Imagined Networks in Pre-Modern Italian Literature
Imagined Networks in Pre-Modern Italian Literature

Author: Giulia Cardillo

Publisher: Lexington Books

Published: 2024-12-15

Total Pages: 225

ISBN-13: 1666919373

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Imagined Networks in Pre-Modern Italian Literature: Literary Mothers, Literary Sisters presents the untold stories of the literary mothers and sisters in pre-modern Italian literature and the vibrant intellectual networks they forged. The authors argue that these women writers became adoptive references for other authors, often as an alternative to an established canon of textual authority. The proposed concepts of literary motherhood and sisterhood focus on the agency of the writers in choosing a model, rather than adhering to hierarchical structures. The women showcased in this book defied conventions, and are aware of the generative power of their works and regard themselves as literary guiding lights for future authors. They built prolific communities through exchanges, correspondences, debates, oblique conversations, and sometimes subtle allusions that confer authority to each other. The six essays in this book bring to life the figures of Caterina da Siena, Isabella Andreini, Giulia Bigolina, Margherita Costa, Lucrezia Marinella, Arcangela Tarabotti, and the relationship between Gaspara Stampa and Luisa Bergalli, as well as that between Bianca Milesi Mojon and Maria Edgeworth.

Premodern Ecologies in the Modern Literary Imagination
Premodern Ecologies in the Modern Literary Imagination

Author: Vin Nardizzi

Publisher: University of Toronto Press

Published: 2019-04-08

Total Pages: 357

ISBN-13: 1487519532

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Premodern Ecologies in the Modern Literary Imagination explores how the cognitive and physical landscapes in which scholars conduct research, write, and teach have shaped their understandings of medieval and Renaissance English literary "oecologies." The collection strives to practice what Ursula K. Heise calls "eco-cosmopolitanism," a method that imagines forms of local environmentalism as a defense against the interventions of open-market global networks. It also expands the idea’s possibilities and identifies its limitations through critical studies of premodern texts, artefacts, and environmental history. The essays connect real environments and their imaginative (re)creations and affirm the urgency of reorienting humanity’s responsiveness to, and responsibility for, the historical links between human and non-human existence. The discussion of ways in which meditation on scholarly place and time can deepen ecocritical work offers an innovative and engaging approach that will appeal to both ecocritics generally and to medieval and early modern scholars.

A Veil of Silence
A Veil of Silence

Author: Julia Rombough

Publisher: Harvard University Press - T

Published: 2024-07-09

Total Pages: 139

ISBN-13: 0674297105

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An illuminating study of early modern efforts to regulate sound in women’s residential institutions, and how the noises of city life—both within and beyond their walls—defied such regulation. Amid the Catholic reforms of the sixteenth and seventeenth centuries, the number of women and girls housed in nunneries, reformatories, and charity homes grew rapidly throughout the city of Florence. Julia Rombough follows the efforts of legal, medical, and ecclesiastical authorities to govern enclosed women, and uncovers the experiences of the women themselves as they negotiated strict sensory regulations. At a moment when quiet was deeply entangled with ideals of feminine purity, bodily health, and spiritual discipline, those in power worked constantly to silence their charges and protect them from the urban din beyond institutional walls. Yet the sounds of a raucous metropolis found their way inside. The noise of merchants hawking their wares, sex workers laboring and socializing with clients, youth playing games, and coaches rumbling through the streets could not be contained. Moreover, enclosed women themselves contributed to the urban soundscape. While some embraced the pursuit of silence and lodged regular complaints about noise, others broke the rules by laughing, shouting, singing, and conversing. Rombough argues that ongoing tensions between legal regimes of silence and the inevitable racket of everyday interactions made women’s institutions a flashpoint in larger debates about gender, class, health, and the regulation of urban life in late Renaissance Italy. Attuned to the vibrant sounds of life behind walls of stone and sanction, A Veil of Silence illuminates a revealing history of early modern debates over the power of the senses.

