The New York Times bestselling debut novel from acclaimed children's author Katherine Hannigan is both very funny and extraordinarily moving. Who is Ida B. Applewood? She is a fourth grader like no other, living a life like no other, with a voice like no other, and her story will resonate long after you have put this book down. How does Ida B cope when outside forces—life, really—attempt to derail her and her family and her future? She enters her Black Period, and it is not pretty. But then, with the help of a patient teacher, a loyal cat and dog, her beloved apple trees, and parents who believe in the same things she does (even if they sometimes act as though they don't), the resilience that is the very essence of Ida B triumph...and Ida B. Applewood takes the hand that is extended and starts to grow up. This modern classic is a great choice for independent reading.
Each chapter is a biographical sketch of an influential black woman who has written for American newspapers or television news, including Maria W. Stewart, Mary Ann Shadd Cary, Gertrude Bustill Mossell, Ida B. Wells-Barnett, Josephine St.Pierre Ruffin, Delilah L. Beasley, Marvel Cooke, Charlotta A. Bass, Alice Allison Dunnigan, Ethel L. Payne, and Charlayne Hunter-Gault.
Journalist. Suffragist. Antilynching crusader. In 1862, Ida B. Wells was born enslaved in Holly Springs, Mississippi. In 2020, she won a Pulitzer Prize. Ida B. Wells committed herself to the needs of those who did not have power. In the eyes of the FBI, this made her a “dangerous negro agitator.” In the annals of history, it makes her an icon. Ida B. the Queen tells the awe-inspiring story of an pioneering woman who was often overlooked and underestimated—a woman who refused to exit a train car meant for white passengers; a woman brought to light the horrors of lynching in America; a woman who cofounded the NAACP. Written by Wells’s great-granddaughter Michelle Duster, this “warm remembrance of a civil rights icon” (Kirkus Reviews) is a unique visual celebration of Wells’s life, and of the Black experience. A century after her death, Wells’s genius is being celebrated in popular culture by politicians, through song, public artwork, and landmarks. Like her contemporaries Frederick Douglass and Susan B. Anthony, Wells left an indelible mark on history—one that can still be felt today. As America confronts the unfinished business of systemic racism, Ida B. the Queen pays tribute to a transformational leader and reminds us of the power we all hold to smash the status quo.
Move over Oprah! Maine's funniest woman, Ida LeClair, has found her "inner moose" and become a Certified Maine Life Guide. Offering helpful hints on topics ranging from A to Zumba, Ida's gone from "Running with the Moose" to sharing the wisdom of their ways. Don't miss out on this uplifting and entertaining motivational moose-terpiece.
Captivatingly fresh and intimate letters from Augustus John's first wife, Ida, reveal the untold story of married life with one of the great artists of the last century. Twelve days before her twenty-fourth birthday, on the foggy morning of Saturday 12 January 1901, Ida Nettleship married Augustus John in a private ceremony at St Pancras Registry Office. The union went against the wishes of Ida's parents, who aspired to an altogether more conventional match for their eldest daughter. But Ida was in love with Augustus, a man of exceptional magnetism also studying at the Slade, and who would become one of the most famous artists of his time. Ida's letters – to friends, to family and to Augustus – reveal a young woman of passion, intensity and wit. They tell of the scandal she brought on the Nettleship family and its consquences; of hurt and betrayal as the marriage evolved into a three-way affair when Augustus fell in love with another woman, Dorelia; of Ida's remarkable acceptance of Dorelia, their pregnancies and shared domesticity; of self-doubt, happiness and despair; and of finding the strength and courage to compromise and navigate her unorthodox marriage. Ida is a naturally gifted writer, and it is with a candour, intimacy and social intelligence extraordinary for a woman of her period that her correspondence opens up her world. Ida John died aged just thirty of puerperal fever following the birth of her fifth son, but in these vivid, funny and sometimes devastatingly sad letters she is startlingly alive on the page; a young woman ahead of her time – almost of our own time – living a complex and compelling drama here revealed for the first time by the woman at its very heart.
Human beings tend to romanticize history or idealize historical figures. This is nowhere more apparent than the civil rights era of the twentieth century. The problem is that when we idealize history, we fail to learn from it. The result is that history repeats itself along with its sins and atrocities. The January 6 Capitol insurrection and the current racial reckoning we are experiencing is unoriginal to the American experience. We have been here before. This book seeks to humanize people we have idealized. Readers are invited to challenge racial hatred and injustice in their own context by looking to the lives of historical figures who have faced the challenges we currently face. By examining the self-care practices of personalities like Ida B. Wells, Fannie Lou Hamer, Benjamin Elijah Mays, and Martin Luther King Jr., this book examines the practices of introspection and self-work these historical figures engaged in that enabled them to fulfill the body of work they are celebrated for today. By humanizing these historical titans, we can emulate similar practices of self-care and introspection in our own lives that can equip us in continuing the ongoing work of dismantling structures of racial hatred and oppression, and promoting freedom, love, equity, and justice to redeem the soul of a nation.
