This book sets out to explore the connections between megalithic monuments and Rock 'n' Roll music by first addressing what the megalithic structures would have originally meant to the builders and users of these sites and at the statements they were making at that time. It then looks at how Rock 'n' Roll artists have incorporated images of these monuments into album cover designs by looking at specific examples, in an attempt to understand why, despite being separated by millennia from the original builders, they chose to use such places to represent the statements they are making through their music in the late 20th and early 21st centuries.
Rock and roll music evolved in the United States during the late 1940s and 1950s, as a combination of African American blues, country, pop, and gospel music produced a new musical genre. Even as it captured the ears of the nation, rock and roll was the subject of controversy and contention. The music intertwined with the social, political, and economic changes reshaping America and contributed to the rise of the youth culture that remains a potent cultural force today. A comprehensive understanding of post-World War II U.S. history would be incomplete without a basic knowledge of this cultural phenomenon and its widespread impact. In this short book, bolstered by primary source documents, Mitchell K. Hall explores the change in musical style represented by rock and roll, changes in technology and business practices, regional and racial implications of this new music, and the global influences of the music. The Emergence of Rock and Roll explains the huge influence that one cultural moment can have in the history of a nation.
An essential work for rock fans and scholars, Before Elvis: The Prehistory of Rock 'n' Roll surveys the origins of rock 'n' roll from the minstrel era to the emergence of Bill Haley and Elvis Presley. Unlike other histories of rock, Before Elvis offers a far broader and deeper analysis of the influences on rock music. Dispelling common misconceptions, it examines rock's origins in hokum songs and big-band boogies as well as Delta blues, detailing the embrace by white artists of African-American styles long before rock 'n' roll appeared. This unique study ranges far and wide, highlighting not only the contributions of obscure but key precursors like Hardrock Gunter and Sam Theard but also the influence of celebrity performers like Gene Autry and Ella Fitzgerald. Too often, rock historians treat the genesis of rock 'n' roll as a bolt from the blue, an overnight revolution provoked by the bland pop music that immediately preceded it and created through the white appropriation of music till then played only by and for black audiences. In Before Elvis, Birnbaum daringly argues a more complicated history of rock's evolution from a heady mix of ragtime, boogie-woogie, swing, country music, mainstream pop, and rhythm-and-blues--a melange that influenced one another along the way, from the absorption of blues and boogies into jazz and pop to the integration of country and Caribbean music into rhythm-and-blues. Written in an easy style, Before Elvis presents a bold argument about rock's origins and required reading for fans and scholars of rock 'n' roll history.
How does rock music impact culture? According to authors B. Lee Cooper and Wayne S. Haney, it is central to the definition of society and has had a great impact on shaping American culture. In Rock Music in American Popular Culture, insightful essays and book reviews explore ways popular culture items can be used to explore American values. This fascinating book is arranged alphabetically for quick and easy reference to specific topics, but the book is equally enjoyable to read straight through. The influence of rock era music is evident throughout the text, demonstrating how various topics in the popular culture field are interconnected. Students in popular culture survey courses and American studies classes will be fascinated by these unique explorations of how family businesses, games, nursery rhymes, rock and roll legends, and other musical ventures shed light on our society and how they have shaped American values over the years.
This title explores the ways rock 'n' roll was established, how it evolved and expanded, and how rock 'n' roll became part of the nation's identity. The text provides historical context and explores the social, economic, political, and technological frameworks that influenced or defined the popularity, growth, and modern advancements of rock 'n' roll. Aligned to Common Core standards and correlated to state standards. Abdo & Daughters is an imprint of Abdo Publishing, a division of ABDO.
(Book). In the tradition of Nick Tosches, Tom Wolfe and Lester Bangs comes an epic and riveting history of rock and roll that reads like a novel. Sonic Cool presents the saga of rock and roll as the closest thing we have to genuine "myth" in the modern world, and it is the first book about rock to be written in the spirit of rock. Immense, fierce, opinionated and hilarious, Joe Harrington masterfully presents rock as a movement of near-religious proportions, against a backdrop of social factors and important events such as the invention of the guitar, the jukebox, LSD, the 12-inch phonograph record, the '70s recession, the Reagan Revolution, and the Internet. This is the history of rock as it's never been told, as the legend of a massive cultural movement, one that had meaning, but ultimately failed because it sold its soul. Radically egalitarian in its assessments towering figures such as Lennon, Dylan and Cobain stand along side lesser-known but equally influential artists like the MC5, the Misfits and Joy Division Sonic Cool is gripping reading for anyone who ever believed in the music. Includes a 16-page black-and-white photo insert. Joe S. Harrington began writing at the age of 10, an act that provoked a rejection slip from Mad magazine. He has written about music for the Boston Globe , Boston Phoenix , New York Press , Seattle Stranger , Lowell Sun , Wired , Reflex , Raygun , High Times , Seconds , Rollerderby and numerous fanzines. He is currently employed as an on-line jazz critic at Amazon, and lives in Portland, Maine. Softcover.
All Roots Lead to Rock tells the story of a group of "couldabeens, hasbeens, shouldabeens," and just plain "weres" to show the many different influences that came together to make the mighty musical stew we call rock 'n' roll. The family tree of rock 'n' roll has many branches. And the roots are often lost in the dusky soil - far from view of even the most loyal listeners. So today's fans of Marilyn Manson may only be vaguely familiar with the original Son-of-Satan, Screamin' Jay Hawkins. Hawkins's stage act included a mixture of voodoo, high gothic horror, and just plain kitsch that would have made Alice Cooper blush. Similarly, some of today's most sexually explicit artists might find it interesting to know that, over four decades ago, there was a fantastically ribald blues singer out of Kansas City named Julia Lee who could cook with the best of them. All Roots Lead to Rock tells all of these stories - and more - in the vivid writings of many of today's greatest music historians and critics.
For more than six decades, Rock 'n' Roll music has been a voice of youth. This uniquely American style of music has had an enormous impact on the fashion, lifestyles, and attitudes of young people, both in the United States and elsewhere around the world. During the 1960s, rock music helped to change attitudes toward civil rights for African Americans. In the 1980s, rock helped to subvert the governments of the Soviet Union and its Eastern Bloc satellites, leading to the collapse of Communism. Major rock concert events like the Concert for Bangladesh (1971), Live Aid (1985), and Live 8 (2005) have raised awareness, and money, for worthwhile causes. Rock 'n' Roll music continues to evolve, as well as to influence self-expression in young people today.
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