Everyone who ever set pen to paper on the subject of Grace seems to have been intensely subjective. In In Search of Alias Grace, Margaret Atwood describes her own search for the facts, what she found out, what eluded her grasp and how this process shaped her novel.
The bestselling author of The Handmaid's Tale and The Testaments reveals the life of one of the most notorious women of the nineteenth century in this "shadowy, fascinating novel" (Time). • A Netflix original miniseries. It's 1843, and Grace Marks has been convicted for her involvement in the vicious murders of her employer and his housekeeper and mistress. Some believe Grace is innocent; others think her evil or insane. Now serving a life sentence, Grace claims to have no memory of the murders. An up-and-coming expert in the burgeoning field of mental illness is engaged by a group of reformers and spiritualists who seek a pardon for Grace. He listens to her story while bringing her closer and closer to the day she cannot remember. What will he find in attempting to unlock her memories? Captivating and disturbing, Alias Grace showcases bestselling, Booker Prize-winning author Margaret Atwood at the peak of her powers.
In this intimate debut thriller in the vein of Donna Tartt’s The Secret History, an award-winning mystery writer delves into the mind of a young woman who’s closer to murder than she’d like to admit. “This is about three deaths. Actually more, if you go back far enough. I say deaths but perhaps all of them were murders. It’s a grey area. Murder, like beauty, is in the eye of the beholder.” Within six months of her arrival at a university campus, three of Penelope Sheppard’s new friends are dead. And only Pen knows why. This isn’t Pen’s first encounter with violence, and she’s an expert at keeping secrets—especially ones as dark and dangerous as her own. Reputations have a way of haunting you—they’re easy to make, hard to shake. After Pen leaves her isolated hometown to escape the judgmental stares of her neighbors and carve out a new identity for herself, she’s free from the stigma of her past mistakes. At school, Pen is anonymous, surrounded by an eclectic collection of perfect strangers. But when someone begins to uncover the deadly secrets she thought she’d left behind, how far will Pen go to protect her new life? Six months later, Pen is back home, the victim of a violent trauma and a pariah once again. Now, reluctantly, she must recount her story from start to finish: to her shrink, to the police, even to herself. Because until she tells the whole truth, there will be no escaping the past. Praise for All These Perfect Strangers “Best book I’ve read this year. Fabulous writing.”—Fiona Barton, New York Times bestselling author of The Widow “All These Perfect Strangers gripped me and didn’t let go until the last page. Aiofe Clifford creates a disturbing but compelling cast of characters, leaving the reader constantly guessing what’s around the corner. It’s a cleverly woven plot, a wonderful, compelling read that lingers long after the book is closed.”—Jane Harper, award-winning author of The Dry “Unputdownable.”—Marie Claire (Australia) “A picture of death and betrayal across the sexually charged canvas of a first year on a university campus . . . tense, sparse . . . The gripping plot challenges and subverts the notion of innocence until the very last page.”—Monocle “A compulsively readable mystery set on a college campus, with one girl at the heart of it all, All These Perfect Strangers is a seething conflagration of lies and betrayal that explodes to a shocking conclusion. I couldn't put it down!”—Carla Buckley, author of The Good Goodbye “Aoife Clifford has given us one terrific yarn. All These Perfect Strangers is tender and cruel, naïve and complex, hopeful and crushing. In other words, real to the broken and bloody bone. A phenomenal debut novel that will make you forget you have other things to do. Read this book and spend the next week captivated by our hero, Pen Sheppard.”–T. E. Woods, author of the Justice series “Intrigue, betrayal and murder . . . deliciously dark.”–T.R. Richmond, author of What She Left “Aoife Clifford’s debut novel twists and turns and twists again. All These Perfect Strangers is really a perfect blend of storytelling and psychological suspense. I can’t wait to see what Clifford does next.”—Nichole Christoff, author of The Kill List
From the #1 New York Times bestselling author of The Handmaid's Tale In each of these tales Margaret Atwood deftly illuminates the shape of a whole life: in a few brief pages we watch as characters progress from the vulnerabilities of adolescence through the passions of youth into the precarious complexities of middle age. The past resurfaces in the present in ways both subtle and dramatic: the body of a lost Arctic explorer emerges from the ice, a 2,000-year-old bog man turns up in an archeological dig, a man with dark secrets marries his lover’s sister, a girl who disappears on a canoe trip haunts her friend many decades later. The richly layered stories in Wilderness Tips map interior landscapes shaped by time, regret, and lost chances, endowing even the most unassuming of lives with a disquieting intensity.
