Ibsen Plays: 6

Ibsen Plays: 6

Author: Henrik Ibsen

Publisher: Dramatists Play Service, Inc.

Published: 1987-07-09

Total Pages: 292

ISBN-13: 9780413153005

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Michael Meyer's pioneering contemporary versions of Ibsen have been praised by the great British drama critic, Kenneth Tynan, as being Crisp, cobweb free, purged of verbal Victoriana.


Six Plays by Henrik Ibsen

Six Plays by Henrik Ibsen

Author: Henrik Ibsen

Publisher: Sterling Publishing Company

Published: 2003

Total Pages: 868

ISBN-13: 9781593080617

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Six Plays by Henrik Ibsen is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today''s top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader''s viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriate All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader''s understanding of these enduring works. The father of modern drama, Henrik Ibsen shook off the stale conventions of nineteenth-century theater and made the stage play an instrument for brilliantly illuminating the dark recesses of human nature. After writing historical plays and imaginative epic dramas in verse, such as Peer Gynt, Ibsen turned away from history and romanticism to focus instead on the problems of the individual and modern society. The plays of his middle period—A Doll’s House, Ghosts, The Wild Duck, and his most popular play, Hedda Gabler—are masterpieces of stark psychological realism. In his final plays, including The Master Builder, Ibsen mixed realism and symbolism to enrich his examination of our subconscious drives and urges. Ibsen was criticized and denounced during his lifetime for expanding the boundaries of what is acceptable fare for the stage. Audiences were shocked when he wrote of feminist yearnings, venereal disease, and the deep emotions that underlie the sadness involved in being human. James Joyce put the criticism in perspective: “Henrik Ibsen is one of the world’s great men before whom criticism can make but feeble show. . . . When the art of a dramatist is perfect the critic is superfluous.” Ibsen has since come to be considered one of our greatest playwrights. Martin Puchner is Assistant Professor of English and comparative literature at Columbia University. He is the author of Stage Fright: Modernism, Anti-Theatricality and Drama (Johns Hopkins University Press, 2002).


The Complete Major Prose Plays

The Complete Major Prose Plays

Author: Henrik Ibsen

Publisher: New York : Farrar, Straus & Giroux

Published: 1978-01-01

Total Pages: 1143

ISBN-13: 9780374174149

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Ibsen's twelve outstanding plays, from Pillars of Society to When We Dead Awaken, are accompanied by brief introductions illuminating the distinctive features of each


The Cambridge Companion to Ibsen

The Cambridge Companion to Ibsen

Author: James Walter McFarlane

Publisher: Cambridge University Press

Published: 1994

Total Pages: 302

ISBN-13: 9780521423212

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In the history of modern theatre, Ibsen is one of the dominating figures. The sixteen chapters of this 1994 Companion explore his life and work, providing an invaluable reference work for students. In chronological terms they range from an account of Ibsen's earliest pieces, through the years of rich experimentation, to the mature 'Ibsenist' plays that made him famous towards the end of the nineteenth century. Among the thematic topics are discussions of Ibsen's comedy, realism, lyric poetry and feminism. Substantial chapters account for Ibsen's influence on the international stage and his challenge to theatre and film directors and playwrights today. Essential reference materials include a full chronology, list of works and essays on twentieth-century criticism and further reading.


Ibsen's Selected Plays (Norton Critical Editions)

Ibsen's Selected Plays (Norton Critical Editions)

Author: Henrik Ibsen

Publisher: W. W. Norton & Company

Published: 2004

Total Pages: 11

ISBN-13: 0393924041

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Collects five plays spanning Ibsen's career, with general introductions, explanatory annotations, criticism, and selections from his correspondence and other writings.


Ibsen, Scandinavia and the Making of a World Drama

Ibsen, Scandinavia and the Making of a World Drama

Author: Narve Fulsås

Publisher: Cambridge University Press

Published: 2017-11-16

Total Pages: 294

ISBN-13: 1316992799

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Henrik Ibsen's drama is the most prominent and lasting contribution of the cultural surge seen in Scandinavian literature in the later nineteenth century. When he made his debut in Norway in 1850, the nation's literary presence was negligible, yet by 1890 Ibsen had become one of Europe's most famous authors. Contrary to the standard narrative of his move from restrictive provincial origins to liberating European exile, Narve Fulsås and Tore Rem show how Ibsen's trajectory was preconditioned on his continued embeddedness in Scandinavian society and culture, and that he experienced great success in his home markets. This volume traces how Ibsen's works first travelled outside Scandinavia and studies the mechanisms of his appropriation in Germany, Britain and France. Engaging with theories of book dissemination and world literature, and re-assessing the emergence of 'peripheral' literary nations, this book provides new perspectives on the work of this major figure of European literature and theatre.