The Sage Handbook of Social Network Analysis
The Sage Handbook of Social Network Analysis

Author: John McLevey

Publisher: SAGE Publications Limited

Published: 2023-10-01

Total Pages: 951

ISBN-13: 152961466X

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This new edition of The Sage Handbook of Social Network Analysis builds on the success of its predecessor, offering a comprehensive overview of social network analysis produced by leading international scholars in the field. Brand new chapters provide both significant updates to topics covered in the first edition, as well as discussing cutting edge topics that have developed since, including new chapters on: · General issues such as social categories and computational social science; · Applications in contexts such as environmental policy, gender, ethnicity, cognition and social media and digital networks; · Concepts and methods such as centrality, blockmodeling, multilevel network analysis, spatial analysis, data collection, and beyond. By providing authoritative accounts of the history, theories and methodology of various disciplines and topics, the second edition of The SAGE Handbook of Social Network Analysis is designed to provide a state-of-the-art presentation of classic and contemporary views, and to lay the foundations for the further development of the area. PART 1: GENERAL ISSUES PART 2: APPLICATIONS PART 3: CONCEPTS AND METHODS

The Typographic Imaginary in Early Modern English Literature
The Typographic Imaginary in Early Modern English Literature

Author: Rachel Stenner

Publisher: Taylor & Francis

Published: 2018-07-04

Total Pages: 207

ISBN-13: 1317012879

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The typographic imaginary is an aesthetic linking authors from William Caxton to Alexander Pope, this study centrally contends. Early modern English literature engages imaginatively with printing and this book both characterizes that engagement and proposes the typographic imaginary as a framework for its analysis. Certain texts, Rachel Stenner states, describe the people, places, concerns, and processes of printing in ways that, over time, generate their own figurative authority. The typographic imaginary is posited as a literary phenomenon shared by different writers, a wider cultural understanding of printing, and a critical concept for unpicking the particular imaginative otherness that printing introduced to literature. Authors use the typographic imaginary to interrogate their place in an evolving media environment, to assess the value of the printed text, and to analyse the roles of other text-producing agents. This book treats a broad array of authors and forms: printers’ manuals; William Caxton’s paratexts; the pamphlet dialogues of Robert Copland and Ned Ward; poetic miscellanies; the prose fictions of William Baldwin, George Gascoigne, and Thomas Nashe; the poetry and prose of Edmund Spenser; writings by John Taylor and Alexander Pope. At its broadest, this study contributes to an understanding of how technology changes cultures. Located at the crossroads between literary, material, and book historical research, the particular intervention that this work makes is threefold. In describing the typographic imaginary, it proposes a new framework for analysis of print culture. It aims to focus critical engagement on symbolic representations of material forms. Finally, it describes a lineage of late medieval and early modern authors, stretching from the mid-fifteenth to the mid-eighteenth centuries, that are linked by their engagement of a particular aesthetic.

Authority, Innovation and Early Modern Epistemology
Authority, Innovation and Early Modern Epistemology

Author: Martin McLaughlin

Publisher: Routledge

Published: 2017-07-05

Total Pages: 268

ISBN-13: 1351574930

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Giordano Bruno (1548-1600), who died at the stake, is one of the best-known symbols of anti-establishment thought. The theme of this volume, which is offered as a collection of essays to honour the distinguished Bruno scholar Hilary Gatti, reflects her constant concern for the principles of cultural freedom and independent thinking. Several essays deal with Bruno himself, including an analysis of the Eroici furori, a study of his reception in relation to the group known as the Novatores, and discussions of several important aspects of his stay in England. The authors and texts discussed here are linked by a relentless interest in the question of authority and originality, and they range from literary figures such as Alberti (1404-72), Vasari (1511-74) and the proponents of quantitative verse in sixteenth-century England to controversial philosophers who, like Bruno, were condemned by the Church, such as Tommaso Campanella (1568-1639) and Giulio Cesare Vanini (1585-1619). Taken together, these chapters show how much that was new and revolutionary in early modern culture came from its confrontation with the past. Martin McLaughlin is Agnelli-Serena Professor of Italian at Oxford. Elisabetta Tarantino is a Teaching Fellow in the Department of Italian at the University of Warwick.

Literary Invention and the Cartographic Imagination
Literary Invention and the Cartographic Imagination

Author:

Publisher: BRILL

Published: 2022-10-24

Total Pages: 292

ISBN-13: 9004520287

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A wide-ranging, inter- and transdisciplinary approach grounded in the twin rigors of theory and history, which, through close readings assesses and analyses the significance of maps to literary texts, and which examines the ways in which the literary maps imaginary and real worlds.