Augusta Travers has spent the last three years avoiding the stifling expectations of New York society and her family's constant disappointment. As the nation's most fearless--and reviled--columnist, Gussie travels the country with her Kodak camera and spins stories for women unable to leave hearth and home. But when her adventurous nature lands her in the middle of a scandal, an opportunity to leave America offers the perfect escape. Arriving in India, she expects only a nice visit with childhood friends, siblings Catherine and Gabriel, and escapades that will further her career. Instead, she finds herself facing a plague epidemic, confusion over Gabriel's sudden appeal, and the realization that what she wants from life is changing. But slowing down means facing all the hurts of her past that she's long been trying to outrun. And that may be an undertaking too great even for her. Praise for Kimberly Duffy: "Duffy shines in elegant, flowing prose and delicate precision that underscores the nineteenth-century setting."--BOOKLIST starred review "An author to watch."--LIBRARY JOURNAL "Duffy's writing is beautiful, deep, and contemplative."--JOCELYN GREEN, Christy Award-winning author of Shadows of the White City "Duffy [has a] capable pen and inimitable passion for portraying India."--RACHEL MCMILLAN, author of The London Restoration and The Mozart Code
A stunning and provocative new novel by the internationally celebrated author of The Blind Assassin, winner of the Booker Prize. Margaret Atwood’s new novel is so utterly compelling, so prescient, so relevant, so terrifyingly-all-too-likely-to-be-true, that readers may find their view of the world forever changed after reading it. This is Margaret Atwood at the absolute peak of her powers. For readers of Oryx and Crake, nothing will ever look the same again. The narrator of Atwood's riveting novel calls himself Snowman. When the story opens, he is sleeping in a tree, wearing an old bedsheet, mourning the loss of his beloved Oryx and his best friend Crake, and slowly starving to death. He searches for supplies in a wasteland where insects proliferate and pigoons and wolvogs ravage the pleeblands, where ordinary people once lived, and the Compounds that sheltered the extraordinary. As he tries to piece together what has taken place, the narrative shifts to decades earlier. How did everything fall apart so quickly? Why is he left with nothing but his haunting memories? Alone except for the green-eyed Children of Crake, who think of him as a kind of monster, he explores the answers to these questions in the double journey he takes - into his own past, and back to Crake's high-tech bubble-dome, where the Paradice Project unfolded and the world came to grief. With breathtaking command of her shocking material, and with her customary sharp wit and dark humour, Atwood projects us into an outlandish yet wholly believable realm populated by characters who will continue to inhabit our dreams long after the last chapter.
This book engages with Margaret Atwood’s work and its adaptations. Atwood has long been appreciated for her ardent defence of Canadian authors and her genre-bending fiction, essays, and poetry. However, a lesser-studied aspect of her work is Atwood’s role both as adaptor and as source for adaptation in media as varied as opera, television, film, or comic books. Recent critically acclaimed television adaptations of the novels The Handmaid’s Tale (Hulu) and Alias Grace (Amazon) have rightfully focused attention on these works, but Atwood’s fiction has long been a source of inspiration for artists of various media, a seeming corollary to Atwood’s own tendency to explore the possibilities of previously undervalued media (graphic novels), genres (science-fiction), and narratives (testimonial and historical modes). This collection hopes to expand on other studies of Atwood’s work or on their adaptations to focus on the interplay between the two, providing an interdisciplinary approach that highlights the protean nature of the author and of adaptation.
"A luminous and beautiful novel that gently lures the reader into a captivating story with a mystery at its heart." – Jennifer Saint, bestselling author of Ariadne Set on a secluded island off the British coast, The Women of Pearl Island is a moving and evocative story of family secrets, natural wonders and a mystery spanning decades. When Tartelin answers an ad for a personal assistant, she doesn't know what to expect from her new employer, Marianne, an eccentric elderly woman. Marianne lives on a remote island that her family has owned for generations, and for decades her only companions have been butterflies and tightly held memories of her family. But there are some memories Marianne would rather forget, such as when the island was commandeered by the British government during WWII. Now, if Marianne can trust Tartelin with her family's story, she might finally be able to face the long-buried secrets of her past that have kept her isolated for far too long.
Melbourne, 1941. Headstrong young Mae meets and falls head over heels in love with Harry Parker, a dashing naval engineer. After a whirlwind courtship they marry and Mae is heavily pregnant when she hears that Harry has just received his dream posting to HMAS Sydney. Just after Mae becomes a mother, she learns Harry's ship is missing. Meanwhile, Grace Fowler is battling prejudice to become a reporter on the afternoon daily newspaper, The Tribune, while waiting for word on whether her journalist boyfriend Phil Taylor, captured during the fall of Singapore, is still alive. Surrounded by their friends and families, Mae and Grace struggle to keep hope alive in the face of hardship and despair. Then Mae's neighbour and Grace's boss Sam Barton tells Mae about a rumour that the Japanese have towed the damaged ship to Singapore and taken the crew prisoner. Mae's life is changed forever as she focuses her efforts on willing her husband home. Set in inner Melbourne and rural Victoria, We That Are Left is a moving and haunting novel about love and war, the terrifyingly thin line between happiness and tragedy, and how servicemen and women are not the only lives lost when tragedy strikes during war.