William Kentridge's multi-channel projection installation of eight film fragments, entitled I am not me, the horse is not mine, was first presented to international acclaim at the Sydney Biennale in June 2008. The work is based on the absurdist short story, The Nose (1837), by Nikolai Gogol, in which the pompous government official, Kovalyov, wakes up one day to find that his nose has taken on a life of its own and gone for a walk around the city of St Petersburg. In a sequence of comical scenes, the main character attempts - with increasingly ridiculous efforts - to chase after his nose, recapture it and stick it back on his face. I am not me, the horse is not mine stems from the artist's ongoing interest in the roots and development of modernism: a mixture of the absurd, the self-reflective (and the 'self-divided') and its many forms of fragmentation. It also deals particularly with Russia's response to modernism in the 1930s and the histories and terrors of oppression. This exhibition was made possible by the Goodman Gallery.
Draw closer to God and creatively unlock more of the Good Book! Your relationship with God is unique. Shouldn't your Bible reflect and celebrate that bond? In this introduction to Bible journaling, you'll discover meaningful ways to combine art, heart and scripture--from backgrounds to hand-lettered verses to beautiful full-page drawings. No expensive supplies or artistic skills are required...only a desire to honor and enhance your spiritual life. To guide your creative worship experience, this book provides: • Prompts to engage you with the text, then visually interpret Scripture in words and pictures • Basic techniques for working with colored pencils, watercolor pencils and watercolor paints • 21 step-by-step tutorials for drawing trees, flowers, skies, mountains, maps, water, light and other popular themes • Tons of inspirational page samples and suggested verses to illustrate • Downloadable icons and technique videos available on the author's website Whether you're new to Bible journaling or looking for fresh ideas, this book will lead you on a rewarding spiritual journey. Success is not measured in the complexity or polish of the art, but in a deeper, more personal connection with God. "Our lives are busy, and we leave a trail of things-we-should-remember on the ground behind us. Instead, scoop them up and journal them. Preserve the lessons vital to our growth as Christians." ~page 12
William Kentridge Flute is a dense collection of essays, photographs and images tracking the internationally famous South African artist's explorations into and production of Mozart's The Magic Flute. Kentridge's production of the opera premiered in Brussels in 2002, and FLUTE was launched in South Africa to celebrate the opera's African premiere in Cape Town. The book is packed with full color illustrations, photographs from the stage productions, pages from Kentridge's preparatory journals and numerous reproductions of the drawings and print works that spilled out of the artist's studio and onto the stage.
Wuthering Heights is the name of Mr. HeathcliffÕs dwelling. ÔWutheringÕ being a significant provincial adjective, descriptive of the atmospheric tumult to which its station is exposed in stormy weather. Pure, bracing ventilation they must have up there at all times, indeed: one may guess the power of the north wind blowing over the edge, by the excessive slant of a few stunted firs at the end of the house; and by a range of gaunt thorns all stretching their limbs one way, as if craving alms of the sun. Happily, the architect had foresight to build it strong: the narrow windows are deeply set in the wall, and the corners defended with large jutting stones. Before passing the threshold, I paused to admire a quantity of grotesque carving lavished over the front, and especially about the principal door; above which, among a wilderness of crumbling griffins and shameless little boys, I detected the date Ô1500,Õ and the name ÔHareton Earnshaw.Õ I would have made a few comments, and requested a short history of the place from the surly owner; but his attitude at the door appeared to demand my speedy entrance, or complete departure, and I had no desire to aggravate his impatience previous to inspecting the penetralium. One stop brought us into the family sitting-room, without any introductory lobby or passage: they call it here Ôthe houseÕ pre-eminently. It includes kitchen and parlour, generally; but I believe at Wuthering Heights the kitchen is forced to retreat altogether into another quarter: at least I distinguished a chatter of tongues, and a clatter of culinary utensils, deep within; and I observed no signs of roasting, boiling, or baking, about the huge fireplace; nor any glitter of copper saucepans and tin cullenders on the walls. One end, indeed, reflected splendidly both light and heat from ranks of immense pewter dishes, interspersed with silver jugs and tankards, towering row after row, on a vast oak dresser, to the very roof. The latter had never been under-drawn: its entire anatomy lay bare to an inquiring eye, except where a frame of wood laden with oatcakes and clusters of legs of beef, mutton, and ham, concealed it. Above the chimney were sundry villainous old guns, and a couple of horse-pistols: and, by way of ornament, three gaudily-painted canisters disposed along its ledge. The floor was of smooth, white stone; the chairs, high-backed, primitive structures, painted green: one or two heavy black ones lurking in the shade. In an arch under the dresser reposed a huge, liver-coloured bitch pointer, surrounded by a swarm of squealing puppies; and other dogs haunted other recesses.
