Annie can hardly wait until Surprise, Jill's one-month-old foal, is big enough to ride. But when Annie falls off Splash during a riding lesson, the rattled Pony Scout has to decide whether or not to get back in the saddle. The Pony Scouts series is full of all the rich details young horse lovers devour, from pony-centric plots to a "Pony Pointers" vocabulary page at the end of each book. Go camping with the Pony Scouts! Author Catherine Hapka is a lifelong horse lover. She rides several times per week and keeps three horses on her small farm in Pennsylvania. If you're looking for horse books for girls 4-8, don't miss the Pony Scouts books. Pony Scouts: Back in the Saddle is a Level Two I Can Read book, geared for kids who read on their own but still need a little help. Whether shared at home or in a classroom, the engaging stories, longer sentences, and language play of Level Two books are proven to help kids take their next steps toward reading success.
"When she discovers that big-headed rancher Jesse Pleasant has a softer side during a painfully awkward showing at a community date auction, former tech consultant Lily-Grace Leroux warms to the sparks flying between them, never dreaming that she could have her own happily ever after."--Provided by publisher.
By the end of the 1960s, the Hollywood West of Tom Mix, Randolph Scott, and even John Wayne was passé—or so the story goes. Many film historians and critics have argued that movies portraying a mythic American West gave way to revisionist films that influential filmmakers such as Sam Peckinpah and Robert Altman made as violent critiques of the Western’s “golden years.” Yet rumors surrounding the death of the Western have been greatly exaggerated, says film historian Andrew Patrick Nelson. Even as the Wild Bunch and John McCabe rode forth, John Wayne remained the Western’s number one box office draw. How, then, could there have been a revisionist reckoning at a time when the Duke was still in the saddle? In Still in the Saddle, Nelson offers readers a new history of the Hollywood Western in the 1970s, a time when filmmakers tried to revive the genre by appealing to a diverse audience that included a new generation of socially conscious viewers. Nelson considers a comprehensive filmography of releases from 1969 to 1980 in light of the visual tropes and narratives developed and reworked in the genre from the 1930s to the present. In so doing, he reveals the complexity of what is probably the most interesting period in Western movie history. His incisive reevaluations of such celebrated (or infamous) films as The Wild Bunch and Heaven’s Gate and examinations of dozens of forgotten and neglected Westerns, including the final films of John Wayne, demonstrate that there was more to the 1970s Western than simple revision. Instead, we see not only important connections between canonical and lesser-known films of the period, but also continuities between these and older Westerns. Nelson believes an ongoing, cyclical process of regeneration thus transcends established divisions in the genre’s history. Among the books currently challenging the prevailing “evolutionary” account of the Western, Still in the Saddle thoroughly revises our understanding of this exciting and misunderstood period in the Western’s history and adds innovatively and substantially to our knowledge of the genre as a whole.
The Prodigal Is Coming Home It's been a long time since Colt Stafford shrugged off his cowboy legacy for shiny Manhattan loafers and a promising career on Wall Street. But when stock market manipulations leave him financially strapped, the oldest son of legendary rancher Sam Stafford decides to return to the sprawling Double S ranch in Gray's Glen, Washington. He's broke, but not broken, and it's time to get his legs back under him by climbing into the saddle again. He doesn't expect to come home to a stranger pointing a loaded gun at his chest-- a tough yet beautiful woman that Sam hired as the house manager. Colt senses there's more to Angelina Morales than meets the eye, and he's determined to find out what she's hiding...and why. Colt's return brings new challenges. Younger brother Nick, who's longbeen Sam's right-hand man,isn't thrilled when Colt inserts himself into Double S affairs. And the ranch's contentious relationship with the town's people forces all the Stafford men to reconsider what it truly means to be a neighbor. As Wall Street recovers, will Colt succumb to the call of the financial district--or stay in the saddle for good?
