Human-Animal Interactions in the Eighteenth Century

Human-Animal Interactions in the Eighteenth Century

Author:

Publisher: BRILL

Published: 2021-12-13

Total Pages: 209

ISBN-13: 9004495398

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How did humans respond to the eighteenth-century discovery of countless new species of animals? This book explores the gamut of human-animal interactions: from love to cultural identifications, moral reflections, philosophical debates, classification systems, mechanical copies, insults and literary creativity.


Interspecies Interactions

Interspecies Interactions

Author: Sarah Cockram

Publisher: Routledge

Published: 2017-09-14

Total Pages: 455

ISBN-13: 1351612638

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Interspecies Interactions surveys the rapidly developing field of human-animal relations from the late medieval and early modern eras through to the mid-Victorian period. By viewing animals as authentic and autonomous historical agents who had a real impact on the world around them, this book concentrates on an under-examined but crucial aspect of the human-animal relationship: interaction. Each chapter provides scholarly debate on the methods and challenges of the study of interspecies interactions, and together they offer an insight into the part that humans and animals have played in shaping each other’s lives, as well as encouraging reflection on the directions that human-animal relations may yet take. Beginning with an exploration of Samuel Pepys’ often emotional relationships with the many animals that he knew, the chapters cover a wide range of domestic, working, and wild animals and include case studies on carnival animals, cattle, dogs, horses, apes, snakes, sharks, and invertebrates. These case studies of human-animal interactions are further brought to life through visual representation, by the inclusion of over 20 images within the book. From ‘sleeve cats’ to lion fights, Interspecies Interactions encompasses a broad spectrum of relationships between humans and animals. Covering topics such as use, emotion, cognition, empire, status, and performance across several centuries and continents, it is essential reading for all students and scholars of historical animal studies.


Humans and Other Animals in Eighteenth-Century British Culture

Humans and Other Animals in Eighteenth-Century British Culture

Author: Frank Palmeri

Publisher: Routledge

Published: 2020-07-09

Total Pages: 395

ISBN-13: 1351929410

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Combining historical and interpretive work, this collection examines changing perceptions of and relations between human and nonhuman animals in Britain over the long eighteenth century. Persistent questions concern modes of representing animals and animal-human hybrids, as well as the ethical issues raised by the human uses of other animals. From the animal men of Thomas Rowlandson to the part animal-part human creature of Victor Frankenstein, hybridity serves less as a metaphor than as a metonym for the intersections of humans and other animals. The contributors address such recurring questions as the implications of the Enlightenment project of naming and classifying animals, the equating of non-European races and nonhuman animals in early ethnographic texts, and the desire to distinguish the purely human from the entirely nonhuman animal. Gulliver's Travels and works by Mary and Percy Shelley emerge as key texts for this study. The volume will be of interest to scholars and students who work in animal, colonial, gender, and cultural studies; and will appeal to general readers concerned with the representation of animals and their treatment by humans.


Animals and Humans

Animals and Humans

Author: Katherine Quinsey

Publisher:

Published: 2017

Total Pages: 335

ISBN-13: 9781800858978

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European culture in the seventeenth and eighteenth centuries witnessed a radical redefinition of 'humanity' and its place in the environment, together with a new understanding of animals and their relation to humans. In examining the dynamics of animal-human relations as embodied in the literature, art, farming practices, natural history, religion and philosophy of this period, leading experts explore the roots of much current thinking on interspecies morality and animal welfare.The animal-human relationship challenged not only disciplinary boundaries - between poetry and science, art and animal husbandry, natural history and fiction - but also the basic assumptions of human intellectual and cultural activity, expression, and self-perception. This is specifically apparent in the re-evaluation of sentiment and sensibility, which constitutes a major theme of this chronologically organised volume. Authors engage with contemporary reactions to the commodification of animals during the period of British imperialism, tracing how eighteenth-century ecological consciousness and notions of animal identity and welfare emerged from earlier, traditional models of the cosmos, and reassessing late eighteenth-century poetic representations of the sentimental encounter with the animal other. They show how human experience was no longer viewed as an iterative process but as one continually shaped by the other. In concluding chapters authors highlight the political resonances of the animal-human relationship as it was used both to represent and to redress the injustices between humans as well as between humans and animals. Through a multifaceted study of eighteenth-century European culture, authors reveal how the animal presence - both real and imagined - forces a different reading not only of texts but also of society. 'The chapters present a bounty of intriguing fresh readings of canonized works (including James Thomson's The Seasons [1730], AlexanderPope's Windsor Forest [1713], and Pope's An Essay on Man [1734]) as well as eighteenth-century texts that have so far remained under-researchedor outright overlooked.'- Bärbel Czennia, Eighteenth-Century Fiction


