Now in its eleventh successful year, the Caine Prize for African Writing is Africa's leading literary prize, awarded to a short story by an African writer, published in English, whether in Africa or elsewhere. This edition collects the five 2010 shortlisted stories, along with stories written at the Caine Prize Writers' Workshop taking place in Spring 2010. The collection will be released to coincide with the announcement of this year's shortlist. The impressive line-up of writers from previous years includes Chimamanda Ngozi Adichie and Brian Chikwava.
An artist in mourning for a brother who died fighting in Bosnia, a restless young woman alerted to the possibility of life outside her tight knit community, an unemployed lawyer lingering in a Kenyan hospital - Lily Mabura's first collection of short stories deals with characters whose fates fascinate and alarm. Set in Kenya, the USA, Namibia and the Congo, these brief, evocative tales demonstrate an acute sensitivity to the globalised trajectories which increasingly distinguish our world. One of Kenya's most promising authors, Lily Mabura's story 'How Shall We Kill the Bishop?' was shortlisted for the 2010 Caine Prize for African Fiction
A collection that brings together the five 2016 shortlisted stories, along with stories written at the Caine Prize Writers’ Workshop, which took place April 2016. Now in its 17th year, The Caine Prize for African Writing has become an established prize in the literary calendar attracting high-calibre writers from all over the continent.
Dublin 2011: Ireland has failed, and if you're in your twenties, you're getting out. Neil, twenty-six, unemployed and disillusioned with the country, is leaving. But having deferred his flight to attend his grandfather's funeral, he's now stuck behind, aiding his grieving grandmother. His girlfriend left for Canada a month ago. Once he gets what has been bequeathed to him, he'll join her. Dublin 1916: Harry Casey is a Pathé newsreel cameraman with a cine-machine and four reels ready to capture the events of Easter Week. However, war destroys even the best-laid plans, and what starts out as an artistic endeavour becomes a subversive challenge to the new republic's hierarchy. Before Neil can leave for Canada, his grandmother asks him to read his great-grandfather Harry Casey's recently discovered memoirs. Eager to find out if the reminiscences are valuable, Neil delays his departure again. With his girlfriend in Canada growing increasingly impatient, and his grandmother's pleas for him to stay in Ireland more desperate, Neil faces a choice between the past and the future that will have far-reaching consequences for the rest of his life. Citizens creates a conversation across a century, between two disparate characters, in one unique interwoven story that combines the historical epic with razor-sharp contemporary cultural commentary.
The Bishop and Other Stories (1919) is a collection of short stories by Russian writer Anton Chekhov. The title story of the collection, originally published in 1902, finds the author at his most introspective. Written while Chekhov was dealing with the long term effects of tuberculosis, a period in which he began to accept the inevitability of his own death, “The Bishop” is a meditative story that follows a dedicated man who, in the face of oblivion, wants nothing more than to go about his work to the best of his ability. “The Bishop” is the story of a man named Pyotr. Set during Easter Week, it begins while Pyotr is passing out palms at a service on the night before Palm Sunday. As he begins to feel faint, he sees his mother—whose presence he did not expect—and begins to cry. Over the next several days, Pyotr goes about his duties, caring for the sick and dying, officiating at the local cathedral, and meeting with his colleagues, all while growing sicker and increasingly irritable. As he succumbs to typhoid fever, his mother and his faith are all he has left in a world that will soon forget him. “The Letter” is a similarly religious, earlier story in which a conversation between two priests, Father Orlov and Father Anastasi, is interrupted by the deacon. As the three discuss what is to be done with the deacon’s wayward son, the difference between morality and mercy is illuminated for all to see. The Bishop and Other Stories is a collection of seven short works of fiction by Russian literary icon Anton Chekhov. With a beautifully designed cover and professionally typeset manuscript, this edition of Anton Chekhov’s The Bishop and Other Stories is a classic of Russian literature reimagined for modern readers.
Return to New York Times bestselling author Anne Bishop’s world of the Others—where supernatural entities and humans struggle to co-exist, and one woman has begun to change all the rules… After winning the trust of the Others residing in the Lakeside Courtyard, Meg Corbyn has had trouble figuring out what it means to live among them. As a human, Meg should be barely tolerated prey, but her abilities as a cassandra sangue make her something more. The appearance of two addictive drugs has sparked violence between the humans and the Others, resulting in the murder of both species in nearby cities. So when Meg has a dream about blood and black feathers in the snow, Simon Wolfgard—Lakeside’s shape-shifting leader—wonders if their blood prophet dreamed of a past attack or a future threat. As the urge to speak prophecies strikes Meg more frequently, trouble finds its way inside the Courtyard. Now, the Others and the handful of humans residing there must work together to stop the man bent on reclaiming their blood prophet—and stop the danger that threatens to destroy them all.
During the Harlem Renaissance, several literary periodicals encouraged African American women to submit poetry, short stories, essays, or other literary contributions for publication. Opportunity magazine was one such periodical that made immeasurable contributions to the careers of many female African American writers. This anthology collects all of the short stories published in Opportunity by African American women during the magazine's 25 years of publication. It includes works by both well-known authors (Zora Neale Hurston, Marita Bonner) and more obscure writers. There is also an additional African tale translated by Violette de Mazia, a white woman known for promoting African American art. It also includes an introduction which contextualizes the short stories historically in light of the overall development of African American writing.
In the winter of 476 A.D. the Ostrogoths, hungry and exhausted from wandering for months along the barren confines of the Byzantine Empire, wrote to Emperor Zeno in Constantinople requesting permission to enter the walled city of Epidaurum and just kinda crash and charge their phones. Closer to home, Orpheus walks Eurydice through a suburban refrigerator as a matter of tax planning.In The Goths & Other Stories, sexual desire, food, space, and anger are distorted; prose fiction, experimental poetry, philosophy, and design theory intersect and breed. The poetics of car accidents, capitalist consumption, and anarchist terrorism unfold at a Southern California car dealership.Readers of all centuries will feel at home in this book. The smell of seafood and speculative urban planning merge into a 1990s computer game, Abidjan has 12,756 streets with no way to go from one to another, an apocalypse of tax law and classical mythology descends upon suburbia and reveals a medieval theology of design, theater, and light.The book's six stories are set in different times and places - sometimes within the same narrative - but have in common a slippery approach to the boundaries between fiction and theory, between ontological planes, between the comical and the moral. Together they also form a treatise on the nature of writing as a branch of design - one whose medium is easier to reveal than to define. Sasha Kaoru Zamler-Carhart is a singer, medievalist, composer/designer, and formerly a linguist and a lawyer. Their artistic practice is reversible like an air conditioner. Sometimes it's forensic and archeological, and the machinery is pointed at an existing object: this is their stance as a medievalist and a linguist. Sometimes it's toggled to output and used to make a new design object: this is their work as a composer, designer, and writer, and formerly as a tax lawyer. Sasha is a lecturer at The New School, where they teach speculative design at Parsons School of Design, and history at Mannes School of Music. Sasha is also the vocalist of a improv band and a frequent performer of contemporary vocal music. They used to teach medieval music and Latin at the Royal Conservatoire, The Hague and direct a medieval polyphony ensemble. They graduated from Stanford with a JD, an MA in linguistics, and a BA in linguistics and philosophy. They have composition degrees from University of London (Royal Holloway) and the Royal Conservatoire, The Hague.
