Based on an award-winning article published in "O, The Oprah Magazine," Latus has crafted a heart wrenching memoir about two intelligent, attractive sisters--one of whom escaped years of abuse by men--and one who did not.
It started with a haunting image: a Ford Explorer, iridescent in the moonlight and alone on a desolate stretch of beach. Its owner, Melissa Gibbons, has gone missing. Her husband says she flew the coop. But Los Angeles Deputy DA Rachel Knight is convinced otherwise: Melissa Gibbons has been murdered. So begins the confounding case that Rachel must present before a disbelieving jury. A dissatisfied heiress and her philandering husband -- what really happened? The husband has a fiendishly convincing case that Melissa faked her own death and fled. But with the support of her trusty sidekick, Detective Bailey Keller, Rachel pieces together a much more sinister truth. In this short, standalone Rachel Knight thriller, readers follow our savvy and riotously entertaining heroine through the surprising world of LA crime.
Me: Lucas Swain—I'm nearly sixteen years old and live in London. I was fairly normal until the night I found Violet. Then everything changed. The Missing: Dad. He disappeared five years ago. Nobody knows what happened to him, and nobody cares except me. It's enough to drive you crazy. The Dead: That's Violet . . . in the urn. Speaking of crazy—I know she's trying to tell me something, and I think it's about my father. . . . A dead lady may not be much to go on, but my dad's out there somewhere, and it's up to me to find out where.
"Gilda, a twenty-something, atheist, animal-loving lesbian, cannot stop ruminating about death. Desperate for relief from her panicky mind and alienated from her repressive family, she responds to a flyer for free therapy at a local Catholic church, and finds herself being greeted by Father Jeff, who assumes she's there for a job interview. Too embarrassed to correct him, Gilda is abruptly hired to replace the recently deceased receptionist Grace. In between trying to memorize the lines to Catholic mass, hiding the fact that she has a new girlfriend, and erecting a dirty dish tower in her crumbling apartment, Gilda strikes up an email correspondence with Grace's old friend. She can't bear to ignore the kindly old woman, who has been trying to reach her friend through the church inbox, but she also can't bring herself to break the bad news. Desperate, she begins impersonating Grace via email. But when the police discover suspicious circumstances surrounding Grace's death, Gilda may have to finally reveal the truth of her mortifying existence."--Amazon.
"With unflinching honesty, E. Dolores Johnson shares an enthralling story of identity, independence, family, and love. This timely and beautifully written memoir ends on a complicated yet hopeful note, something we need in this time of racial strife." —De'Shawn Charles Winslow, author of In West Mills Say I'm Dead is the true story of family secrets, separation, courage, and transformation through five generations of interracial relationships. Fearful of prison time—or lynching—for violating Indiana's antimiscegenation laws in the 1940s, E. Dolores Johnson's Black father and White mother fled Indianapolis to secretly marry in Buffalo, New York. When Johnson was born, social norms and her government-issued birth certificate said she was Negro, nullifying her mother's white blood in her identity. Later, as a Harvard-educated business executive feeling too far from her black roots, she searched her father's black genealogy. But in the process, Johnson suddenly realized that her mother's whole white family was—and always had been—missing. When she began to pry, her mother's 36-year-old secret spilled out. Her mother had simply vanished from Indiana, evading an FBI and police search that had ended with the conclusion that she had been the victim of foul play.
In the spirit of Haruki Murakami and Amelia Gray, Catherine Lacey's Nobody Is Ever Missing is full of mordant humor and uncanny insights, as Elyria waffles between obsession and numbness in the face of love, loss, danger, and self-knowledge. Without telling her family, Elyria takes a one-way flight to New Zealand, abruptly leaving her stable but unfulfilling life in Manhattan. As her husband scrambles to figure out what happened to her, Elyria hurtles into the unknown, testing fate by hitchhiking, tacitly being swept into the lives of strangers, and sleeping in fields, forests, and public parks. Her risky and often surreal encounters with the people and wildlife of New Zealand propel Elyria deeper into her deteriorating mind. Haunted by her sister's death and consumed by an inner violence, her growing rage remains so expertly concealed that those who meet her sense nothing unwell. This discord between her inner and outer reality leads her to another obsession: If her truest self is invisible and unknowable to others, is she even alive? The risks Elyria takes on her journey are paralleled by the risks Catherine Lacey takes on the page. In urgent, spiraling prose she whittles away at the rage within Elyria and exposes the very real, very knowable anxiety of the human condition. And yet somehow Lacey manages to poke fun at her unrelenting self-consciousness, her high-stakes search for the dark heart of the self.
ALICE FEENEYS NEW YORK TIMES AND INTERNATIONAL BESTSELLER “Boldly plotted, tightly knotted—a provocative true-or-false thriller that deepens and darkens to its ink-black finale. Marvelous.” —AJ Finn, author of The Woman in the Window My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?
THE MUST-READ MULTIMILLION BESTSELLING MYSTERY SERIES • The final book in the A Good Girl's Guide to Murder series that reads like your favorite true crime podcast or show. By the end, you'll never think of good girls the same way again... Pip is about to head to college, but she is still haunted by the way her last investigation ended. She’s used to online death threats in the wake of her viral true-crime podcast, but she can’t help noticing an anonymous person who keeps asking her: Who will look for you when you’re the one who disappears? Soon the threats escalate and Pip realizes that someone is following her in real life. When she starts to find connections between her stalker and a local serial killer caught six years ago, she wonders if maybe the wrong man is behind bars. Police refuse to act, so Pip has only one choice: find the suspect herself—or be the next victim. As the deadly game plays out, Pip discovers that everything in her small town is coming full circle . . .and if she doesn’t find the answers, this time she will be the one who disappears. . . And don't miss Holly Jackson's next thriller, Five Surive!
On May 17, 1876, Elizabeth Bacon Custer kissed her husband George goodbye and wished him good fortune in his efforts to fulfill the Army’s orders to drive in the Native Americans who would not willingly relocate to a reservation. Adorned in a black taffeta dress and a velvet riding cap with a red peacock feather that matched George’s red scarf, she watched the proud regiment ride off. It was a splendid picture. This new biography of Elizabeth Bacon Custer relates the story of the famous and dashing couple's romance, reveals their life of adventure throughout the west during the days of the Indian Wars, and recounts the tragic end of the 7th cavalry and the aftermath for the wives. Libbie Custer was an unusual woman who followed her itinerant army husband's career to its end--but she was also an amazing master of propaganda who tried to recreate George Armstrong Custer's image after Little Bighorn. The author of many books about her own life (some of which are still in print) she was one of the most famous women of her time and remains a fascinating character in American history.