Investigates the origins of Maya veneration of the Virgin Mary and the processes of religious transformation during the first two hundred years of Spanish colonization in Yucatán.
'The Real Mary' explores the Mary of the Bible and compares her with the Mary of the Roman Catholic Church in language anyone can read and understand. 'The Real Mary' brings to light the many Marian doctrines of Catholicism and compares them to the infallible Word of God in the Bible. Such topics as Marian apparitions, Mary as Mother of God and queen of Heaven, Mary as ever-virgin, and the doctrines of the Immaculate Conception and Assumption are discussed and compared to the Biblical Mary of Nazareth, mother of Jesus.
Jean-Marie Élie Setbon, the son of non-observant French Jews, was first attracted to Jesus when he saw a crucifix at a young age. He hid a crucifix in his room and contemplated it often, even though he knew his family would be hurt and angry if they ever caught him. Seeing the Basilica of Sacré-Coeur from his apartment window, he was drawn to the church, where he found himself powerfully pulled toward Jesus in the Eucharist. After several years of surreptitiously attending Mass, he resolved to convert to Catholicism in spite of the scandal it would cause, but God had other plans. Upon graduation from secondary school, Jean-Marie moved to Israel to delve deeper into the faith of his ancestors. He lived in kibbutzim, learned about the history and religion of his people, served in the Israeli Army, and attended two different rabbinical schools. Eight years later he returned to France as an ultra-Orthodox Jew. While teaching in a Jewish school, Jean-Marie married a woman who shared his faith, and together they began raising a family; yet his yearning for Jesus remained, becoming the source of a long and difficult internal struggle. Jean-Marieಙs moving and unusual conversion story is about his battle between loyalty to his identity and fidelity to the deepest desires of his heart. Above all, it is a love story between Christ, the Lover the relentless yet patient pursuer and man, his beloved.
The behind-the-scenes story of the making of the classic television series offers insight into how the influential show reflected changing American perspectives and was a first situation comedy to employ numerous women as writers and producers.
This book "renders the singular arc of a woman's life through letters Mary-Louise Parker composes to the men, real and hypothetical, who have informed the person she is today. Beginning with the grandfather she never knew, the letters range from a missive to the beloved priest from her childhood to remembrances of former lovers to an homage to a firefighter she encountered to a heartfelt communication with the uncle of the infant daughter she adopted"--
“I used to be a lesbian.” In Gay Girl, Good God, author Jackie Hill Perry shares her own story, offering practical tools that helped her in the process of finding wholeness. Jackie grew up fatherless and experienced gender confusion. She embraced masculinity and homosexuality with every fiber of her being. She knew that Christians had a lot to say about all of the above. But was she supposed to change herself? How was she supposed to stop loving women, when homosexuality felt more natural to her than heterosexuality ever could? At age nineteen, Jackie came face-to-face with what it meant to be made new. And not in a church, or through contact with Christians. God broke in and turned her heart toward Him right in her own bedroom in light of His gospel. Read in order to understand. Read in order to hope. Or read in order, like Jackie, to be made new.
The Virgin Mary has been idealized as a self-sacrificing mother throughout Christian history, but she is not the only ancient maternal figure whose story is connected to violent loss. This book examines several ancient representations of mothers and children in contexts of sociopolitical violence, demonstrating that notions of early Christian motherhood, as today, are contextual and produced for various political, social, and ethical reasons. In each chapter, the ancient maternal figure is juxtaposed with an example of contemporary maternal activism to show that maternal self-sacrifice can be understood as strategic, varied, politically charged, and rhetorically flexible.