Other Animals

Other Animals

Author: Jane T. Costlow

Publisher: University of Pittsburgh Press

Published: 2010-08-15

Total Pages: 337

ISBN-13: 0822973723

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The lives of animals in Russia are intrinsically linked to cultural, political and psychological transformations of the imperial, Soviet, and post-Soviet eras. Other Animals examines the interaction of animals and humans in Russian literature, art, and life from the eighteenth century until the present. The chapters explore the unique nature of the Russian experience in a range of human-animal relationships through tales of cruelty, interspecies communion and compassion, and efforts to either overcome or establish the human-animal divide. Four themes run through the volume: the prevalence of animals in utopian visions; the ways in which Russians have incorporated and sometimes challenged Western sensibilities and practices, such as the humane treatment of animals and the inclusion of animals in urban domestic life; the quest to identify and at times exploit the physiological basis of human and animal behavior and the ideological implications of these practices; and the breakdown of traditional human-animal hierarchies and categories during times of revolutionary upheaval, social transformation, or disintegration.From failed Soviet attempts to transplant the seminomadic Sami and their reindeer herds onto collective farms, to performance artist Oleg Kulik's scandalous portrayal of Pavlov's dogs as a parody of the Soviet "new man," to novelist Tatyana Tolstaya's post-cataclysmic future world of hybrid animal species and their disaffection from the past, Other Animals presents a completely new perspective on Russian and Soviet history. It also offers a fascinating look into the Russian psyche as seen through human interactions with animals.


Wild Ones

Wild Ones

Author: Jon Mooallem

Publisher: Penguin

Published: 2013-05-16

Total Pages: 325

ISBN-13: 1101617845

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"Intelligent and highly nuanced… This book may bring tears to your eyes." -- San Francisco Chronicle Journalist Jon Mooallem has watched his little daughter’s world overflow with animals butterfly pajamas, appliquéd owls—while the actual world she’s inheriting slides into a great storm of extinction. Half of all species could disappear by the end of the century, and scientists now concede that most of America’s endangered animals will survive only if conservationists keep rigging the world around them in their favor. So Mooallem ventures into the field, often taking his daughter with him, to move beyond childlike fascination and make those creatures feel more real. Wild Ones is a tour through our environmental moment and the eccentric cultural history of people and wild animals in America that inflects it—from Thomas Jefferson’s celebrations of early abundance to the turn-of the-last-century origins of the teddy bear to the whale-loving hippies of the 1970s. With propulsive curiosity and searing wit, and without the easy moralizing and nature worship of environmental journalism’s older guard, Wild Ones merges reportage, science, and history into a humane and endearing meditation on what it means to live in, and bring a life into, a broken world.


What Animals Mean in the Fiction of Modernity

What Animals Mean in the Fiction of Modernity

Author: Philip Armstrong

Publisher: Routledge

Published: 2008-02-19

Total Pages: 336

ISBN-13: 1134245173

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What Animals Mean in the Fiction of Modernity argues that nonhuman animals, and stories about them, have always been closely bound up with the conceptual and material work of modernity. In the first half of the book, Philip Armstrong examines the function of animals and animal representations in four classic narratives: Robinson Crusoe, Gulliver’s Travels, Frankenstein and Moby-Dick. He then goes on to explore how these stories have been re-worked, in ways that reflect shifting social and environmental forces, by later novelists, including H.G. Wells, Upton Sinclair, D.H. Lawrence, Ernest Hemingway, Franz Kafka, Brigid Brophy, Bernard Malamud, Timothy Findley, Will Self, Margaret Atwood, Yann Martel and J.M. Coetzee. What Animals Mean in the Fiction of Modernity also introduces readers to new developments in the study of human-animal relations. It does so by attending both to the significance of animals to humans, and to animals’ own purposes or designs; to what animals mean to us, and to what they mean to do, and how they mean to live.