Tasting Difference
Tasting Difference

Author: Gitanjali G. Shahani

Publisher: Cornell University Press

Published: 2020-05-15

Total Pages: 310

ISBN-13: 1501748718

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Tasting Difference examines early modern discourses of racial, cultural, and religious difference that emerged in the wake of contact with foreign peoples and foreign foods from across the globe. Gitanjali Shahani reimagines the contact zone between Western Europe and the global South in culinary terms, emphasizing the gut rather than the gaze in colonial encounters. From household manuals that instructed English housewives how to use newly imported foodstuffs to "the spicèd Indian air" of A Midsummer Night's Dream, from the repurposing of Othello as an early modern pitchman for coffee in ballads to the performance of disgust in travel narratives, Shahani shows how early modern genres negotiated the allure and danger of foreign tastes. Turning maxims such as "We are what we eat" on their head, Shahani asks how did we (the colonized subjects) become what you (the colonizing subjects) eat? How did we become alternately the object of fear and appetite, loathing and craving? Shahani takes us back several centuries to the process by which food came to be inscribed with racial character and the racial other came to be marked as edible, showing how the racializing of food began in an era well before chicken tikka masala and Balti cuisine. Bringing into conversation critical paradigms in early modern studies, food studies, and postcolonial studies, she argues that it is in the writing on food and eating that we see among the earliest configurations of racial difference, and it is experienced both as a different taste and as a taste of difference.

Italy in the German Literary Imagination
Italy in the German Literary Imagination

Author: Gretchen L. Hachmeister

Publisher: Camden House

Published: 2002

Total Pages: 240

ISBN-13: 9781571132260

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The German fascination with Italy, as seen in Goethe's Italian Journey and in a number of literary reactions to it. Italy has long exerted a particular fascination on the Germans, and this has been reflected in German literature, most prominently in Goethe's Italienische Reise but also by numerous other writers who have returned to the topic. This book is concerned with two inextricably linked images - those of the German traveler in Italy and of Italy in German literature in the first third of the 19th century. Goethe's publication of his account nearly three decades after his actual journey was in some measure a vehicle to resist the challenge of a new generation of writers, who in turn would confront what they found to be a questionable, if not altogether false, representation. Hachmeister emphasizes the consequences of the disparity between the reality of Goethe's journey and his depiction of it, taking into consideration also his occasional discomfort with Italy's classical past. She shows how the German predilection for Italy is unique in the larger European cultural context of the Grand Tour, before moving on to chapters that contain readings of Italienische Reise and Goethe's Römische Elegien. Individual chapters follow on Eichendorff's Aus dem Leben eines Taugenichts, Platen's Sonette aus Venedig, and Heine's three Italian Reisebilder, each of which is to some degree a reaction to Goethe's work. These chapters investigatehow the individual's reaction to Italy reflects his view of Germany and the author's role in early 19th-century German society. The conclusion offers a short glance at the continued evolution of the German fascination with Italyin the mid- and late nineteenth century. Gretchen Hachmeister received her Ph.D. in German literature from Yale University.

The Planning Imagination
The Planning Imagination

Author: Mark Tewdwr-Jones

Publisher: Routledge

Published: 2013-10-01

Total Pages: 381

ISBN-13: 131793721X

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Knighted in 1998 ‘for services to the Town and Country Planning Association’, and in 2003 named by Her Majesty Queen Elizabeth II as a ‘Pioneer in the Life of the Nation’, Peter Hall is internationally renowned for the breadth and depth of his studies and writings on urban and regional planning. For the last 50 years, he has captured and helped to create the ‘planning imagination’. Here the editors have brought together in five themes a series of critical reflections on Peter’s vast and diverse contributions. Those reflections are provided by colleagues familiar with his work. The five parts are devoted to Peter Hall’s breadth of academic work, covering the history of cities and planning, London, spatial planning, connectivity and mobility, and urban globalization. Finally, as a sixth part, the editors have asked Peter Hall himself to reflect on his career and the sources of his imagination. The story this book tells is not one of a singular, totally consistent theoretical and philosophical view elaborated over several decades. Rather it covers a set of views that necessarily admits signs of Peter’s inconsistency and imperfection over the years – the insights and imperfections that inevitably accompany the exercise of a nonetheless remarkably fertile, restless and inspiring planning imagination.