For those frustrated beginners trying to learn DOS, this book will make the learning easy and entertaining. The book offers beginners only the details they need and tips to help them through the learning process. Lots of text boxes accompanied by icons, graphics, and cartoons users can relate to move them through the tough spots.
This book gives readers--in easy-to-understand terms--the facts they need to buy a computer. Takes the bite out of such terms as 80486, megahertz, RAM, BIOS, bus, and other confusing techno-babble. Provides sound advice on how to use simple computer knowledge to purchase the right PC. (Communications / Networking)
Jean-Paul Sartre was a man of staggering gifts, whose accomplishments as philosopher, novelist, playwright, biographer, and activist still command attention and inspire debate. Sartre’s restless intelligence may have found its most characteristic outlet in the open-ended form of the essay. For Sartre the essay was an essentially dramatic form, the record of an encounter, the framing of a choice. Whether writing about literature, art, politics, or his own life, he seizes our attention and drives us to grapple with the living issues that are at stake. We Have Only This Life to Live is the first gathering of Sartre’s essays in English to draw on all ten volumes of Situations, the title under which Sartre collected his essays during his life, while also featuring previously uncollected work, including the reports Sartre filed during his 1945 trip to America. Here Sartre writes about Faulkner, Bataille, Giacometti, Fanon, the liberation of France, torture in Algeria, existentialism and Marxism, friends lost and found, and much else. We Have Only This Life to Live provides an indispensable, panoramic view of the world of Jean-Paul Sartre.
THE "I HATE TO WRITE" GUIDE TO COLLEGE LEVEL ESSAYS: 4 IN 1 does not replace the required text books in English Composition courses but it does explain how to write an essay at this level without using academic words like "thesis." I never understood what that meant when I was an undergraduate, so I don't expected everyone to know what it means...but I do explain what it is in "regular" language. The four volumes grouped together here have appeared in e-book form but never as a print copy. It was probably past time to offer another option. The reason I wrote BASIC ESSAY, BOOK CRITIQUE, and RESEARCH PAPER is that they were the first essays students were required to wrote -- not just in composition class but in other courses. CHOOSING A TOPIC is something that has boggled many a mind. These are my guidelines and enough students told me that the way I detailed essay requirements finally allowed the light bulb moment of understanding the process be lit for them. Hopefully you'll find something helpful, too.
THE STORIES: ¡CUBA SI! Waiting for the revolution that she feels certain is near at hand, Cuba, a supporter of Fidel Castro, has set up camp in New York's Central Park. Having become something of a tourist attraction, she is interviewed by a report
While tying up loose ends from his employer's murder, Dewey finds information on a senator's involvement in a Korean prostitute's murder, and becomes a target of the Korean community and the Cyna-corps stormtroopers, a private military corporation.
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I Hate UNIX teaches readers the fundamentals of UNIX in a non-threatening, conversational manner. The goal is to give the readers the subset of UNIX information needed to avoid getting lost in UNIX. The book will arm the reader with the vocabulary and basic product understanding necessary to survive in a UNIX environment.
"Published here for the first time, Six One-Act Plays follows the 2008 collection of Richard Harsham's Twelve Plays in Search of Their Characters that comprised longer works for the stage. Influenced by the dramatic rigors of Samuel Beckett and Harold Pinter--Harsham subscribes to the mea culpa Pinter offered at the time of his Nobel Prize acceptance speech: "I've often been asked how my plays come about. I cannot say. Nor can I ever sum up my plays, except to say: that this is what happened; that is what they said; that is what they did." These one-act plays explore the human condition in cosmopolitan settings, revealing characters who work without benefit of a metaphysical safety-net and who inflict their needy sensibilities upon one another in a fragmentary world of scarce consolations and furtive urges. The sustaining illusion of permanence is subverted by the cosmic reality: human existence, in the grand scheme, proves as fleeting as the crystalline snowflake that, after making its "mark" lodged on winter's window pane, melts away, furry-white sparkle gone into velvety-black void....Harsham catches the irony of the unsolvable human mystery--that, as individuals, we are our own "disappearing acts." Like snowflakes, no two ever alike, ever again.