Impressionist and Post-impressionist Paintings in the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
Published: 1985
Total Pages: 256
ISBN-13: 0870993178
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Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
Published: 1985
Total Pages: 256
ISBN-13: 0870993178
DOWNLOAD EBOOKAuthor: Nicholas Wadley
Publisher: Penguin Putnam
Published: 1991
Total Pages: 312
ISBN-13:
DOWNLOAD EBOOKThis work forms a history of drawing in late 19th-century France, focusing on the major Impressionist and Post-Impressionist painters.
Author: Philadelphia Museum of Art
Publisher: Highlights from the Philadelph
Published: 2019
Total Pages: 0
ISBN-13: 9780876332894
DOWNLOAD EBOOK"Published on the occasion of the exhibition The impressionist's eye, Philadelphia Museum of Art, April 16-August 18, 2019"--Colophon.
Author: Mary Tompkins Lewis
Publisher: Univ of California Press
Published: 2023-12-22
Total Pages: 368
ISBN-13: 052094044X
DOWNLOAD EBOOKThe essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France—including detailed looks at Monet, Manet, Pissarro, Degas, Cézanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, Martha Ward
Author: Nathalia Brodskaïa
Publisher: Parkstone International
Published: 2023-12-28
Total Pages: 200
ISBN-13: 1783103892
DOWNLOAD EBOOKWhilst Impressionism marked the first steps toward modern painting by revolutionising an artistic medium stifled by academic conventions, Post-Impressionism, even more revolutionary, completely liberated colour and opened it to new, unknown horizons. Anchored in his epoch, relying on the new chromatic studies of Michel Eugène Chevreul, Georges Seurat transcribed the chemist’s theory of colours into tiny points that created an entire image. With his heavy strokes, Van Gogh illustrated the midday sun, whilst Cézanne renounced perspective. Rich in its variety and in the singularity of its artists, Post-Impressionism was a passage taken by all the well-known figures of 20th century painting - it is here presented, for the great pleasure of the reader, by Nathalia Brodskaïa.
Author: Carol Sabbeth
Publisher: Chicago Review Press
Published: 2011-05
Total Pages: 162
ISBN-13: 156976882X
DOWNLOAD EBOOKA collection of artwork for children by Vincent van Gogh and other French artists.
Author: Vincent van Gogh
Publisher:
Published: 1912
Total Pages: 226
ISBN-13:
DOWNLOAD EBOOKAuthor: Florence E. Coman
Publisher: Abbeville Publishing Group
Published: 1995-01-03
Total Pages: 324
ISBN-13: 9780789204912
DOWNLOAD EBOOKAs one of the Tiny Folio Great Museum series, this book is designed as a tour of the National Gallery's collection of Impressionist and post-Impressionist paintings, drawings, prints and sculpture. Visitors to the National Gallery in Washington usually make straight for the rooms holding the museum's works by the greatest Impressionist artists, including Degas, Renoir, Van Gogh, Gauguin, Cezanne and many others. This miniature compendium includes all the favourites, along with many less-familiar works photographed especially for this volume.
Author: Christopher Lloyd
Publisher: National Geographic Books
Published: 2019-09-10
Total Pages: 0
ISBN-13: 0500021236
DOWNLOAD EBOOKAn unprecedented volume featuring over two hundred drawings by twenty Impressionist and Post-Impressionist artists. Claude Monet, Mary Cassatt, Edgar Degas, Paul Ce´zanne, Georges Seurat, Paul Gauguin, Vincent van Gogh, and their colleagues made some of the most beautiful drawings in the history of art. This book sets drawings by the impressionists and post-impressionists in the context of late nineteenth-century France, explaining why these particular works are as important as these artists’ paintings in the representation of modernity. A new approach to materials and a wholly inclusive attitude to exhibitions elevated drawing's status higher in this period than ever before, which avant-garde artists welcomed in their preference for scenes from contemporary life. For the first time, painting and drawing shared the same stylistic principles of spontaneity, freer handling, and lack of finish. Pastels by Degas, watercolors by Ce´zanne, pen-and-ink drawings by Van Gogh, and mixed media works by Henri de Toulouse-Lautrec have an autonomy of their own, which proved instrumental in the development of modern art. With short introductory essays on twenty of the leading Impressionist and Post-Impressionist artists, each followed by a portfolio of their drawings, Impressionist & Post-Impressionist Drawing highlights an aspect of French avant-garde art that was of immense importance for the art movements that followed.
Author: Martha Kapos
Publisher:
Published: 1993
Total Pages: 382
ISBN-13:
DOWNLOAD EBOOKIn 1910 the critic Roger Fry organized an exhibition at the Grafton Galleries, London, of avant-garde painting which included works by Cezanne, Van Gogh, Gauguin and Matisse. This exhibition became as important a landmark in the official histories of modern art as the subsequent Armory Show in America. These artists did not belong to a single unified movement defined or recognized at the time, and Fry, in a quandary as to what to call the exhibition, and losing patience at the last minute, said, "Oh, let's just call them Post-Impressionists; at any rate, they came after the Impressionists". In this way one of the important critical categories, one of the "isms" of modern art, was born. But "Post-Impressionism" was not a name which Van Gogh, Gauguin, Seurat or Cezanne or any artists of the period would have applied to themselves. The documents in this book, many of which appear in English for the first time, show how artists and critics in the aftermath of Impressionism did describe themselves: how they responded to tradition, to each other and to the kaleidoscope of the contemporary scene. This was a period of reconsideration, of moving on from aspects of Impressionism, and of coming to grips with the isolation that avant-garde art had imposed on the individual artist. It was a period in which the emphasis within Impressionism on the construction of painting purely by means of color had left artists with the question of how the power of this basic form related to their own feelings and to nature. New ideas were coming from poetry as well as painting that laid the basis for modernism. These issues and the personal struggles of the artists themselves are revealed in their letters, and inthe writings of friends and critics, many of whom, such as Mallarme, Laforgue, Huysmans, and Proust were novelists and poets. This book also includes commentaries from Rainer Maria Rilke, Virginia Woolf, and W. H. Auden as well as modern critics, artists, philosophers and art historians: Georges Bataille, Paul Klee, and Meyer Schapiro on Van Gogh; John Berger on Bonnard; Maurice Merleau-Ponty, Clement Greenberg, Adrian Stokes and Lawrence Gowing on Cezanne. The text is illustrated with 119 colorplates and 125 black and white reproductions of contemporary photographs, cartoons, documents, prints and drawings.