Explores the value and uses of literature in our time. Dr. Frye offers ideas for the teaching of literature at lower school levels, designed both to promote an early interest and to lead the student to the knowledge and experience found in the study of literature.
Based on a lecture Michael D. O'Brien gave at the Centre for Faith and Culture, Oxford, this essay traces the long history of mankind's creative imagination throughout millennia of expansion and growth-citing examples that range from cave painting to classical sculpture, the icon and manuscript illumination to film and contemporary literature. The author weaves together his under-standing of numerous significant works of art, philosophical insights, spiritual reflection, and personal stories, which, combined, offer a multi-dimensional vision of our origin and our future. Underlying it all is the question of Man's nature and what our creative powers reveal about our true identity as children of God. O'Brien proposes that a new iconography is waiting for us, one that will be built upon all that the historical imagination has given, but reinvigorated by a rejuvenated Christian consciousness. Humility alone will allow us to find again our proper place in the hierarchy of creation: "In submission to natural and supernatural law," he writes, "to the absolutes, in obedience and prayer, by opening our interior life and the intellectual life to the full authority of the Holy Spirit, we will germinate a little seed. And from it entire forests can spring and may yet cover the earth."
An immensely persuasive work of literary criticism that opens a new chapter in the American dialogue on race—and promises to change the way we read American literature—from the acclaimed Nobel Prize winner Morrison shows how much the themes of freedom and individualism, manhood and innocence, depended on the existence of a black population that was manifestly unfree--and that came to serve white authors as embodiments of their own fears and desires. According to the Chicago Tribune, Morrison "reimagines and remaps the possibility of America." Her brilliant discussions of the "Africanist" presence in the fiction of Poe, Melville, Cather, and Hemingway leads to a dramatic reappraisal of the essential characteristics of our literary tradition. Written with the artistic vision that has earned the Nobel Prize-winning author a pre-eminent place in modern letters, Playing in the Dark is an invaluable read for avid Morrison admirers as well as students, critics, and scholars of American literature.
The purpose of this record is to show you how to use your imagination to achieve your every desire. Most men are totally unaware of the creative power of imagination and invariably bow before the dictates of "facts" and accepts life on the basis of the world without. But when you discover this creative power within yourself, you will boldly assert the supremacy of imagination and put all things in subjection to it. When a man speaks of God-in-man, he is totally unaware that this power called God-in-man is man's imagination. THIS is the creative power in man. There is nothing under heaven that is not plastic as potter's clay to the touch of the shaping spirit of imagination.
A collection of philosophical articles on subjects ranging from aesthetics, the philosophy of mind and action, the first person, to engagements with various contemporary philosophers.
What exactly is goodness? Where is it found in the literary imagination? Toni Morrison, one of American letters’ greatest voices, pondered these perplexing questions in her celebrated Ingersoll Lecture, delivered at Harvard University in 2012 and published now for the first time in book form. Perhaps because it is overshadowed by the more easily defined evil, goodness often escapes our attention. Recalling many literary examples, from Ahab to Coetzee’s Michael K, Morrison seeks the essence of goodness and ponders its significant place in her writing. She considers the concept in relation to unforgettable characters from her own works of fiction and arrives at conclusions that are both eloquent and edifying. In a lively interview conducted for this book, Morrison further elaborates on her lecture’s ideas, discussing goodness not only in literature but in society and history—particularly black history, which has responded to centuries of brutality with profound creativity. Morrison’s essay is followed by a series of responses by scholars in the fields of religion, ethics, history, and literature to her thoughts on goodness and evil, mercy and love, racism and self-destruction, language and liberation, together with close examination of literary and theoretical expressions from her works. Each of these contributions, written by a scholar of religion, considers the legacy of slavery and how it continues to shape our memories, our complicities, our outcries, our lives, our communities, our literature, and our faith. In addition, the contributors engage the religious orientation in Morrison’s novels so that readers who encounter her many memorable characters such as Sula, Beloved, or Frank Money will learn and appreciate how Morrison’s notions of goodness and mercy also reflect her understanding of the sacred and the human spirit.