From one of Scandinavia's most innovative writers, a shimmering journey into the absurd phenomenality of family life - and the human microbiome Adorable is a haunting, transmundane portrait of a young family told in four parts, in Copenhagen and London. The love between B and Q is tender but worn. When their daughter Æ is born, the everyday lights up in a new way. In its second part, the dead are animated in B's brain. When B's father dies, the news is delivered to her by phone and an essayistic, collagist meditation on death and transmission ensues. And then, it's finally Friday. B and Q descend below the living room floor and wander through a cracked and skittish underworld. In Ida Marie Hede's porous world, which is our world too, grime, bacteria, and even death are intimately bound up with health and renewal. Fusing the commonplace and the profound, the material and the spiritual, the elegiac and the conceptual, Adorable powerfully insists that it is impossible to tell where death and life begin or end. Praise for Adorable Ida Marie Hede's Adorable is this incredible, tiny, undead person you can possess and make mouth subconscious astonishments. The transubstantiation of book to wet undead joy comes from Hede's use of words for feelings and experiences fantastically resistant to representation. In its vivid wrangle, Hede's language blooms into dazzling gratuity by anaphoric increments, as it laps hungrily at death and toddlers and shit and grief and slime and herself. The whole thing glistens and then spontaneously incorporates - Ed Atkins A teeming, fluid book wet with leaking bodies, influences, concerns, memories, moods. Hede's defamiliarising creation brims over with love and broaches our consciousness, making our own world hot and sticky. Viscerally apt reading for the fraught era we find ourselves in: obsessed with contagion and encroachment, yet besotted with connection and touch - Jen Calleja Adorable pulls us between wanting to live and having to die, between child found and parent lost, feeling from inside Hede's brain-womb all that hide and seek within the concaves of living rooms, telephone calls, and other skins. An urgent, brutally tactile novel that grows boundless in the mind, Adorable achieves life - Mara Coson The reality of bodily fluids is so incisive that what first seems shocking becomes part of the narrative arc, the language of a strange other world. Is the setting of the book B's belly or her brain? Only a fool would separate the two in Hede's prose - Full Stop Adorable is the story of B, Q and their daughter Æ -- one that transcends countries, genres, and is drawn with charm and poetry. Hede's analyses are profound and intellectual. She is unafraid to unpick the grotesqueness of humanity, coupling her descriptions with delicate observations on love and family.A fascinating and gripping read - Lunate Adorable is a lovely, creative take on both life and death - strikingly and effectively earthy, but also beautiful in its spun-out fantasies. It impresses particularly in its descriptions of young(est) childhood (and parenthood). The presentation is not straightforward, but there is a coherence to the whole, and certainly sufficient story, too, making for an engaging and stimulating work - Michael Orthofer, The Complete Review IDA MARIE HEDE (b. 1980) is the author of seven books and numerous plays. She holds an MA in Art History from the University of Copenhagen and Goldsmiths College and graduated from the School of Creative Writing in Copenhagen in 2008. Hede has taught at Gladiatorskolen, the Royal Danish Academy of Fine Arts, and is currently a c
Jeter Publishing presents a brand-new series that celebrates men and women who altered the course of history but may not be as well-known as their counterparts. Ida B. Wells was an African-American journalist and activist who led an anti-lynching crusade in the United States in the 1890s. On one fateful train ride from Memphis to Nashville, in May 1884, Wells reached a personal turning point. Having bought a first-class train ticket, she was outraged when the train crew ordered her to move to the car for African Americans. She refused and was forcibly removed from the train—but not before she bit one of the men on the hand. Wells sued the railroad, winning a $500 settlement. However, the decision was later overturned by the Tennessee Supreme Court. This injustice led Ida B. Wells to pick up a pen to write about issues of race and politics in the South. Using the moniker “Iola,” a number of her articles were published in black newspapers and periodicals. Wells eventually became an owner of the Memphis Free Speech and Headlight, and, later, of the Free Speech. She even took on the subject of lynching, and in 1898, Wells brought her anti-lynching campaign to the White House, leading a protest in Washington, DC, and calling for President William McKinley to make reforms. Ida B. Wells never backed down in the fight for justice.
