Their job is to investigate crime – not become the victims... A killer is terrorising London but this time the police are the targets. Urgently re-assigned to investigate a series of brutal attacks on fellow officers, Maeve Kerrigan and her boss Josh Derwent have little idea what motivates the killer’s fury against the force. But they know it will only be a matter of time before the killer strikes again.
What's it like to have the legal sanction to shoot and kill? This compelling and often startling book answers this, and many other questions about the oft-times violent world inhabited by our nation's police officers. Written by a cop-turned university professor who interviewed scores of officers who have shot people in the course of their duties, Into the Kill Zone presents firsthand accounts of the role that deadly force plays in American police work. This brilliantly written book tells how novice officers are trained to think about and use the power they have over life and death, explains how cops live with the awesome responsibility that comes from the barrels of their guns, reports how officers often hold their fire when they clearly could have shot, presents hair-raising accounts of what it's like to be involved in shoot-outs, and details how shooting someone affects officers who pull the trigger. From academy training to post-shooting reactions, this book tells the compelling story of the role that extreme violence plays in the lives of America's cops.
An ex-cop turned PI goes up against a lady killer known as “The Butcher” in this crime thriller New York Times–bestselling author of Darker Than Night. An Invitation Written In Blood . . . A madman is stalking women in the city. By the time his victims are found, they’ve been dismembered with careful precision, their limbs stacked into a gruesome pyramid and completely cleansed of every last drop of blood. To Catch A Killer—Or Die Next . . . Accustomed to working on the most grisly homicides, detective Frank Quinn’s nerves don’t rattle easily. But when the last names of the killer’s victims spell out “Q-u-i-n-n,” the veteran cop feels a chill run down his spine. Then, a fresh victim is linked to the one woman Quinn can’t stop desiring. Hunting down killers is what Quinn does best. But this time, Quinn is up against a psychopath that will test him as never before . . . Praise for In for the Kill “Shamus and Edgar award–winner Lutz gives us further proof of his enormous talent. . . . Lutz has a thorough command of plot and character, making this another enthralling page turner.” —Publishers Weekly “Moviegoers sometimes hide their eyes during the really scary parts. Readers would do that while turning these pages, too, if not for the obvious drawback. A very scary and suspenseful read.” —Booklist
Her worst nightmare brought back to life, she risks everything for a second shot at justice. For thirty years, FBI scientist Olivia St. Martin has lived with guilt and one abiding certainty–that while she wasn’t able to save her sister’s life, she did testify and helped to convict the rapist and killer. When shocking new evidence exonerates the man Olivia is sure she saw abduct her sister, she breaks every rule in the book to uncover the truth. Driven by the possibility that she put the wrong man behind bars, Olivia discovers that a serial killer has been at large all these years. Believing that the monster has just struck again in Seattle, Olivia leaves her lab and poses as a field agent, sharing her unofficial investigation with a hardworking Seattle cop. Olivia doesn’t want to lie to detective Zack Travis. And she certainly doesn’t want to fall in love. But as the investigation intensifies, Olivia and Zack find that they’re rapidly losing control–over their hearts, their secrets, and a case that threatens to consume them.
Fiction and reality collide for former FBI agent and author Rowan Smith when murders occur that mirror those in her novel, and the only way to face down the tormenting killer is to revisit the darkness of her past.
‘I don’t like killing, but I’m good at it. Murder isn’t so bad from a distance, just shapes popping up in my scope. Close-up work though – a garrotte around a target’s neck or a knife in their heart – it’s not for me. Too much empathy, that’s my problem. Usually. But not today. Today is different . . . ‘ The year is 1955 and something is very wrong with the world. It is fourteen years since Churchill died and the Second World War ended. In occupied Europe, Britain fights a cold war against a nuclear-armed Nazi Germany. In Berlin the Gestapo is on the trail of a beautiful young resistance fighter, and the head of the SS is plotting to dispose of an ailing Adolf Hitler and restart the war against Britain and her empire. Meanwhile, in a secret bunker hidden deep beneath the German countryside, scientists are experimenting with a force far beyond their understanding. Into this arena steps a nameless British assassin, on the run from a sinister cabal within his own government, and planning a private war against the Nazis. And now the fate of the world rests on a single kill in the morning . . .
It was a "million-dollar bullet," a sniper shot delivered from over a mile away. Its victim was no ordinary mark: he was a United States citizen, targeted by the United States government, and assassinated in the Bahamas. The nation's most renowned investigator and forensics expert, Lincoln Rhyme, is drafted to investigate. While his partner, Amelia Sachs, traces the victim's steps in Manhattan, Rhyme leaves the city to pursue the sniper himself. As details of the case start to emerge, the pair discovers that not all is what it seems. When a deadly, knife-wielding assassin begins systematically eliminating all evidence--including the witnesses--Lincoln's investigation turns into a chilling battle of wits against a cold-blooded killer.
'It was the time when the rush for spoils filled a corner of the forest with the yelping of hounds, the cracking of whips, the flaring of torches. The appetites let loose were satisfied at last, shamelessly, amid the sound of crumbling neighbourhoods and fortunes made in six months. The city had become an orgy of gold and women.' The Kill (La Curée) is the second volume in Zola's great cycle of twenty novels, Les Rougon-Macquart, and the first to establish Paris - the capital of modernity - as the centre of Zola's narrative world. Conceived as a representation of the uncontrollable 'appetites' unleashed by the Second Empire (1852-70) and the transformation of the city by Baron Haussmann, the novel combines into a single, powerful vision the twin themes of lust for money and lust for pleasure. The all-pervading promiscuity of the new Paris is reflected in the dissolute and frenetic lives of an unscrupulous property speculator, Saccard, his neurotic wife Renée, and her dandified lover, Saccard's son Maxime. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
On a trip to Scotland, bookbinder Brooklyn Wainwright gets caught up in case involving a forbidden masterpiece in the second novel in the New York Times bestselling Bibliophile Mystery series. Book restoration expert Brooklyn Wainwright is happy to be attending the world-renowned Edinburgh Book Fair. But then her ex, Kyle McVee, shows up with a bombshell. He has an original copy of a scandalous text that could change history—and humiliate the beloved British monarchy. Trying to get Kyle’s story out of her mind, Brooklyn takes a nighttime tour of the city. Unfortunately, the first landmark contains a real dead body—Kyle’s. The police are convinced Brooklyn’s the culprit, but with an entire convention of suspects, Brooklyn’s conducting her own investigation. Before she can crack the case, she’ll have to find out if the motive for murder was a 200-year-old secret—or something much more personal...
Exploding telephones, pipe-guns and bullets made of teeth, aspirin explosives, cobra-venom darts, a rifle that shoots around corners, a 'piss bomb' (10 cups of boiled urine mixed with nitric acid), exploding clams, samurai swords, karate chops, poisoned umbrellas and a fuel-laden light aircraft. Sometimes even a regular gun. These are just some of the methods that have been used over the last fifty years to speed 4,000 VIPs to a premature end. How to Kill is not an encyclopaedia of assassination but rather a gripping history that charts the development of the modern world through the eyes of the assassins that tried to change it. It is also a work of investigation, surprising conspiracies and remarkable connections are uncovered throughout. This book is the first to study in detail not only the causes and surprising consequences of assassination, but also the crucial seconds of the act itself and the psychology of the assassin in an effort to understand why some assassinations succeed where others fail - and what might be done to prevent them. It is also the first book to examine the fascinating facts and figures of assassination, revealing everything from the success rate by type of weapon and the escape and survival rates of assassins to the most popular time of year and location for assassination. The definitive book on assassination, How to Kill shows that sometimes, one murder can change the world.
