In northwest Namibia, people’s political imagination offers a powerful insight into the post-apartheid state. Based on extensive anthropological fieldwork, this book focuses on the former South African apartheid regime and the present democratic government; it compares the perceptions and practices of state and customary forms of judicial administration, reflects upon the historical trajectory of a chieftaincy dispute in relation to the rooting of state power and examines everyday forms of belonging in the independent Namibian State. By elucidating the State through a focus on the social, historical and cultural processes that help constitute it, this study helps chart new territory for anthropology, and it contributes an ethnographic perspective to a wider set of interdisciplinary debates on the State and state processes.
In the early sixties, South Africa’s colonial policies in Namibia served as a testing ground for many key features of its repressive ‘Grand Apartheid’ infrastructure, including strategies for countering anti-apartheid resistance. Exposing the role that anthropologists played, this book analyses how the knowledge used to justify and implement apartheid was created. Understanding these practices and the ways in which South Africa’s experiences in Namibia influenced later policy at home is also critically evaluated, as is the matter of adjudicating the many South African anthropologists who supported the regime.
The author looks at how Namibia was founded as a German colony known as Deutsch-Südwestafrika (German South-West Africa) and how it evolved into a nation. He explains how it was founded on brutal suppression of the indigenous people, including extermination of large numbers of some groups, and how, on becoming a colony of South Africa, its people continued to be subjected to brutal treatment by the white minority rulers who denied them racial equality. The author also focuses on the liberation struggle against apartheid and how the country won independence from apartheid South Africa. He also looks at how the leaders of the new nation are trying to build the country and construct a national identity on the basis of unity in diversity. It is an analysis of identity formation at the national level, and consolidation of the state, whose relevance is continental in scope: studies of other African countries in their quest for unity and construction – or reconstruction – of their national identities during the post-colonial era can benefit from this work. It is also a work of comparative analysis in terms of nationhood in the African context and how Namibia and Tanzania – two case studies – have sought to construct their national identities, the obstacles they have faced and continue to face in the quest for national unity, especially in the case of Namibia, and why Tanzania has been more successful than most countries on the continent in building a cohesive society where tribalism is virtually non-existent, enabling it to consolidate its unity and national identity. The author also looks at the concept of national character and its relevance to national identity formation and why the national identities of different African countries are weak and what can be done to address the problem. It is also an introductory text which may be helpful to some people who are going to Namibia for the first time although it is essentially a scholarly work intended for members of the academic community and specialists in some fields dealing with this southwest African country and its people. But members of the general public who want to learn more about Namibia may also find the book to be useful.
This volume in the series Mass Dictatorship in the Twentieth Century series sees twelve Swedish, Korean and Japanese scholars, theorists, and historians of fiction and non-fiction probe the literary subject of life in 20th century mass dictatorships.
The search for justice, beyond the basic political understanding, is profoundly theological and ethical. In this work, Dr. Basilius M. Kasera analyses the meaning of justice in post-apartheid Namibia from a biblical perspective. He argues that notions of justice carry no meaning unless they emanate from the community of the affected. Every group of people, by virtue of being God’s image-bearers, are able to assess their own context and provide befitting solutions. However this kind of agency has not been afforded to the post-apartheid Namibian society, which continues to operate on borrowed models of justice. While extrapolating on Allan Boesak’s beneficial theological concepts of justice, Dr. Kasera encourages theologians and Christians at large to participate in the creation of meaningful, effective, and transformative policies, programmes, practices, systems, and justice institutions.
Over the last two decades, anthropological studies have highlighted the problems of 'development' as a discursive regime, arguing that such initiatives are paradoxically used to consolidate inequality and perpetuate poverty. This volume constitutes a timely intervention in anthropological debates about development, moving beyond the critical stance to focus on development as a mode of engagement that, like anthropology, attempts to understand, represent and work within a complex world. By setting out to elucidate both the similarities and differences between these epistemological endeavors, the book demonstrates how the ethnographic study of development challenges anthropology to rethink its own assumptions and methods. In particular, contributors focus on the important but often overlooked relationship between acting and understanding, in ways that speak to debates about the role of anthropologists and academics in the wider world. The case studies presented are from a diverse range of geographical and ethnographic contexts, from Melanesia to Africa and Latin America, and ethnographic research is combined with commentary and reflection from the foremost scholars in the field.