When your horse suddenly develops a performance problem or a bad attitude and neither seem to be remedied by new training techniques or medical care, you often face months—even years—of frustration and career limitation. Dr. Joyce Harman, veterinarian and respected saddle-fitting expert, states that 75 percent of horses with such issues are simply reacting to pain caused by ill-fitting saddles. And, as she explains in this thorough and highly illustrated book, poor saddle fit can be corrected with patience and know-how.
Lisa’s on the trail ride of her life! Lisa Atwood and Carole Hanson are going to the Bar None Ranch to see their friend Kate. Of course, the Bar None means horses, but this year there’s also a cool archaeological dig going on nearby, and the girls are frequent visitors to the site. They’re having a perfect trip–and what better way to enjoy it than with a bareback midnight trail ride to watch a meteor shower? On the trail ride, Carole falls seriously ill, and Lisa has to leave her to get help. But there are other people out in the desert that night, and they don’t want Lisa to go anywhere. Now Lisa must ride for her life–and Carole’s.
As the United States expanded west in the 1800s, and cattle became big business, the figure of the young brash cattleman who rode with the herds quickly emerged as a cultural icon. Victorian Americans went crazy for cowboys, snapping up dime-store novels and sheet music, and turning out in droves for Buffalo Bill Cody's Wild West Show. It was only a matter of time before someone brought together these three facets-entertainer, singer, and cowboy. And when Carl T. Sprague recorded the first hit cowboy record ("When the Work's All Done This Fall") in 1925, the singing cowboy as we know him was born. A singing cowboy himself, Douglas B. Green (better known as Ranger Doug from the Grammy-award-winning group Riders In The Sky) is uniquely suited to write the story of the singing cowboy. He has been collecting information and interviews on western music, films, and performers for nearly thirty years. In this volume, he traces this history from the early days of vaudeville and radio, through the heyday of movie westerns before World War II, to the current revival. He provides rich and careful analysis of the studio system that made men such as Gene Autry and Roy Rogers famous, and he documents the role that country music and regional television stations played in carrying on the singing cowboy tradition after World War II. This book, lavishly illustrated with over 140 photos, is a wealth of information that comes out of decades of research. Green has unearthed never-before-published photos and rare movie posters-including one from an all-Black western, Harlem on the Prairie (1938). Through his close friendships with other singing cowboys and their families, Green is able to provide rare insights into the ways that some like Autry became stars and others like Raoul Walsh (who lost his eye in a shooting accident and later became a famous director) did not. Green also traces the history of cowboy music, from popular songs such as "Sweet Betsy from Pike" to the instantly recognizable harmonies of the Sons of the Pioneers. Green even speculates about just when the famous yodel became a ubiquitous part of the singing cowboy's repertoire. More important, Green reveals how the imagery of the singing cowboy has become such a potent force that even now country musicians don cowboy hats so as to symbolically take part in the legend. Nowhere has the recorded history of the singing cowboy and the film history been collected in one volume, and this book is sure to become the resource for students of the style. Co-published with the Country Music Foundation Press
Carole, Stevie, and Lisa, the three members of The Saddle Club, are totally devoted to horses—and to each other. But for Carole, it seems as if there's not much she can count on except riding and the friendship of The Saddle Club. Ever since her mother died, Carole has urged her dad to go out on dates. But now she's afraid that he's getting serious with a woman whom she isn't ready to think of as a stepmother. Meanwhile, Carole's getting the last thing she needs: unwanted attention from a boy. Scott will do anything—even muck out the stables—to get near her. And Stevie and Lisa aren't much help. They're busy modeling for a riding catalog—and finding out that modeling's not all it's cracked up to be!
Dickens & Clot Investigations Ltd, a detective agency in a waterlogged, semi-buried Madrid of the near future, has a couple of unusual specialities: helping distraught authors and taking on Manex Chopeitia. The authors are frantically in search of characters who?ve quit the page and assumed a life of their own; Manex Chopeitia is the Big Brother of the genetic-engineering company that rules over both the capital and the destiny of the US-Iberian Federation. With the help of a cowboy sidekick, on the loose from an unfinished manuscript, Carlos Clot is on a personal quest to put some dodgy people (both ?real? and ?fictional?) in their place.
