in the process. But can Harry be Charlie's hero and still keep his secrets? Or has the irresistible woman already pulled him in too deep?"--Page 4 of cover
One woman gets the shock of her love life on Puffin Island. Third in the series from the USA Today–bestselling author of Some Kind of Wonderful. Life has just thrown Skylar Tempest a serious curveball. So she’s returned home to Puffin Island to regroup among friends. Unfortunately, that means seeing Alec Hunter, who’s become a big-deal TV historian. Sky’s never liked the cynical Alec, and the feeling was mutual. But maybe that was then. And this is now . . . “The perfect Christmas read.” —Julia Williams, author of It’s a Wonderful Life
As a visual diary of Deniek G. Sukaryas unique documentation of the life of the land people and culture of Indonesia for the last 30 years. This book will take you on a magical journey through fragments of time that truly inspire and create wonders. Through the rare moments when dreams and reality seem to merge into perfect harmony albeit briefly and unexpectedly. These moments are forever kept alive in his extraordinary collection of images that eloquently express their timeless beauty. These works are not merely records of times and places but also the reflection of Denieks deep emotional experiences as well as his personal interpretation of the moments. 182 Stunning pictures - from landscape to nature from people at work to spectacular cultural events from everyday life to fantastic natural phenomena - have been selected to create this wonderful book.
"A big one and a little one talk together. The little one is upset because he wants to do something big even though he is still small. They go for a walk along the beach. There something both surprising and big happens"--
This literary work of non-fiction is based on the author's personal journeys alone. He backpacked to the coasts of the country, across the American continent, to London, England, Paris, France and Schwarzwald, Germany. And also to Andalusia, Spain, and Siberia, Russia. Above all, he cannot forget the simple-hearted pilgrimage to Siberia on the Trans-Siberian Railway. He journeyed alone, sometimes meditating on writing, and sometimes on the journey itself. He saw and felt flamenco through his journey into Andalusia, and stepped on the snow-covered birch forest in Siberia that he longed for. Writing this book, JOURNEY INTO DEEP LANSCAPES, he recalled a few of words of Annie Dillard: “Write about winter in summer. Describe Norway as Ibsen did, from a desk in Italy.” Lastly, he lived at home in seclusion and went on an inner journey with picture books. His long journey, like the flow of a deep river, was the source of inspiration for his writing. In a sense, writing was a kind of journey for him. This creative nonfiction deviates somewhat from the general novel structure. However, the flow of the entire text is consistent and organic. So, whether you may take it as a creative non-fiction or as a collection of f personal essays. It’s up to you.
This collection of essays and reviews represents the most significant and comprehensive writing on Shakespeare's A Comedy of Errors. Miola's edited work also features a comprehensive critical history, coupled with a full bibliography and photographs of major productions of the play from around the world. In the collection, there are five previously unpublished essays. The topics covered in these new essays are women in the play, the play's debt to contemporary theater, its critical and performance histories in Germany and Japan, the metrical variety of the play, and the distinctly modern perspective on the play as containing dark and disturbing elements. To compliment these new essays, the collection features significant scholarship and commentary on The Comedy of Errors that is published in obscure and difficulty accessible journals, newspapers, and other sources. This collection brings together these essays for the first time.
The paleoecological history of the Americas is as complex as the region is broad: stretching from the Arctic Circle to Tierra del Fuego, the New World features some of the most extraordinary vegetation on the planet. But until now it has lacked a complete natural history. Alan Graham remedies that with A Natural History of the New World. With plants as his scientific muse, Graham traces the evolution of ecosystems, beginning in the Late Cretaceous period (about 100 million years ago) and ending in the present, charting their responses to changes in geology and climate. By highlighting plant communities’ roles in the environmental history of the Americas, Graham offers an overdue balance to natural histories that focus exclusively on animals. Plants are important in evolution’s splendid drama. Not only are they conspicuous and conveniently stationary components of the Earth’s ecosystems, but their extensive fossil record allows for a thorough reconstruction of the planet’s paleoenvironments. What’s more, plants provide oxygen, function as food and fuel, and provide habitat and shelter; in short, theirs is a history that can speak to many other areas of evolution. A Natural History of the New World is an ambitious and unprecedented synthesis written by one of the world’s leading scholars of botany and geology.
