Movie Stunts & Special Effects

Movie Stunts & Special Effects

Author: Andrew Lane

Publisher: Bloomsbury Publishing USA

Published: 2014-11-20

Total Pages: 297

ISBN-13: 1623563666

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Throughout film history, one of the fundamental fantasies portrayed on screen has been the kind of physical action few of us could ever experience in real life. The image of an 'every man' engaged in hand-to-hand, mortal combat, defending his family or even the world population against an overwhelming and malevolent force, speaks to our most primal instincts and thus became a mainstay of movie entertainment. In order to translate these deep-seated fantasies to the screen, filmmakers have been developing special skills and crafts for over 100 years. It is these skills that make 'movie magic' and have allowed audiences to take part in the primal hopes and fears we all possess. Movie Stunts & Special Effects: A Comprehensive Guide to Planning and Execution is designed to inform filmmakers on how to plan for and utilize these crafts by engaging and empowering filmmakers to better communicate with stunts and effects practitioners, and thereby enabling them to more fully realize their vision. Director/Producer Andrew Lane surveys fights, use of weapons, cars and vehicles, falls, the use of pyrotechnics, atmospheric effects, bullet hits, wounds and blood, among many other categories. Factors such as cost, time to implement, safety accommodations, and assessing the competence of those employed to plan and execute stunts and special effects are numerous and very specific. Each topic in Movie Stunts & Special Effects is examined using narrative explanations, extensive interviews with world-renowned experts. Various stunts and special effects will be explored in the context of how they are best captured by a camera and then editorially constituted in the final product.


FILM MAKING

FILM MAKING

Author: UDAI SENAPATI

Publisher: K.K. Publications

Published: 2022-03-13

Total Pages: 290

ISBN-13:

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Film making is the art of presenting the vision in the form of entertainment. This book intends to bridge the gap between Producers, Technicians. Philosophers and the Society. Contents • Film • History • Regional Cinema in India • Film Producer • Director • Screen/Script Writer • Assistant Director • Music Director & Composer • Casting Director • Film Production Coordinator • Actor • Art Director • Choreographer • Costume Designer • Makeup • Colourist • Cinematography • Editor • Sound Designer • Stunt Coordinator • Visual Effects • Budget • Glossary


Ways of Escape

Ways of Escape

Author: C. Rojek

Publisher: Springer

Published: 1993-06-23

Total Pages: 266

ISBN-13: 0230373402

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Modern life is often described as an iron cage from which there is no escape. But popular culture venerates leisure and travel as authentic escape routes from routine and monotony. However what kind of escape is tolerated in modern society? How is it shaped by historical expectations of leisure and travel? And what do we actually experience when we engage in leisure or travel activity? This fascinating and accomplished book tries to supply answers to these questions. A major scholarly contribution to the sociological analysis of leisure, pleasure and travel, Dr Rojek's study is a radical challenge to the existing paradigmatic orthodoxy. Bryan S. Turner, University of Essex.


New Interchange 2 Lab Guide

New Interchange 2 Lab Guide

Author: Jack C. Richards

Publisher: Cambridge University Press

Published: 2002-05-06

Total Pages: 124

ISBN-13: 9780521773799

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New Interchange is a multi-level series for adult and young-adult learners of English from the beginning to the high-intermediate level. The Lab Guide can be purchased for use with the Lab Audio Cassettes. The guide provides varying levels of support for the learner: Part A contains only the directions to each exercise, Part B contains the script for each exercise without the responses, and Part C contains the complete script for each exercise with the responses.


Rendering Techniques ’98

Rendering Techniques ’98

Author: George Drettakis

Publisher: Springer Science & Business Media

Published: 2012-12-06

Total Pages: 351

ISBN-13: 3709164532

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Some of the best current research on realistic rendering is included in this volume. It emphasizes the current "hot topics” in this field: image based rendering, and efficient local and global-illumination calculations. In the first of these areas, there are several contributions on real-world model acquisition and display, on using image-based techniques for illumination and on efficient ways to parameterize and compress images or light fields, as well as on clever uses of texture and compositing hardware to achieve image warping and 3D surface textures. In global and local illumination, there are contributions on extending the techniques beyond diffuse reflections, to include specular and more general angle dependent reflection functions, on efficiently representing and approximating these reflection functions, on representing light sources and on approximating visibility and shadows. Finally, there are two contributions on how to use knowledge about human perception to concentrate the work of accurate rendering only where it will be noticed, and a survey of computer graphics techniques used in the production of a feature length computer-animated film with full 3D characters.