Animalia Americana

Animalia Americana

Author: Colleen Glenney Boggs

Publisher: Columbia University Press

Published: 2013-01-08

Total Pages: 321

ISBN-13: 023153194X

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Colleen Glenney Boggs puts animal representation at the center of the making of the liberal American subject. Concentrating on the formative and disruptive presence of animals in the writings of Frederick Douglass, Edgar Allan Poe, and Emily Dickinson, Boggs argues that animals are critical to the ways in which Americans enact their humanity and regulate subjects in the biopolitical state. Biopower, or a politics that extends its reach to life, thrives on the strategic ambivalence between who is considered human and what is judged as animal. It generates a space of indeterminacy in which animal representations intervene to define and challenge the parameters of subjectivity. The renegotiation of the species line produces a tension that is never fully regulated. Therefore, as both figures of radical alterity and the embodiment of biopolitics, animals are simultaneously exceptional and exemplary to the biopolitical state. An original contribution to animal studies, American studies, critical race theory, and posthumanist inquiry, Boggs thrillingly reinterprets a long and highly contentious human-animal history.


Becoming Centaur

Becoming Centaur

Author: Monica Mattfeld

Publisher: Penn State Press

Published: 2017-03-21

Total Pages: 273

ISBN-13: 027107972X

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In this study of the relationship between men and their horses in seventeenth- and eighteenth-century England, Monica Mattfeld explores the experience of horsemanship and how it defined one’s gendered and political positions within society. Men of the period used horses to transform themselves, via the image of the centaur, into something other—something powerful, awe-inspiring, and mythical. Focusing on the manuals, memoirs, satires, images, and ephemera produced by some of the period’s most influential equestrians, Mattfeld examines how the concepts and practices of horse husbandry evolved in relation to social, cultural, and political life. She looks closely at the role of horses in the world of Thomas Hobbes and William Cavendish; the changes in human social behavior and horse handling ushered in by elite riding houses such as Angelo’s Academy and Mr. Carter’s; and the public perception of equestrian endeavors, from performances at places such as Astley’s Amphitheatre to the satire of Henry William Bunbury. Throughout, Mattfeld shows how horses aided the performance of idealized masculinity among communities of riders, in turn influencing how men were perceived in regard to status, reputation, and gender. Drawing on human-animal studies, gender studies, and historical studies, Becoming Centaur offers a new account of masculinity that reaches beyond anthropocentrism to consider the role of animals in shaping man.


The Limits of Sympathy

The Limits of Sympathy

Author: Rachel Swinkin

Publisher:

Published: 2012

Total Pages:

ISBN-13: 9781267402004

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The histories of moral concern for animals and literary sentimentalism are intertwined, yet the reasons for this connection have been little understood. This study examines the reasons for the growth of compassion for animals in late eighteenth-century British literature and culture and the influence of sentimental poetics on the way human and animal relationships came to be understood. Additionally, I suggest that some of the questions asked about animals in the eighteenth century are now being reconsidered in the field of Animal Studies and that modern thinking about human and animal relationships bears the influence of eighteenth-century sentimentalism in both the importance placed on sympathetic imagination and, surprisingly, our disapproval of sentimentality. The Introduction considers the rise and fall of sentimental compassion for animals in eighteenth-century Britain and examines the iconic importance of the animal encounters in Laurence Sterne's novels for eighteenth-century readers and how they epitomized the notion of sensibility for admirers and detractors. I then propose an approach to understanding the role of animals in sentimentalism that draws on Derrida's work on the gift and the response of the animal and appraise current attitudes toward sentimentality in the field of Animal Studies. Chapter 1 shows how Sterne used animal encounters to explore the dynamics of sympathetic imagination and examines how the conceptual malleability of animals and their resistance to interpretation bear on the novel's analysis of personal identity and narrative authority. Chapter 2 analyzes the major tropes of sentimental animal representation in a wide array of eighteenth-century texts, with a focus on understanding how personification and apostrophe shape the dynamics of the poetic encounter with the animal. Chapter 3 considers how William Blake's writings on animals may be understood in the context of sentimentalism and the ways in which Blake addressed questions about our ethical relations with other species. Chapter 4 outlines the intellectual context of eighteenth-century concern for animals with a focus on how moral philosophy and medical discourse established models of the mind-body relationship conducive to questioning the boundary between human and animal.