In this lively and pathbreaking book, William Monter sketches Europe's increasing acceptance of autonomous female rulers between the late Middle Ages and the French Revolution. Monter surveys the governmental records of Europe's thirty women monarchs—the famous (Mary Stuart, Elizabeth I, Catherine the Great) as well as the obscure (Charlotte of Cyprus, Isabel Clara Eugenia of the Netherlands)—describing how each of them achieved sovereign authority, wielded it, and (more often than men) abandoned it. Monter argues that Europe's female kings, who ruled by divine right, experienced no significant political opposition despite their gender.
As the only child of the Prince Regent and Caroline of Brunswick, Princess Charlotte of Wales (1796-1817) was the heiress presumptive to the throne. Her parents’ marriage had already broken up by the time she was born. She had a difficult childhood and a turbulent adolescence, but she was popular with the public, who looked to her to restore the good name of the monarchy. When she broke off her engagement to a Dutch prince, her father put her under virtual imprisonment and she endured a period of profound unhappiness. But she held out for the freedom to choose her husband, and when she married Prince Leopold of Saxe-Coburg she finally achieved contentment. Her happiness was cruelly cut short when she died in childbirth at the age of twenty-one only eighteen months later. A shocked nation went into mourning for its ‘people’s princess’, the queen who never was.
This biography of Queen María de Molina thematically explores her life and demonstrates her collective exercise of power and authority as queen. Throughout her public life, María de Molina’s resilient determination, as queen and later as regent, enabled her to not only work tirelessly to establish an effective governing partnership with her husband King Sancho IV, which never occurred, but also to establish the legitimacy of her children and their heirs and their right to rule. Such legitimacy enabled Queen María de Molina’s son and grandson, under her tutelage, to fend off other monarchs and belligerent nobles. The author demonstrates the queen’s ability to govern the Kingdom of Castile-León as a partner with her husband King Sancho IV, a partnership that can be described as an official union. A major theme of this study is María de Molina’s role as dowager queen and regent as she continued to exercise her queenly power and authority to protect the throne of her son Fernando IV and, later, of her grandson Alfonso XI, and to provide peace and stability for the Kingdom of Castile-León.
Our perception of Victoria the Queen is coloured by portraits of her older, widowed self - her dour expression embodying the repressive morality propagated in her time. But Becoming Queen reveals an energetic and vibrant woman, determined to battle for power. It also documents the Byzantine machinations behind Victoria's quest to occupy the throne, and shows how her struggles did not end when finally the crown was placed on her head. Laying bare the passions that swirled around the throne in the eighteenth century, Becoming Queen is an absorbingly dramatic tale of secrets, sexual repression and endless conflict. After her lauded biography of Emma Hamilton, England's Mistress, Kate Williams has produced a most original and intimate portrait of Great Britain's longest reigning monarch.
Although Noël Coward's work as playwright, songwriter and actor has long been celebrated, his contributions to the British musical have largely been forgotten. Selected Musical Plays by Noël Coward: A Critical Anthology rectifies this omission from the musical theatre landscape, demonstrating how Coward's adaptability, creativity, and myriad of styles is imitated in the incredible musicals he authored. From flop shows at Drury Lane with Mary Martin through to his Broadway hits with Elaine Stritch, this anthology chronicles the variety of styles written by Coward, from revue to musical comedy to operetta. The works in this volume provide a contemporary critical introduction that illustrates the breadth and depth of his work, and highlighting the diverse identities of the collaborators and performers with whom he worked. Though the style of these works varies, they are linked together by his creative thread, and his ability to craft barbed and witty observations of his social world. A timely portrait of Coward's oeuvre and its lasting influence on the wider world of the British musical, Selected Musical Plays by Noël Coward contains previously unpublished musical plays by a central figure in theatre history, collected together with critical apparatus for students, scholars, and fans.
In The Kingdoms of Thorn and Bone, Greg Keyes has crafted a brilliant saga of magic, adventure, and love set against a backdrop of clashing empires and an ancient, reawakened evil. Now, with The Born Queen, Keyes brings his epic to a masterly close, gathering the strands of plot and character into a stunning climax that both completes and transcends all that has gone before. The Briar King is dead, and the world itself follows him to ruin. Aspar White, wounded and tired, must embark on one last quest to save the forest and the people he loves, but he has little hope of success. Anne Dare at last sits on the throne of Crotheny, but for how long? The Church, now led by the corrupt and powerful Marché Hespero, has declared a holy war against her, giving the king of Hansa the pretext he needs to unleash his vast might on the young queen and her unready army. But Hansa is the least of Anne’s worries. The Hellrune, war seer of Hansa, strikes at her through vision and prophecy. The Kept–last of the elder Skasloi lords–weaves his own dark webs. Anne’s teacher and ally in the sedos world might also be her worst enemy, and Anne’s own mounting strength compels her toward madness. Surviving these dangers and mastering her eldritch abilities are merely prelude to the real struggle. There are many–some with power matching or even exceeding Anne’s own–who are willing to kill in order to seize control. For whoever sits upon the throne will have the ultimate command to bring about the world’s salvation–or its apocalypse.
A timely and revelatory new biography of Queen Elizabeth (and her family) exploring how the Windsors have evolved and thrived, as the modern world has changed around them. Clive Irving’s stunning new narrative biography The Last Queen probes the question of the British monarchy’s longevity. In 2021, the Queen Elizabeth II finally appears to be at ease in the modern world, helped by the new generation of Windsors. But through Irving’s unique insight there emerges a more fragile institution, whose extraordinarily dutiful matriarch has managed to persevere with dignity, yet in doing so made a Faustian pact with the media. The Last Queen is not a conventional biography—and the book is therefore not limited by the traditions of that genre. Instead, it follows Elizabeth and her family’s struggle to survive in the face of unprecedented changes in our attitudes towards the royal family, with the critical eye of an investigative reporter who is present and involved on a highly personal level.
Regent, book one of The Balance of Power trilogy, is the much anticipated continuation of the World of Godsland fantasy series, which began with The Dawning of Power trilogy. In the years since the end of The Herald War, the world has become complacent despite Catrin Volker's warnings. When the darkness of her visions comes to pass, no one is prepared, and the fate of humanity will rest in her hands.