Beyond the Boundaries

Beyond the Boundaries

Author: Theodore Shank

Publisher: University of Michigan Press

Published: 2002

Total Pages: 378

ISBN-13: 9780472085354

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An update of this popular history of experimental American theater


The City's End

The City's End

Author: Max Page

Publisher: Yale University Press

Published: 2008-01-01

Total Pages: 279

ISBN-13: 030011026X

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From nineteenth-century paintings of fires raging through New York City to scenes of Manhattan engulfed by a gigantic wave in the 1998 movie Deep Impact, images of the city’s end have been prolific and diverse. Why have Americans repeatedly imagined New York’s destruction? What do the fantasies of annihilation played out in virtually every form of literature and art mean? This book is the first to investigate two centuries of imagined cataclysms visited upon New York, and to provide a critical historical perspective to our understanding of the events of September 11, 2001. Max Page examines the destruction fantasies created by American writers and imagemakers at various stages of New York’s development. Seen in every medium from newspapers and films to novels, paintings, and computer software, such images, though disturbing, have been continuously popular. Page demonstrates with vivid examples and illustrations how each era’s destruction genre has reflected the city’s economic, political, racial, or physical tensions, and he also shows how the images have become forces in their own right, shaping Americans’ perceptions of New York and of cities in general.


Masters of FX

Masters of FX

Author: Ian Failes

Publisher: CRC Press

Published: 2016-02-19

Total Pages: 327

ISBN-13: 1317540921

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It would be rare these days to find a film that did not in some way depend on the magic of visual effects, from the raging computer-generated dinosaurs in Steven Spielberg's Jurassic Park, to the fantastical worlds of Tim Burton's Alice in Wonderland, and the photoreal tiger and ocean in Ang Lee's Life of Pi. Through interviews with 16 of the leading effects pioneers from around the world (see list below), author Ian Failes explores the making of some of the most memorable film sequences ever produced, showcasing the shift from practical to digital magic with original behind-the-scenes imagery, shot breakdowns, and detailed explanations of some of the secrets behind the making of cinema's most extraordinary creations. Visual effects artists and films discussed include: Dennis Muren (Star Wars: Episodes IV–VI; Terminator 2: Judgment Day; Jurassic Park; A.I. Artificial Intelligence; War of the Worlds) Bill Westenhofer (Babe: Pig in the City; Cats & Dogs; The Lion, the Witch and the Wardrobe; The Golden Compass; Life of Pi) Joe Letteri (The Lord of the Rings trilogy; King Kong; Avatar; Planet of the Apes; The Hobbit trilogy) Rob Legato (Apollo 13; Titanic; The Aviator; Hugo) Paul Franklin (Pitch Black; Christopher Nolan’s The Dark Knight trilogy; Inception; Interstellar) Richard Edlund (Star Wars: Episodes IV–VI; Raiders of the Lost Ark; Ghostbusters; Multiplicity); Edson Williams (X-Men: The Last Stand; The Curious Case of Benjamin Button; The Social Network; Captain America films) Karen Goulekas (Godzilla; The Day After Tomorrow; 10,000 BC; Green Lantern); Chris Corbould (Golden Eye; Die Another Day; Christopher Nolan’s The Dark Knight trilogy; Inception); Ian Hunter (The X-Files; The Dark Knight; The Dark Knight Rises; Inception; Interstellar) John Rosengrant (Terminator films; Jurassic Park; Iron Man films; Real Steel)


Examinations and Analysis of Sequels and Serials in the Film Industry

Examinations and Analysis of Sequels and Serials in the Film Industry

Author: Seçmen, Emre Ahmet

Publisher: IGI Global

Published: 2023-04-25

Total Pages: 412

ISBN-13: 166847865X

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There are many elements in the concept of visual continuity, and they are all interrelated. In films or film series that are described as sequels, establishing a visual integrity relationship between films comes to the fore. The concept of the sequel appears in two ways. Sometimes, while the ideas are scripted, the story is divided into more than one part. Sometimes the story is planned as a single movie, and after a certain time, it can be realized as a follow-up movie/film for different reasons. In both systems of expression, it is necessary to seek harmony between all elements of visual design. Examinations and Analysis of Sequels and Serials in the Film Industry examines certain contents through the concepts of cinematography and narrative, focusing more on the practical side of cinema and partially on the theoretical side. It examines samples, sequels, serials, and trilogy universes on the axis of cinematography and narration. Covering topics such as film landscape, repeated narrative elements, and storytelling, this premier reference source is an excellent resource for film industry workers, film students and educators, sociologists, librarians, academicians, and researchers.