This two-volume set charts a cross-disciplinary discursive terrain that proffers rich insights about deceit in contemporary postcolonial Sub-Saharan African politics. In an attempt to produce a nuanced and multifaceted academic dialoguing platform, the two volumes have a particular focus on the aspects of treachery, fear of difference (oppositional politics), and discourses/semiotics of mis/self-representation. The major aim of the proposed volumes is to contribute toward the often problematised conversations about the unfolding (post)colonial Sub-Saharan world which is topical in decolonial and Pan-African studies.The volumes seek to place political thinking and postcolonial political systems under the scholarly gaze with the view to highlight and enhance the participation of African cross-disciplinary scholarship in the postcolonial political processes of the continent. Most significantly, it is through such probing of the limitations of our own disciplinary perspectives which can help us appreciate the complexity of the postcolonial Sub-Saharan African politics. The first volume uses Zimbabwe as a case study, while the second volume examines postcolonial politics in Sub-Saharan Africa more broadly.The first volume uses Zimbabwe as a case study, while the second volume examines postcolonial politics in Sub-Saharan Africa more broadly.The first volume uses Zimbabwe as a case study, while the second volume examines postcolonial politics in Sub-Saharan Africa more broadly.
Imagination and the Contemporary Novel examines the global preoccupation with the imagination among literary authors with ties to former colonies of the British Empire since the 1960s. John Su draws on a wide range of authors including Peter Ackroyd, Monica Ali, Julian Barnes, André Brink, J. M. Coetzee, John Fowles, Amitav Ghosh, Nadine Gordimer, Hanif Kureishi, Salman Rushdie and Zadie Smith. This study rehabilitates the category of imagination in order to understand a broad range of contemporary Anglophone literature. The responses of such literature to shifts in global capitalism have often been misunderstood by the dominant categories of literary studies, the postmodern and the postcolonial. As both an insightful critique into the themes that drive a range of today's best novelists and a bold restatement of what the imagination is and what it means for contemporary culture, this book breaks new ground in the study of twenty-first-century literature.
"All roads lead to Johannesburg," remarks the narrator of Alan Paton's novel Cry, The Beloved Country. Taking this quote as her impetus, Loren Kruger guides readers into the heart of South Africa's largest city. Exploring a wide range of fiction, film, architecture, performance, and urban practices from trading to parades, Imagining the Edgy City traverses Johannesburg's rich cultural terrain over the last century. The "edgy city" in Kruger's exploration refers not only to persistent boundaries between the haves and have-nots but also to the cosmopolitan diversity and innovation that has emerged from Johannesburg. The book begins with the building boom, performances and uneven but noteworthy inter-racial exchange that marked the city's fiftieth-anniversary celebration at the Empire Exhibition in 1936. This celebration rapidly gave way to the political repression and civil unrest that characterized South Africa from 1950 to 1990. Yet poetry, drama, fiction, and photography continued to thrive, bearing witness not only against apartheid but to alternatives beyond it. In the late twentieth century, the not quite post-apartheid condition fired the artistic imaginations of film makers as well as novelists. Urban neglect, rising crime, and the influx of migrants inspired noir cinema-like Michael Hammon's Wheels and Deals-and fiction about migration from Achmat Dangor to Phaswane Mpe, and in the twenty-first, urban renewal has produced public art that incorporates the desire lines of newcomers as well as natives. Alongside well-known artists such as Nadine Gordimer, William Kentridge, and David Goldblatt, the book introduces many artists, architects, writers, and other chroniclers who have hitherto received little attention abroad. Ultimately, Johannesburg emerges as a city whose negotiation of the tensions between incivility and innovation invites comparisons with modern conurbations across the world, not only African cities such as Dakar, or other cities of the "south" such as Bogotá, but also with major metropolises in North America and Europe from Chicago to Paris. A multi-faceted work that speaks to scholars in urban studies, literature, and history, Imagining the Edgy City is a rich example of interdisciplinary scholarship at its best.
Drawing on extensive and carefully designed ethnographic fieldwork in the Ferghana Valley region, where the state borders of Kyrgyzstan, Tajikizstan and Uzbekistan intersect, Madeleine Reeves develops new ways of conceiving the state as a complex of relationships, and of state borders as socially constructed and in a constant state of flux. She explores the processes and relationships through which state borders are made, remade, interpreted and contested by a range of actors including politicians, state officials, border guards, farmers and people whose lives involve the crossing of the borders. In territory where international borders are not always clearly demarcated or consistently enforced, Reeves traces the ways in which states' attempts to establish their rule create new sources of conflict or insecurity for people pursuing their livelihoods in the area on the basis of older and less formal understandings of norms of access. As a result the book makes a major new and original contribution to scholarly work on Central Asia and more generally on the anthropology of border regions and the state as a social process. Moreover, the work as a whole is presented in a lively and accessible style. The individual lives whose tribulations and small triumphs Reeves so vividly documents, and the relationships she establishes with her subjects, are as revealing as they are engaging. Border Work is a well-deserved winner of this year’s Alexander Nove Prize.
