The thinkers dealt with in the title, Kant, Deleuze and Guattari, are the most influential philosophers of the 20th and 21st centuries. It focuses on the key themes of Kantian philosophy and continental philosophy that came after Kant: critique and difference.
This Critical Guide provides succinct and in-depth explorations of cutting-edge debates concerning the philosophical significance of Kant's revolutionary Critique of Pure Reason.
In the Critique of Pure Reason, Kant famously criticizes traditional metaphysics and its proofs of immortality, free will and God's existence. What is often overlooked is that Kant also explains why rational beings must ask metaphysical questions about 'unconditioned' objects such as souls, uncaused causes or God, and why answers to these questions will appear rationally compelling to them. In this book, Marcus Willaschek reconstructs and defends Kant's account of the rational sources of metaphysics. After carefully explaining Kant's conceptions of reason and metaphysics, he offers detailed interpretations of the relevant passages from the Critique of Pure Reason (in particular, the 'Transcendental Dialectic') in which Kant explains why reason seeks 'the unconditioned'. Willaschek offers a novel interpretation of the Transcendental Dialectic, pointing up its 'positive' side, while at the same time it uncovers a highly original account of metaphysical thinking that will be relevant to contemporary philosophical debates.
The goal of the present book is nothing less than to correct what Alfredo Ferrarin calls the standard reading of Kant s. Ferrarin argues that this widespread form of interpretation has failed to do justice to Kant s philosophy primarily because it is rooted in several uncritical and unjustified assumptions. Two are particularly egregious: a compartmentalization of the First Critique, and an isolation of each Critique from the others. Ultimately these two assumptions cause one to lose sight of the fact that the cognitive/epistemological functions laid out in the Transcendental Aesthetic and Analytic are functions of an overarching pure reason of which the constitution of experience (and of a science of nature) is only one problem among others. This book, by contrast, argues that the main problem, which pervades the entire first critique, is the power that reason has to reach beyond itself and legislate over the world. Ferrarin pays close attention to both the Transcendental Dialectic and the Doctrine of Method where Kant lays out his conception of cosmic philosophy as embodied in the ideal philosopher."
This is quite simply the best book available on this subject. Beautifully written, clear and to-the-point, it is an in-depth examination of the main arguments of Kant's First Critique. The perfect text for philosophy undergraduates, it is the only book to give a clear and manageable route through the this central work. First published in 1976, this is a new and revised edition, which has a better layout, is easier to reads, and is fully indexed.
Though he is a pivotal thinker in Adorno's intellectual world, the closest Adorno came to an extended discussion of Kant are two lecture courses. This volume contains his lectures from the course on the Critique of Pure Reason.
Kant's Critique of Pure Reason is arguably the single most important work in western philosophy. The book introduces and assesses: * Kant's life and background of the Critique of Pure Reason * the ideas and text of the Critique of Pure Reason * the continuing relevance of Kant's work to contemporary philosophy. Ideal for anyone coming to Kant's thought for the first time. This guide will be vital reading for all students of Kant in philosophy.
This Element surveys the place of the Critique of Pure Reason in Kant's overall philosophical project and describes and analyzes the main arguments of the work. It also surveys the developments in Kant's thought that led to the first critique, and provides an account of the genesis of the book during the 'silent decade' of its composition in the 1770s based on Kant's handwritten notes from the period.