The book explores the links between mythology and weaving of the island of Savu and examines how textiles have formed the fabric of Savunese society throughout time. Ikat weavings of Savu are exceptional in the sense that they act as markers of historical events. They have a heraldic significance and can be "read" like a text. They also form a language expressing the socio-political structure of Savunese society. In this era of globalization and the resulting threat to small-scale societies it is the author's hope that this book will contribute to the protection of the work of traditional weavers and to the recognition of their unique cultural heritage.-from Amazon.
As key nodes that connected ancient silk routes traversing China, Japan and India, trading hubs, towns and cities in Java and Sumatra and other places in Asia were key destination points for merchants, monks and other itinerants plying these routes.Recent archaeological excavations in countries bordering the South China Sea and around the Indian Ocean unveiled remarkable similarities in artifacts recovered both on land and from the sea. The similarities underlined the many facets of regional exchanges and cross-cultural influences among people and places in these networks. Some of the findings indicate a distinct Chinese presence in the commercial, social and religious activities of these early Asian trading posts.This book collects papers from the symposium on Ancient Silk Trade Routes — Cross Cultural Exchanges and Their Legacies in Asia. It explores several threads arising from this regional exchange of goods and ideas, in particular, the cross-cultural dimensions of the exchanges in the areas of textile trade, ceramic routes, trading hubs, arts and artifacts and Buddhism.
Volume I surveys the long history of fashion from the ancient world to c. 1800. The volume seeks to answer fundamental questions on the origins of fashion, challenging Eurocentric explanations that the emergence of fashion was a European phenomenon and shows instead that fashion found early expressions across the globe well before the age of European colonialism and imperialism. It sheds light on how fashion was experienced in a multitude of ways depending on class, gender, and race, and despite geographical distance, fashion connected populations across the globe. Fashions flowered and were reseeded, through entanglements of empire, forced and voluntary migration, evolving racial systems, burgeoning sea travel and transcontinental systems.
"The Princess of the Flaming Womb," the Javanese legend that introduces this pioneering study, symbolizes the many ambiguities attached to femaleness in Southeast Asian societies. Yet despite these ambiguities, the relatively egalitarian nature of male–female relations in Southeast Asia is central to arguments claiming a coherent identity for the region. This challenging work by senior scholar Barbara Watson Andaya considers such contradictions while offering a thought-provoking view of Southeast Asian history that focuses on women’s roles and perceptions. Andaya explores the broad themes of the early modern era (1500–1800)—the introduction of new religions, major economic shifts, changing patterns of state control, the impact of elite lifestyles and behaviors—drawing on an extraordinary range of sources and citing numerous examples from Thai, Vietnamese, Burmese, Philippine, and Malay societies. In the process, she provides a timely and innovative model for putting women back into world history Andaya approaches the problematic issue of "Southeast Asia" by considering ways in which topography helped describe a geo-cultural zone and contributed to regional distinctiveness in gender construction. She examines the degree to which world religions have been instrumental in (re)constructing conceptions of gender— an issue especially pertinent to Southeast Asian societies because of the leading role so often played by women in indigenous ritual. She also considers the effects of the expansion of long-distance trade, the incorporation of the region into a global trading network, the beginnings of cash-cropping and wage labor, and the increase in slavery on the position of women. Erudite, nuanced, and accessible, The Flaming Womb makes a major contribution to a Southeast Asia history that is both regional and global in content and perspective.
What knowledge is conserved about ikat textiles and their use in the Indonesian archipelago consists primarily of the records of missionary and scientific fieldwork, predominantly compiled by non-Indonesians. The coverage is thin-many weaving regions are covered by only one or two sources, and several regions have never been studied in detail. Much traditional knowledge is being lost, especially in the more remote island regions in the Indonesian archipelago, which require a concerted effort if any trace of their culture is to survive. UMAG hopes to contribute to the broader project by means of this publication, which shows ikat culture through a close reading of examples from over fifty weaving regions-several covered for the first time-and an introduction to the conditions, beliefs and customs of the various peoples who have created and used them. The book was enriched by the collaboration of twelve region-specific experts who gave critical feedback on chapters or provided details on techniques and motifs that only they could have provided. - Verlagsangaben.
Indonesia comprises more than 17,000 islands stretching on either side of the equator for nearly 4,000 miles and hundreds of ethnic groups with almost 300 languages spoken. This book reveals the remarkable social, religious, and geographical differences that exist from island to island. Because of such variety, Indonesia defies simple categorizations. Europeans have produced most of the written histories of this region, although Indonesians have contributed much. Culture and Customs of Indonesia reveals something of local people's ideas of their identities and pasts as well. Indonesian cultures covered include those of forest-dwelling hunters, rice growers, fisherfolk, village artisans, urban office and factory workers, intellectuals, artists, wealthy industrialists, street vendors, and homeless people. Readers will learn about the amazing range of belief systems, material culture, and arts that enliven Indonesia. Forshee describes the majestic temples, complex poetry and literature, lavish theatrical performances, and splendid visual arts and more that have distinguished Indonesia for centuries and continue into the present. Indonesians are shown to be constantly reinterpreting and refining their cultures in the modern world.
The Grove Encyclopedia of Decorative Arts covers thousands of years of decorative arts production throughout western and non-western culture. With over 1,000 entries, as well as hundreds drawn from the 34-volume Dictionary of Art, this topical collection is a valuable resource for those interested in the history, practice, and mechanics of the decorative arts. Accompanied by almost 100 color and more than 500 black and white illustrations, the 1,290 pages of this title include hundreds of entries on artists and craftsmen, the qualities and historic uses of materials, as well as concise definitions on art forms and style. Explore the works of Alvar Aalto, Charles and Ray Eames, and the Wiener Wekstatte, or delve into the history of Navajo blankets and wing chairs in thousands of entries on artists, craftsmen, designers, workshops, and decorative art forms.
