Art Up Close
Art Up Close

Author: Claire d'Harcourt

Publisher: Princeton Architectural Press

Published: 2017-10-03

Total Pages: 0

ISBN-13: 9781616894214

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This sequel to the best-selling Masterpieces Up Close is another fun, interactive book that introduces works of art from museums around the world across different eras and styles, including an ancient Egyptian papyrus, a Byzantine mosaic, Renaissance frescoes, a medieval European tapestry, Arabic and Aztec manuscripts, Japanese woodblock prints, and impressionist, surrealist, and cubist paintings. Full-color reproductions of twenty-three famous works of art provide a colorful hunting ground for over two hundred close-up details. Lift-the-flap keys at the end of the book provide intriguing facts about the works and the artists who created them. Young readers will learn how artistic expression has developed through the centuries and discover how looking at familiar images up close reveals new insights into the world of art.

Iconotropy and Cult Images from the Ancient to Modern World
Iconotropy and Cult Images from the Ancient to Modern World

Author: Jorge Tomás García

Publisher: Routledge

Published: 2022-04-06

Total Pages: 273

ISBN-13: 1000574210

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The book examines the process of symbolic and material alteration of religious images in antiquity, the middle ages and the modern period. The process by which the form and meaning of images are modified and adapted for a new context is defined by a large number of spiritual, religious, artistic, geographical or historical circumstances. This book provides a defined theoretical framework for these symbolic and material alterations based on the concept of iconotropy; that is, the way in which images change and/or alter their meaning. Iconotropy is a key concept in religious history, particularly for periods in which religious changes, often turbulent, took place. In addition, the iconotropic process of appropriating cult images brought with it changes in the materiality of those images. Numerous accounts from antiquity, the middle ages and the modern period detail how cult images were involved in such processes of misinterpretation, both symbolically and materially. The book will be of interest to scholars working in art history, visual culture and religious history.