From the moment Riley Sinclair stepped onto Paradise Island, Bahamas, and into her new job as director of guest relations at a five-star resort, she felt the pieces of her once-broken life finally coming together. But the waters become choppy when Riley discovers that some who come to the Atlantis hotel arrive with more than just suitcases and suntan lotion in tow. They're accompanied by their lurking demons, paralyzing secrets, and overwhelming fears. Riley and three women guests are in desperate but unknowing need of each other, eventually forging unlikely yet powerful friendships. With a hurricane headed straight for the island, together they embark on a journey of laughter and lunacy, heartache and healing.
Fearless necessary reporting . . . Klein exposes the ‘battle of utopias’ that is currently unfolding in storm-ravaged Puerto Rico” (Junot Díaz, author of The Brief Wondrous Life of Oscar Wao) “We are in a fight for our lives. Hurricanes Irma and María unmasked the colonialism we face in Puerto Rico, and the inequality it fosters, creating a fierce humanitarian crisis. Now we must find a path forward to equality and sustainability, a path driven by communities, not investors. And this book explains, with careful and unbiased reporting, only the efforts of our community activists can answer the paramount question: What type of society do we want to become and who is Puerto Rico for?” —Carmen Yulín Cruz, Mayor of San Juan, Puerto Rico In the rubble of Hurricane Maria, Puerto Ricans and ultrarich “Puertopians” are locked in a pitched struggle over how to remake the island. In this vital and startling investigation, bestselling author and activist Naomi Klein uncovers how the forces of shock politics and disaster capitalism seek to undermine the nation’s radical, resilient vision for a “just recovery.” All royalties from the sale of this book in English and Spanish go directly to JunteGente, a gathering of Puerto Rican organizations resisting disaster capitalism and advancing a fair and healthy recovery for their island. “Klein chronicles the extraordinary grassroots resistance by the Puerto Rican people against neoliberal privatization and Wall Street greed in the aftermath of the island’s financial meltdown, of hurricane devastation, and of Washington’s imposition of an outside control board over the most important U.S. colony.” —Juan González, cohost of Democracy Now! and author of Harvest of Empire: A History of Latinos in America
Winner of the Independent Publisher Book Awards Silver Medal for Best Regional Nonfiction in the Southwest The story of how Florida became entwined with Americans’ 20th-century hopes, dreams, and expectations is also a tale of mass delusion, real estate collapses, and catastrophic hurricanes. The Fantasy of Florida hones in on the experiences of William Jennings Bryan and Edwin Menninger, the two men who shaped the image of Florida that we know today and who sold that image as America’s paradise. The cast of characters also includes the Marx Brothers, Thomas Edison, Al Capone, and Mark Twain. A tale of a colorful and tragicomic era during which the allure and illusion of the American Dream was on full display—a Jazz Age period when Americans started chasing what F. Scott Fitzgerald called “the orgiastic future”—the book reveals how the recent economic collapse in Florida is eerily similar to events that happened there between 1925 and 1928. What sets the mid-1920s’ Florida land boom apart from more recent booms-and-busts, however, is that this was the first modern boom, the first time that emerging new technologies, mass communications and modern advertising techniques were used to sell the nation on the notion that prosperity and happiness are simply there for the taking. Florida’s image as a place where the rules of everyday life don’t apply and winners go to play was formed during this dawn of the age of consumerism when Americans wanted to have fun and make lots of money, and millions of them thought Florida was the perfect place to do that.
Set against the steamy backdrop of Tarpon Cove's sun-kissed, tropical waters, sexy sleuths and best friends Madison and Fab are at it again dealing with the occasional dead body. Hidden just below the surface of the small town lies an underworld, one steeped in deceit, corruption, and deadly secrets. It's only a matter of time before Madison and Fab find themselves on a collision course with the police, who consider them likely suspects in a murder. Ride along on their adventures when the duo realizes that a family member is missing and pull themselves away from all jobs to track him down. Theories: walked away, freak accident, kidnapped? If so, then why no ransom demand?Hurricane in Paradise is book ten in the thrilling and humorous provocative Paradise series, which finds the two waist-deep in mystery and romance. It is a smart, adventurous read that delivers heart-thumping, non-stop action. Join Madison and Fab as they solve the most twisted of cases, through unconventional - and highly entertaining - measures... sometimes in flip-flops.
