Jewish cemeteries are called Houses of Life for good reason. This book shows how burial grounds across Europe reflect the ways that specific Jewish communities have lived and continue to live. Thirty cemeteries are profiled, starting with the Roman era, running through Islamic Spain and medieval Italy to baroque and 19th-century Germany, and ending in present-day Britain and France. Each cemetery is illustrated with historical and current plans, maps, paintings, drawings, and photographs of both the cemeteries and the communities they have served.
"A group of notable writers ... celebrate our fascination with the houses of famous literary figures, artists, composers, and politicians of the past"--Provided by publisher.
‘I was born on 25th May, 1938, in the front bedroom of a house in Orton Road, a house on the outer edges of Raffles, a council estate. I was a lucky girl.’ So begins Margaret Forster’s journey through the houses she’s lived in, from that sparkling new council house, to her beloved London home of today. This is not a book about bricks and mortar though. This is a book about what houses are to us, the effect they have on the way we live our lives and the changing nature of our homes: from blacking grates and outside privies; to cities dominated by bedsits and lodgings; to the houses of today converted back into single dwellings. Finally, it is a gently insistent, personal inquiry into the meaning of home.
The Life of Houses is the new novel by the acclaimed poet Lisa Gorton, whose first book of poetry, Press Release, won the Victorian Premier's Award for Poetry, and whose second collection, Hotel Hyperion, was awarded the Philip Hodgins Memorial Medal. The Life of Houses explores, with a poet's eye for detail, the hidden tensions in an old established Australian family that has lived for generations in a large house in a coastal town in south - eastern Australia. These tensions come to the surface when the granddaughter Kit is sent by her mother to spend a holiday with her grandparents, and the unmarried aunt who looks after them, in their old and decaying house by the sea. Kit barely knows them, because her mother is estranged from the family and never talks to or visits them. Recently divorced from Kit's father, she sends her daughter to her parents now so she can pursue an affair with her new lover. Kit's presence brings the old quarrels to life as family memories take hold of the present, brought to a flashpoint by the anger and resentment of Kit and her mother, and the dementia and sudden illness of her grandparents. The Life of Houses is written in an extraordinarily expressive and dynamic prose that makes use of the close focus and the oblique perspectives that Gorton has mastered so successfully in her poetry. It is a style reminiscent of Henry James and Patrick White, a high style, perfectly suited to the social decorum and inhibition of her socially elevated but unhappy subjects.
"From one of Fine Homebuilding's best-loved authors, Larry Haun, comes a unique story that looks at American home building from the perspective of twelve houses he has known intimately. Part memoir, part cultural history, A Carpenter's Life as Told by Houses takes the reader house by house over an arc of 100 years. Along with period photos, the author shows us the sod house in Nebraska where his mother was born, the frame house of his childhood, the production houses he built in the San Fernando Valley, and the Habitat for Humanity homes he devotes his time to now. It's an engaging read written by a veteran builder with a thoughtful awareness of what was intrinsic to home building in the past and the many ways it has evolved. Builders and history lovers will appreciate his deep connection to the natural world, yearning for simplicity, respect for humanity, and evocative notion of what we mean by "home.""--
The Bernard Johnson translation of Pekic's prize-winning novel. Originally published by Harcourt in 1978. Annotation copyright by Book News, Inc., Portland, OR
American architect Hank Schubart was regarded as a genius for finding the perfect site for a house and for integrating its design into the natural setting, so that his houses appear to be as native to the forest around them as the trees and rocks. Salt Spring Island, one of the Gulf Islands in British Columbia, Canada, offered him a place to create the kind of architecture that responded to its surroundings, and Schubart-designed homes populate the island. Built of wood and glass, suffused with light, and oriented to views, they display characteristic features: random-width cedar siding, exposed beams, rusticated stonework. Over time, Schubart’s homes on Salt Spring Island came to be considered uniquely Gulf Islands homes. This inviting book offers the first introduction to the life and architecture of West Coast modernist Henry A. Schubart, Jr. (1916–1998). While still in his teens, Schubart persuaded Frank Lloyd Wright to accept him as a Taliesin Fellow, and his year’s apprenticeship in the master’s workshop taught him principles of designing in harmony with nature that he explored throughout the rest of his life. Michele Dunkerley traces Schubart’s career from his early practice in San Francisco at the noted firm Wurster, Bernardi & Emmons, to his successful firm with Howard Friedman, to his most lasting professional achievements on Salt Spring Island, where he became the de facto community architect, designing more than 230 residential, commercial, educational, and religious projects. Drawing lessons from his mentors over his decades on the island, he forged an everyday architecture with his mastery of detail and inventiveness. In doing so, he helped define how the island could grow without losing its soul. Color photographs and site plans display Schubart’s remarkable homes and other commissions.
Houses are more than a shelter from the elements: they also offer an unparalleled insight into the beliefs, ideas and experiences of the people who built and lived in them. In this engaging book, Matthew Johnson looks at the traditional houses that still exist throughout the English countryside and examines the lives of the ordinary people who once occupied them. His wide-ranging narrative takes in the medieval hall and the community it framed; the rebuilding and 'improvement'of houses in the sixteenth and seventeenth centuries; and the rise of the Georgian Order in both architecture and eighteenth century culture. This passionate book is animated by the conviction that old houses are much more than just pretty tableaux of an idyllic, unchanging rural England. Vernacular houses are compared to their larger, 'polite' counterparts, and English houses are placed in the wider context of the British Isles and the Atlantic world beyond. The result is a dynamic, compelling account of the development of houses in the English countryside and through this, a portrait of changing patterns of social life from medieval to modern times. Richly illustrated throughout with photographs and drawings, this book will be of interest to anyone who wants to understand the significance of our built heritage and the historic landscape.
- Each of the 12 houses will be featured in national and international press to announce the book- In the UK, the media includes Tatler, House & Garden, Country Life, The English Home, and Telegraph Luxury Online- In the US, the media includes Town & Country, Architectural Digest Online, The AD Aesthete Podcast, Air Mail, and DeparturesThis book is a sumptuously produced journey around 12 privately-owned country houses, asking what it is like to live in such places today. What role do they play in the 21st century? For many years after the Second World War, the country house was struggling. Now a new generation of young owners, often with children, has taken over. They're finding innovative ways to live in these ancient, fragile and poetic places. While they treasure the history and beauty of the houses, they're also adapting and enhancing them for a modern era. Old Homes, New Life is a behind-the-scenes account of today's aristocracy, as they reinvent the country house way of life. Each family does this in its own way, maintaining the tradition of individualism, even eccentricity, which is so much associated with country houses. Dylan Thomas's superb yet intimate photographs capture both the inhabitants of these houses and the spaces they occupy - from State dining to family kitchen, walled garden to attic. This feast for the eyes is accompanied by an equally mouth-watering text by Clive Aslet, based on interviews with family members and his long experience of the subject through his years as editor of Country Life. The result is an exclusive tour of a dozen spectacular homes.
Combining poetic language and the traditions of magic realism to paint a vivid portrait of her family, Pat Mora’s House of Houses is an unconventional memoir that reads as if every member, death notwithstanding, is in one room talking, laughing, and crying. In a salute to the Day of the Dead, the story begins with a visit to the cemetery in which all of her deceased relatives come alive to share stories of the family, literally bringing the food to their own funerals. From there the book covers a year in the life of her clan, revealing the personalities and events that Mora herself so desperately yearns to know and understand.
