Opera in Seventeenth-Century Venice

Opera in Seventeenth-Century Venice

Author: Ellen Rosand

Publisher: Univ of California Press

Published: 2007-10-09

Total Pages: 712

ISBN-13: 0520254260

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"In this elegantly constructed study of the early decades of public opera, the conflicts and cooperation of poets, composers, managers, designers, and singers—producing the art form that was soon to sweep the world and that has been dominant ever since—are revealed in their first freshness."—Andrew Porter "This will be a standard work on the subject of the rise of Venetian opera for decades. Rosand has provided a decisive contribution to the reshaping of the entire subject. . . . She offers a profoundly new view of baroque opera based on a solid documentary and historical-critical foundation. The treatment of the artistic self-consciousness and professional activities of the librettists, impresarios, singers, and composers is exemplary, as is the examination of their reciprocal relations. This work will have a positive effect not only on studies of 17th-century, but on the history of opera in general."—Lorenzo Bianconi


Il Carnovale Di Venezia, O Sia, La Virtuosa. a New Comic Opera, as Performed at the King's-Theatre in the Hay-Market, Written by Mr. Badini. the Music by Signor Guglielmi

Il Carnovale Di Venezia, O Sia, La Virtuosa. a New Comic Opera, as Performed at the King's-Theatre in the Hay-Market, Written by Mr. Badini. the Music by Signor Guglielmi

Author: CARLO FRANCESCO. BADINI

Publisher: Gale Ecco, Print Editions

Published: 2018-04-19

Total Pages: 106

ISBN-13: 9781379828365

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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T069481 The libretto only. Parallel Italian text and English prose translation. London: printed for T. Becket, 1772. [2],99, [1]p.; 8°


Rhetoric and Drama

Rhetoric and Drama

Author: DS Mayfield

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2017-03-06

Total Pages: 254

ISBN-13: 3110484668

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Proving fruitful in various applications throughout its two millennia of predominance, the rhetorical téchne appears to have entertained a particularly symbiotic interrelation with drama. With contributions from (among others) a Classicist, historical, linguistic, musicological, operatic, cultural and literary studies perspective, this publication offers interdisciplinary assessments of specific reciprocities between the system of rhetoric and dramatic works: tracing the longue durée of this nexus—highlighting its Ancient foundations, its various Early Modern formations, as well as certain configurations enduring to this day—enables describing shifting degrees of rhetoricity; approaching it from an interdisciplinary viewpoint facilitates focusing on the often sidelined rhetorical phenomena located beyond the textual plane, specifically memoria and actio; tackling this interchange from various viewpoints and with diverse emphases, a long-lasting and highly prolific cross-fertilization between drama and rhetoric is rendered visible. In tendering a balanced panorama of both detailed case studies and descriptive overviews, this volume also points toward terrain yet to be charted in the scholarship to come. The volume was prepared in co-operation with the ERC Advanced Grant Project Early Modern European Drama and the Cultural Net (DramaNet).


Transnational connections in early modern theatre

Transnational connections in early modern theatre

Author: M. A. Katritzky

Publisher: Manchester University Press

Published: 2019-11-25

Total Pages: 494

ISBN-13: 1526139197

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This volume explores the transnationality and interculturality of early modern performance in multiple languages, cultures, countries and genres. Its twelve essays compose a complex image of theatre connections as a socially, economically, politically and culturally rich tissue of networks and influences. With particular attention to itinerant performers, court festival, and the Black, Muslim and Jewish impact, they combine disciplines and methods to place Shakespeare and his contemporaries in the wider context of performance culture in English, Spanish, French, Dutch, German, Czech and Italian speaking Europe. The authors examine transnational connections by offering multidisciplinary perspectives on the theatrical significance of concrete historical facts: archaeological findings, archival records, visual artefacts, and textual evidence.


Musicians' Mobilities and Music Migrations in Early Modern Europe

Musicians' Mobilities and Music Migrations in Early Modern Europe

Author: Gesa zur Nieden

Publisher: transcript Verlag

Published: 2016-10-31

Total Pages: 429

ISBN-13: 3839435048

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During the 17th and 18th century musicians' mobilities and migrations are essential for the European music history and the cultural exchange of music. Adopting viewpoints that reflect different methodological approaches and diversified research cultures, the book presents studies on central scopes, strategies and artistic outcomes of mobile and migratory musicians as well as on the transfer of music. By looking at elite and non-elite musicians and their everyday mobilities to major and minor centers of music production and practice, new biographical patterns and new stylistic paradigms in the European East, West and South emerge.