Could you ... Live without email for two months? Make do with a ten acre field for a restroom? Drive a tractor out of a ditch? IIM Ganjdundwara is a fictionalized narration of how a large multinational company devised a unique rural initiative. Two young MBAs find themselves in a remote Indian village, and this is their story - an account of the often funny, frequently insightful experiences of city dwellers trying to adjust to rural life, of young men hoping to make a difference, and of one India discovering another. A compelling read, IIM Ganjdundwara highlights the similarities between urban and rural India. It is a story of the hopes, dreams and realities of everyday folk eager to make a difference.
Dirty Picture is the story of two sisters whose liaisons create scandal in a small town. Leaving her husband's home in Bombay, Reena returns to Ajmer wearing the ring of a married CEO. She intends to rebuild her life even if it means stepping out of convention. Meanwhile, her teenage sister Bharti has stumbled into local politics. Although imbued with a reformatory zeal, she gets sucked into a veritable quagmire of sexual intrigue because of her naivety and inexperience. While Bharti's life begins to disintegrate, dragging all around her into a nightmare of exploitation, Reena struggles to keep her castle in the air from imminent collapse. Circumstances become inexorable as the moral brigade closes in on the hapless Bharti and Reena discovers that the CEO is more in love with his image on T.V. Anuradha Marwah writes feelingly about desire, abuse and small town society. Her searing third novel imaginatively explores the 'sex scandal' that shook Ajmer in the 1990s and raises deeply disturbing questions about love and consent. …she is erudite, has a way with words and compels attention. - Khushwant Singh
“I have not lately read a finer book than this—on any subject at all. . . . A masterpiece.” —Simon Winchester, New Statesman The photographs of three young men had stood in his grandmother’s house for as long as he could remember, beheld but never fully noticed. They had all fought in the Second World War, a fact that surprised him. Indians had never figured in his idea of the war, nor the war in his idea of India. One of them, Bobby, even looked a bit like him, but Raghu Karnad had not noticed until he was the same age as they were in their photo frames. Then he learned about the Parsi boy from the sleepy south Indian coast, so eager to follow his brothers-in-law into the colonial forces and onto the front line. Manek, dashing and confident, was a pilot with India’s fledgling air force; gentle Ganny became an army doctor in the arid North-West Frontier. Bobby’s pursuit would carry him as far as the deserts of Iraq and the green hell of the Burma battlefront. The years 1939–45 might be the most revered, deplored, and replayed in modern history. Yet India’s extraordinary role has been concealed, from itself and from the world. In riveting prose, Karnad retrieves the story of a single family—a story of love, rebellion, loyalty, and uncertainty—and with it, the greater revelation that is India’s Second World War. Farthest Field narrates the lost epic of India’s war, in which the largest volunteer army in history fought for the British Empire, even as its countrymen fought to be free of it. It carries us from Madras to Peshawar, Egypt to Burma—unfolding the saga of a young family amazed by their swiftly changing world and swept up in its violence.
Dr. S. B. Patel Is Professor Of Physics, Bombay University. He Has Taught Physics For More Than Twenty Years At The B. Sc. And M.Sc Levels At Ramnarain Ruia College, Bombay. He Earned His Ph. D In Nuclear Physics From Tifr-Bombay University In 1976. Later He Was Involved In Post-Doctoral Research At The Lawrence Berkeley Laboratory, California. His Field Of Specialization Is Nuclear Spectroscopy.