Theatre and Evolution from Ibsen to Beckett

Theatre and Evolution from Ibsen to Beckett

Author: Kirsten E. Shepherd-Barr

Publisher: Columbia University Press

Published: 2015-03-03

Total Pages: 397

ISBN-13: 0231538928

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Evolutionary theory made its stage debut as early as the 1840s, reflecting a scientific advancement that was fast changing the world. Tracing this development in dozens of mainstream European and American plays, as well as in circus, vaudeville, pantomime, and "missing link" performances, Theatre and Evolution from Ibsen to Beckett reveals the deep, transformative entanglement among science, art, and culture in modern times. The stage proved to be no mere handmaiden to evolutionary science, though, often resisting and altering the ideas at its core. Many dramatists cast suspicion on the arguments of evolutionary theory and rejected its claims, even as they entertained its thrilling possibilities. Engaging directly with the relation of science and culture, this book considers the influence of not only Darwin but also Lamarck, Chambers, Spencer, Wallace, Haeckel, de Vries, and other evolutionists on 150 years of theater. It shares significant new insights into the work of Ibsen, Shaw, Wilder, and Beckett, and writes female playwrights, such as Susan Glaspell and Elizabeth Baker, into the theatrical record, unpacking their dramatic explorations of biological determinism, gender essentialism, the maternal instinct, and the "cult of motherhood." It is likely that more people encountered evolution at the theater than through any other art form in the late nineteenth and early twentieth centuries. Considering the liveliness and immediacy of the theater and its reliance on a diverse community of spectators and the power that entails, this book is a key text for grasping the extent of the public's adaptation to the new theory and the legacy of its representation on the perceived legitimacy (or illegitimacy) of scientific work.


Ibsen and Early Modernist Theatre, 1890-1900

Ibsen and Early Modernist Theatre, 1890-1900

Author: Kirsten Shepherd-Barr

Publisher: Praeger

Published: 1997-09-30

Total Pages: 232

ISBN-13:

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Best known as the author of such plays as A Doll's House and Hedda Gabler, Henrik Ibsen is one of the most influential figures of modern drama. This book takes Ibsen as a case study for an exploration of early modernist theatre in theory and practice, in text and performance. Modern drama has its roots in the theatrical activity across Europe during the 1880s and 1890s—the period when Ibsen's plays were first being produced in England and France, often by avant-garde or experimental theatrical groups. This study focuses on four of Ibsen's plays and their reception in England and France in the 1890s, specifically in the context of cross-cultural understanding, translation, and the diffusion of ideas. It encompasses performance history, textual and translation analysis in several languages, and theatrical criticism. The main contribution of this study lies in the provision of a better understanding of Ibsen's central role in the radical artistic movements of the period, and particularly in locating the basis for an early modernist theatre in the new wave Ibsen created internationally. His immediate impact on the French Symbolist theatre movement, for example, meant that its avant-garde leaders embraced Ibsen's works as an important exposition of their own radical ideas. Through close cross-cultural exchange, plays like Rosmersholm and The Master Builder, which were heralded as explicitly symbolist in France, helped condition the critical reaction to Ibsen as a symbolist playwright in England as well, and directly influenced the development of the theatre in that direction, however briefly.


Henrik Ibsen, Plays Collection

Henrik Ibsen, Plays Collection

Author: Henrik Ibsen

Publisher: CreateSpace

Published: 2014-07-07

Total Pages: 608

ISBN-13: 9781500439842

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Henrik Johan Ibsen ( 20 March 1828 - 23 May 1906) was a major 19th-century Norwegian playwright, theatre director, and poet. He is often referred to as "the father of realism" and is one of the founders of Modernism in theatre. His major works include Brand, Peer Gynt, An Enemy of the People, Emperor and Galilean, A Doll's House, Hedda Gabler, Ghosts, The Wild Duck, Rosmersholm, and The Master Builder. He is the most frequently performed dramatist in the world after Shakespeare, and A Doll's House became the world's most performed play by the early 20th century. In this book: A Doll's House John Gabriel Borkman The Feast at Solhoug Ghosts Little Eyolf When We Dead Awaken Hedda Gabler The Master Builder An Enemy of the People Pillars of Society Rosmerholm The Lady From The Sea