As a young girl, medieval saint, healer, visionary, exorcist, and composer Hildegard von Bingen was locked in a cloister’s cell after demonstrating a preterenatural sensitivity to the world around her. Sequestered with Hildegard is Jutta, a woman who has spent her life secluded in an effort to recover a whole self after deepest trauma. Under Jutta’s guidance, Hildegard attempts to reassemble her own fragmented self while her mentor proselytizes a rejection of brokenness. IN THE GREEN is a musical unlike any you’ve seen, an astonishingly sonically sophisticated saga of two exceptional women broken by the world and their journey of healing that changed history.
The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.
Why did many Irish Americans, who did not have a direct connection to slavery, choose to fight for the Confederacy? This perplexing question is at the heart of David T. Gleeson's sweeping analysis of the Irish in the Confederate States of America. Taking a broad view of the subject, Gleeson considers the role of Irish southerners in the debates over secession and the formation of the Confederacy, their experiences as soldiers, the effects of Confederate defeat for them and their emerging ethnic identity, and their role in the rise of Lost Cause ideology. Focusing on the experience of Irish southerners in the years leading up to and following the Civil War, as well as on the Irish in the Confederate army and on the southern home front, Gleeson argues that the conflict and its aftermath were crucial to the integration of Irish Americans into the South. Throughout the book, Gleeson draws comparisons to the Irish on the Union side and to southern natives, expanding his analysis to engage the growing literature on Irish and American identity in the nineteenth-century United States.
The picture book inspiration for the Academy Award-winning film The Green Book Ruth was so excited to take a trip in her family's new car! In the early 1950s, few African Americans could afford to buy cars, so this would be an adventure. But she soon found out that Black travelers weren't treated very well in some towns. Many hotels and gas stations refused service to Black people. Daddy was upset about something called Jim Crow laws . . . Finally, a friendly attendant at a gas station showed Ruth's family The Green Book. It listed all of the places that would welcome Black travelers. With this guidebook—and the kindness of strangers—Ruth could finally make a safe journey from Chicago to her grandma's house in Alabama. Ruth's story is fiction, but The Green Book and its role in helping a generation of African American travelers avoid some of the indignities of Jim Crow are historical fact.
Policymakers and program managers are continually seeking ways to improve accountability in achieving an entity's mission. A key factor in improving accountability in achieving an entity's mission is to implement an effective internal control system. An effective internal control system helps an entity adapt to shifting environments, evolving demands, changing risks, and new priorities. As programs change and entities strive to improve operational processes and implement new technology, management continually evaluates its internal control system so that it is effective and updated when necessary. Section 3512 (c) and (d) of Title 31 of the United States Code (commonly known as the Federal Managers' Financial Integrity Act (FMFIA)) requires the Comptroller General to issue standards for internal control in the federal government.
Nancy Mitford’s most controversial novel, unavailable for decades, is a hilarious satirical send-up of the fascist political enthusiasms of her sisters Unity and Diana, and of her notorious brother-in-law, Sir Oswald Mosley. Written in 1934, early in Hitler’s rise, Wigs on the Green lightheartedly skewers the devoted followers of British fascism. The sheltered and unworldy Eugenia Malmain is one of the richest girls in England and an ardent supporter of General Jack and his Union Jackshirts. World-weary Noel Foster and his scheming friend Jasper Aspect are in search of wealthy heiresses to marry; Lady Marjorie, disguised as a commoner, is on the run from the Duke she has just jilted at the altar; and her friend Poppy is considering whether to divorce her rich husband. When these characters converge with the colorful locals at a grandly misconceived costume pageant that turns into a brawl between Pacifists and Jackshirts, madcap farce ensues. Long suppressed by the author out of sensitivity to family feelings, Wigs on the Green can now be enjoyed by fans of Mitford’s superbly comic novels.
From the author of Norwegian By Night comes a new novel about two men on a misbegotten quest to save the girl they failed to save decades before. 1991. Near Checkpoint Zulu, one hundred miles from the Kuwaiti border, Thomas Benton meets Arwood Hobbes. Benton is a British journalist who reports from war zones, in part to avoid his lacklustre marriage and a daughter he loves but cannot connect with; Hobbes is a midwestern American private who might be an insufferable ignoramus, or might be a brilliant lunatic with a death wish — it’s hard to tell. Operation Desert Storm is over, peace has been declared, but as they argue about whether it makes sense to cross the nearest border in search of an ice cream, they become embroiled in a horrific attack in which a young local girl in a green dress is shot in the back and dies in Hobbes’s arms. The two men walk away into their respective lives. But something has cracked for them both. Twenty-two years later, in another place, in another war, the two men meet again. Benton and relief worker Märta Ström are persuaded by a much-changed Hobbes to embark on what may be a fool’s errand in a last-chance effort to redeem themselves when the girl in green is found alive and in need of salvation. Or is she? Set against the war-torn landscape of a shattered Iraq, The Girl in Green is an adventure story told with all the wit, humanity, and insight of Miller’s acclaimed debut. PRAISE FOR DEREK B. MILLER ‘A suspenseful, character-driven, eerily prescient moral thriller.’ The Saturday Age ‘Miller brilliantly blends offbeat reflection and dark emotion ... A penetrating, poetic, and unexpectedly disarming book about the ageless conflict in the Middle East.’ Kirkus
Move over, Christmas Carol—here’s a new holiday ghost story! It's Christmas Eve, and Kaye’s family is on the way to her grandmother’s house in a swirling snowstorm. Suddenly the car hits a patch of ice. It slides across the road and skids into a snow-filled ditch! Through the car window, Kaye spots a light in the woods. Its glow leads her and her parents through the blizzard. They find a warm cabin and a kindly old woman named Elsa. And Kaye finds something else—a green ghost who needs her help! Newbery Honor–winning author Marion Dane Bauer spins a third spooky tale to complement her previous stories, The Blue Ghost and The Red Ghost.