C. S. Lewis was a British author, lay theologian, and contemporary of J.R.R. Tolkien. The Horse and His Boy is the fifth book in The Chronicles of Narnia series of seven books.
"The Horse of the Invisible" is a short story with a gothic theme and a touch of mystery. It is a mysterious tale involving Thomas Carnacki, the famous Investigator of ghost stories, who shares the details of a peculiarly frightening experience relating a ghost of a horse, who interferes with marriages of several women from one family. But is there a more to it?
A book chock-full of answers to horse-behavior questions that will change your horse's life for the better. Horses want partners they trust. Meeting their need for security makes them more tuned-in, calmer, and more reliable. In her engaging book, highly illustrated with professional color photographs, certified riding instructor Lynn Acton, MS, shows you how, with practical step-by-step instructions. You’ll see that progress can be surprisingly fast with methods that are gentle, time-tested, backed by science, and that make intuitive sense to your horse. Discover how to earn trust and make training more efficient by engaging horses’ innate intelligence, maintaining clear two-way communication, and considering their point of view. This leadership approach has been used successfully for centuries by people of all backgrounds and skill levels on horses at all levels of training. Acton refers to this relationship as Protector Leadership because you are the horse’s protector. In these pages, she combines extensive horse experience and an academic background in social dynamics with in-depth research. She interprets and cites the scientific findings that explain why Protector Leadership works, and offers valuable insights into equine psychology while exposing myths that are sources of problems. Plus, Acton includes “Things to Try” at the end of each chapter—fun and easy-to-implement exercises that help you engage your horse as a thinking partner Throughout, the narrative includes stories of Acton's progress with her own horses, including mistakes and hindsight, and especially the transformation of the book’s "cover girl" Brandy from a dangerous throwaway to a happy, reliable partner. Clear, detailed photographs show the subtle body language of horses and people, and illustrate critical interactions that make a real difference in our relationships, communication, and training. These are a few of the concrete skills you will learn: · Earn trust starting the moment you meet a horse. · Recognize “misbehavior” that actually means your horse is thinking like a partner. · Turn pressure into clear communication instead of stress. · Use Positive Reinforcement for better learning, behavior, and reliability. · Turn anxiety and spooks into confidence building situations. · Discourage unwanted behavior without punishment. · Allow your horse appropriate choices and freedom. As your bond strengthens, you can enjoy watching your horse’s true personality blossom. A thoughtful, progressive book for riders of all disciplines and students of the horse of all experience levels.
Pioneering work by the great modernist painter, considered by many to be the father of abstract art and a leader in the movement to free art from traditional bonds. 12 illustrations.
The acclaimed author of Their Eyes Were Watching God relates her experiences as an African American woman in early-twentieth-century America. In this autobiographical essay, author Zora Neale Hurston recounts episodes from her childhood in different communities in Florida: Eatonville and Jacksonville. She reflects on what those experiences showed her about race, identity, and feeling different. “How It Feels to Be Colored Me” was originally published in 1928 in the magazine The World Tomorrow.
