Humor in Eighteenth-and Nineteenth-Century British Literature

Humor in Eighteenth-and Nineteenth-Century British Literature

Author: Don Lee Fred Nilsen

Publisher: Greenwood

Published: 1998-05-30

Total Pages: 320

ISBN-13:

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During the 18th and 19th centuries in Britain there was a wide range of literary humor. Much of this humor was satiric, ranging from the sharp barbs of Pope and Swift to the more subtle but stinging wordplay of Addison. In the 18th century, Richardson, Fielding, Smollett, and Sterne wrote humorous novels, in which they criticized society. The period was largely dominated by satire, in which the dunce was a common figure. There was a proliferation of satires in prose and verse, along with satiric operas, pamphlets, and other writings. During the 19th century, writers such as Dickens, Thackeray, Eliot, and Carlyle continued to use humor to comment on the issues of their day, though their writings were often far more gentle than those of their predecessors. This reference book is a comprehensive guide to how British writers of the 18th and 19th centuries used humor in their works. An introductory chapter overviews humor in British literature of the era. The sections that follow then treat humor in British literature of the 18th century and of the early, middle, and later 19th century. Each of these sections includes a short introduction, followed by chronologically arranged profiles of various authors. Each profile discusses how the author used humor and includes extensive bibliographic information. A thorough index allows the reader to access information alphabetically, while the chronological arrangement of the profiles shows how humor in British literature evolved over time.


Smile of Discontent

Smile of Discontent

Author: Eileen Gillooly

Publisher: University of Chicago Press

Published: 1999-06

Total Pages: 282

ISBN-13: 9780226294018

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Like sex, Eileen Gillooly argues, humor has long been viewed as a repressed feature of nineteenth-century femininity. However, in the works of writers such as Jane Austen, George Eliot, Elizabeth Gaskell, Anthony Trollope, and Henry James, Gillooly finds an understated, wryly amusing perspective that differs subtly but significantly in rhetoric, affect, and politics from traditional forms of comic expression. Gillooly shows how such humor became, for mostly female writers at the time, an unobtrusive and prudent means of expressing discontent with a culture that was ideologically committed to restricting female agency and identity. If the aggression and emotional distance of irony and satire mark them as "masculine," then for Gillooly, the passivity, indirection, and sympathy of the humor she discusses render it "feminine." She goes on to disclose how the humorous tactics employed by writers from Burney to Wharton persist in the work of Barbara Pym, Anita Brookner, and Penelope Fitzgerald. The book won the Barbara Perkins and George Perkins Award given by the Society for the Study of Narrative Literature.


Twentieth-century British Humorists

Twentieth-century British Humorists

Author: Paul Matthew St. Pierre

Publisher: Dictionary of Literary Biograp

Published: 2010

Total Pages: 0

ISBN-13: 9780787681708

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The 20th century had the potential to touch a raw nerve & humorists had a matching potential to hit it with a slapstick to invoke laughter at the absurdity of an age that could swing between the existentialist black humor of totalitarianism & the Dadaist farce of a king on spinning bicycle wheels. Humor is about discerning a people through literary modes such as irony, parody, satire, farce, wit, absurdity, & comic stories that expose incongruities in speech & writing.


Cruelty and Laughter

Cruelty and Laughter

Author: Simon Dickie

Publisher: University of Chicago Press

Published: 2011-12

Total Pages: 382

ISBN-13: 0226146189

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A rollicking review of popular culture in 18th century Britain this text turns away from sentimental and polite literature to focus instead on the jestbooks, farces, comic periodicals variety shows and minor comic novels that portray a society in which no subject was taboo and political correctness unimagined.


Encyclopedia of 20th-Century American Humor

Encyclopedia of 20th-Century American Humor

Author: Alleen Pace Nilsen

Publisher: Greenwood

Published: 2000-01-20

Total Pages: 386

ISBN-13:

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Review: "This unique encyclopedia treats the concepts, persons, themes, and media of 20th-century American humor and humor studies. More than 100 alphabetically arranged entries highlight a broad range of humor-related topics from wit, understatement, and ambiguity to late-night talk shows and the Internet."--"Outstanding Reference Sources," American Libraries, May 2001


The Politics of Humour

The Politics of Humour

Author: Martina Kessel

Publisher: University of Toronto Press

Published: 2012

Total Pages: 241

ISBN-13: 1442642920

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The period between the First World War and the fall of the Berlin Wall is often characterized as the age of extremes--while this era witnessed unprecedented violence and loss of human life, it also saw a surge in humorous entertainment in both democratic and authoritarian societies. The Politics of Humour examines how works such as satirical magazines and comedy films were used both to reaffirm group identity and to exclude those who did not belong. The essays in this collection analyse the political and social context of comedy in Europe and the United States, exploring topics ranging from the shifting targets of ethnic jokes to the incorporation of humour into wartime broadcasting and the uses of satire as a means of resistance. Comedy continues to define the nature of group membership today, and The Politics of Humour offers an intriguing look at how entertainment helped everyday people make sense of the turmoil of the twentieth century.


Twentieth-Century English Literature

Twentieth-Century English Literature

Author: A. Norman Jeffares

Publisher: Bloomsbury Publishing

Published: 1986-12-12

Total Pages: 352

ISBN-13: 1349185116

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In revising this book for a second edition, Harry Blamires has updated his final chapters to give a thorough coverage to the work of dramatists, novelists and poets who have achieved prominence in the 1980s, either as new writers or rediscovered authors who have recently been brought back into print or revived by radio and television.