Seven years ago, Dominic Maxwell destroyed Fenella’s simple, happy life with the news that her stepfather had an entire other family already. After hearing this news, Fenella’s distraught mother took her own life. Now, out of nowhere, her younger brother has been invited by the Maxwell family to Fala’isi, an island in the South Pacific. He begs Fenella to accompany him there, and she’d do anything for her dear brother…even face Dominic, the man she never wanted to see again.
A gripping chronicle of the most powerful hurricane to ever hit the United States and its devastating aftermath details the fiercest storm of September 1935 from the perspectives of survivors of the storm, Federal Emergency Relief Administration employees, and government officials. Reprint.
The English-language debut of one of the most thrilling and accomplished young Mexican writers Winner of the Queen Sofía Spanish Institute's Tanslation Prize Longlisted for the National Book Award Shortlisted for the Booker Prize Winner of the Internationaler Literaturpreis New York Public Library Best Books of 2020 Chicago Public Library Best Book of 2020 The Witch is dead. And the discovery of her corpse has the whole village investigating the murder. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters—inners whom most people would write off as irredeemable—forming a lasting portrait of a damned Mexican village. Like Roberto Bolaño’s 2666 or Faulkner’s novels, Hurricane Season takes place in a world saturated with mythology and violence—real violence, the kind that seeps into the soil, poisoning everything around: it’s a world that becomes more and more terrifying the deeper you explore it.
Long considered ground zero for global climate change in the United States, Florida presents the perfect case study for disaster risk and prevention. Building on the idea that disasters are produced by historical and contemporary social processes as well as natural phenomena, Amanda D. Concha-Holmes and Anthony Oliver-Smith present a collection of ethnographic case studies that examine the social and environmental effects of Florida’s public and private sector development policies. Contributors to Disasters in Paradise explore how these practices have increased the vulnerability of Floridians to hurricanes, tornadoes, floods, droughts, frosts, and forest fires.
Liz Skilton’s innovative study tracks the naming of hurricanes over six decades, exploring the interplay between naming practice and wider American culture. In 1953, the U.S. Weather Bureau adopted female names to identify hurricanes and other tropical storms. Within two years, that convention came into question, and by 1978 a new system was introduced, including alternating male and female names in a pattern that continues today. In Tempest: Hurricane Naming and American Culture, Skilton blends gender studies with environmental history to analyze this often controversial tradition. Focusing on the Gulf South—the nation’s “hurricane coast”—Skilton closely examines select storms, including Betsy, Camille, Andrew, Katrina, and Harvey, while referencing dozens of others. Through print and online media sources, government reports, scientific data, and ephemera, she reveals how language and images portray hurricanes as gendered objects: masculine-named storms are generally characterized as stronger and more serious, while feminine-named storms are described as “unladylike” and in need of taming. Further, Skilton shows how the hypersexualized rhetoric surrounding Katrina and Sandy and the effeminate depictions of Georges represent evolving methods to define and explain extreme weather events. As she chronicles the evolution of gendered storm naming in the United States, Skilton delves into many other aspects of hurricane history. She describes attempts at scientific control of storms through hurricane seeding during the Cold War arms race of the 1950s and relates how Roxcy Bolton, a member of the National Organization for Women, led the crusade against feminizing hurricanes from her home in Miami near the National Hurricane Center in the 1970s. Skilton also discusses the skyrocketing interest in extreme weather events that accompanied the introduction of 24-hour news coverage of storms, as well as the impact of social media networks on Americans’ tracking and understanding of hurricanes and other disasters. The debate over hurricane naming continues, as Skilton demonstrates, and many Americans question the merit and purpose of the gendered naming system. What is clear is that hurricane names matter, and that they fundamentally shape our impressions of storms, for good and bad.
