The J. Paul Getty Museum Journal

The J. Paul Getty Museum Journal

Author: The J. Paul Getty Muiseum

Publisher: Getty Publications

Published: 1977-01-01

Total Pages: 90

ISBN-13: 0892360062

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The J. Paul Getty Museum Journal 4 is a compendium of articles and notes pertaining to the Museum’s permanent collections of decorative arts. This volume includes an introduction and two articles by Gillian Wilson, Curator of Decorative Arts. Volume 4 also features articles by Jiří Frel, the Museum’s Curator of Antiquities; Edith Standen, Curatorial Consultant, Department of Western European Art, the Metropolitan Museum of Art in New York; Geraldine Hussman, California State University at Northridge; Jean-Luc Bordeaux, Professor of Art History and Director of the Fine Arts Gallery, California State University at Northridge; and Faya Causey, University of California, Santa Barbara.


Goldsmiths & Silversmiths

Goldsmiths & Silversmiths

Author: Hugh Honour

Publisher: London : Weidenfeld and Nicolson

Published: 1971

Total Pages: 320

ISBN-13: 9780297003441

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Studies of 50 goldsmiths and silversmiths from 10 countries and 11 centuries.


Bruegel to Rembrandt

Bruegel to Rembrandt

Author: William W. Robinson

Publisher: Harvard Art Museums

Published: 2002

Total Pages: 299

ISBN-13: 9780300093476

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This book presents highlights from the collection of Maida and George Abrams, arguably the finest private collection of Dutch seventeenth-century drawings in the world. The works range from studies by renowned masters - including Pieter Bruegel the Elder, Rembrandt van Rijn, Jacob van Ruisdael, Jacques de Gheyn II, Hendrick Goltzius, Hendrick Avercamp, among others - to drawings by lesser-known draftsmen whose contributions are essential to understanding the art of the period.


Collections of Paintings in Haarlem, 1572-1745

Collections of Paintings in Haarlem, 1572-1745

Author: P. Biesboer

Publisher: Getty Publications

Published: 2001

Total Pages: 814

ISBN-13: 9780892365739

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In the seventeenth and eighteenth centuries, Haarlem's thriving art community made the city an important center of artistic activity, second only to Amsterdam in influence. Inventories from this period serve as key implements in describing collectors' tastes, and they also provide information about the social habits of living among and displaying luxury goods. This book transcribes for the first time a selection of one hundred twelve important documents discovered by author Pieter Biesboer in the notarial archives of Haarlem. It also contains indexes by artist and subject, as well as a list of more than thirty-five hundred documents in which art objects are listed, found in the Archiefdienst voor Kennemerland in Haarlem. Biesboer's introductory essay provides an in-depth survey of the history of collecting in Haarlem during the seventeenth and early-eighteenth centuries. The inventories of citizens, patricians, merchants, artists, and silversmiths are included, along with the inventories of the Convent of Saint Jan, the Prinsenhof, Saint Elisabeth's Hospital, the Old Men's Almshouse, the Orphanage, and other almshouses. Together they present a comprehensive look at commissioned paintings for public buildings and institutions by artists such as Cornelis Cornelisz van Haarlem, Frans Hals, Johannes Verspronck, and Cornelis Holsteijn. In addition to paintings, Biesboer catalogues a small number of drawings, porcelain, lace, sculpture, and jewelry.


Verso

Verso

Author: James G. Harper

Publisher: Harvard Art Museum (Acc)

Published: 2001

Total Pages: 80

ISBN-13:

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Through history artists have often worked on both sides of a piece of paper. But they rarely had the option to decide which side to display. With the 20th century, however, this changed. An interesti ng Fogg Art Museum show from which this catalogue is derived was the first to display the front and back of great works. Described are paper