If Something Happens to Me is a detailed workbook that allows families to not only organize their financial, legal, and insurance information, but also gives step-by-step guidance as to what actions need to be taken after losing a loved one. In short, it is one of the most comprehensive, relevant tools available to ensure that families are prepared for the unexpected.
From “one of the genre’s most exciting voices” (E! News) comes one of the year’s most-anticipated thrillers. For the past five years, Ryan Richardson has relived that terrible night. The car door ripping open. The crushing blow to the head. The hands yanking him from the vehicle. His girlfriend Ali’s piercing scream as she is taken. With no trace of Ali or the car, a cloud of suspicion hangs over Ryan. But with no proof and a good lawyer, he’s never charged, though that doesn’t matter to the podcasters and internet trolls. Now, Ryan has changed his last name, and entered law school. He's put his past behind him. Until, on a summer trip abroad to Italy with his law-school classmates, Ryan gets a call from his father: Ali's car has finally been found, submerged in a lake in his hometown. Inside are two dead men and a cryptic note with five words written on the envelope in Ali’s handwriting: If something happens to me... Then, halfway around the world, the unthinkable happens: Ryan sees the man who has haunted his dreams since that night. As Ryan races from the rolling hills of Tuscany, to a rural village in the UK, to the glittering streets of Paris in search of the truth, he has no idea that his salvation may lie with a young sheriff’s deputy in Kansas working her first case, and a mobster in Philadelphia who’s experienced tragedy of his own. In classic Alex Finlay form, If Something Happens to Me is told by several distinct, compelling characters whose paths intersect, detonating into a story of twist after pulse-pounding twist. The novel cements Finlay as one of the leading thriller writers today.
The National Book Critics Circle Award–winning author delivers a collection of essays that serve as the perfect “antidote to mansplaining” (The Stranger). In her comic, scathing essay “Men Explain Things to Me,” Rebecca Solnit took on what often goes wrong in conversations between men and women. She wrote about men who wrongly assume they know things and wrongly assume women don’t, about why this arises, and how this aspect of the gender wars works, airing some of her own hilariously awful encounters. She ends on a serious note— because the ultimate problem is the silencing of women who have something to say, including those saying things like, “He’s trying to kill me!” This book features that now-classic essay with six perfect complements, including an examination of the great feminist writer Virginia Woolf’s embrace of mystery, of not knowing, of doubt and ambiguity, a highly original inquiry into marriage equality, and a terrifying survey of the scope of contemporary violence against women. “In this series of personal but unsentimental essays, Solnit gives succinct shorthand to a familiar female experience that before had gone unarticulated, perhaps even unrecognized.” —The New York Times “Essential feminist reading.” —The New Republic “This slim book hums with power and wit.” —Boston Globe “Solnit tackles big themes of gender and power in these accessible essays. Honest and full of wit, this is an integral read that furthers the conversation on feminism and contemporary society.” —San Francisco Chronicle “Essential.” —Marketplace “Feminist, frequently funny, unflinchingly honest and often scathing in its conclusions.” —Salon
Emergencies, accidents, natural disasters, prolonged illness and even death can happen anytime. Don't be caught off guard – recording all relevant personal, family, financial, home, and property information in one document, including your final wishes – will help both you and your family in times of upheaval. In the event of a prolonged illness or death, having access to account numbers, logins and passwords can allow a family to handle affairs directly and bypass a great deal of bureaucratic red tape. Knowing where to find crucial documents, such as your medical directive, power or attorney, or last will and testament can spare your family time and stress.
Tell Me Something I Don’t Know is a collection of original dialogues in epistemology, suitable for student readers but also of interest to experts. Familiar problems, theories, and arguments are explored: second-order knowledge, epistemic closure, the preface paradox, skepticism, pragmatic encroachment, the Gettier problem, and more. New ideas on each of these issues are also offered, defended, and critiqued, often in humorous and entertaining ways.
There can be some secrets so deeply intertwined in a family’s lineage it could destroy the distinction of a family’s’ name however there’s usually one family member who holds the knowledge to all the ill-favored truth. This is a telltale of a mother and father and their self-seeking life choices that almost destroyed the blessings of all their offsprings but with God’s grace forgiveness, and divine intervention they came to know the love they all were yearning for. It can be devastating when what you had in mind for your future blows up in your face all because you got in the way of God’s purpose for your life. We have been taught through the scriptures that if we just embrace our faith and surrender to his will, God will provide us with the wisdom to make the right choices then our lives will flourish with the riches of our true inheritance.
Three generations of women. Three generations worth of secrets. Will a cache of letters from beyond the grave hold the key to unravelling them all? The answer to that question lies at the heart of this addictive and atmospheric novel from the author of The House of Brides. Growing up, the Anderson sisters could not have been more different. Susie, the wild one, had an adventurous life while Camilla— Mills—followed a safer path. When Susie suddenly dies, Mills falls apart. Until she receives a bundle of mysterious letters from her estranged sister to be read in the case of her death. Each letter instructs her to visit a place special to Susie, both to spread her ashes but also to uncover some truths Susie has long kept hidden from her family. Their mother Margaret has secrets of her own. When living in Swinging Sixties London, she too made a decision about her life that not only haunts her, but will reverberate through the generations. One family, three very different women. What choices and secrets connect them? In this novel of truth and lies, concealment and regret, Jane Cockram flips the looking glass to expose our true face, revealing the deep lines of deception that can run through families and how the people we love the most often have the most to hide.
Waldo Astley comes to Bexham on a personal mission, and finds that his mission involves him in the lives of several Bexham women who each coped in her own way with War World II.
An account of criticism as an urgent response to what moves us. Criticism begins when we put down a book to tell someone about it. It is what we do when we face a work or event that bowls us over and makes us scramble for a response. As Michel Chaouli argues, criticism involves three moments: Something speaks to me. I must tell you about it. But I don’t know how. The heart of criticism, no matter its form, lies in these surges of thoughts and feelings. Criticism arises from the fundamental need to share what overwhelms us. We tend to associate criticism with scholarship and journalism. But Chaouli is not describing professional criticism, but what he calls “poetic criticism”—a staging ground for surprise, dread, delight, comprehension, and incomprehension. Written in the mode of a philosophical essay, Something Speaks to Me draws on a wide range of writers, artists, and thinkers, from Kant and Schlegel to Merleau-Ponty, Bachelard, Barthes, and Cavell. Reflecting on these dimensions of poetic experience, Something Speaks to Me is less concerned with joining academic debates than communicating the urgency of criticism.
