Jace’s past and present collide, with new revelations from his youth shedding light on his current mission. No longer the monster hunter he once was and unaware of Aaron’s fate, Jace must protect the orphans under his care. Can he save them from not just the monsters, but a rage and guilt more terrifying than the children have ever witnessed? Jace will have to make a difficult choice between vengeance, loyalty, and rescue from certain death! Meanwhile Sunny has to deal with monsters within and without, while caught between the White Masks and a cruel pair of eyes watching from between the trees... Series artist Antonio Fuso (Lost Falls, GI Joe: Cobra) joins returning writer Tate Brombal (Behold, Behemoth) in the next chapter of Jace Boucher’s story! Collects House of Slaughter #11-15.
As the House leaders discuss the fate of “the Last Butcher”, Aaron and Jace escape the watchful eye of Helen and the White Masks and sneak into the forbidden outreaches of Chicago. Then, in the present-day, Aaron finally comes face-to-face with the monster that he’s been tracking...which is much more powerful than expected.
As the House of Slaughter arrives to clean up the situation by any means necessary, Erica will find that the true threat to those around her isn’t who - or what - she ever expected. And the cost of saving the day may be too high for anyone to pay... NOT ALL MONSTERS HIDE IN THE DARK. Archer’s Peak is in lockdown, as Erica Slaughter has lost control of the situation and news of the killings has spread outside the town. But as the House of Slaughter arrives to clean up the situation by any means necessary, Erica will find that the true threat to those around her isn’t who - or what - she ever expected. And the cost of saving the day may be too high for anyone to pay... GLAAD Award-winning writer James Tynion IV (Batman, The Woods) and artist Werther Dell’Edera (Briggs Land) present the next chapter of the Eisner Award-nominated and critically-acclaimed series that reveals the monsters hiding in plain sight. Collects Something is Killing The Children #11-15.
What secrets do the mysterious scribes of the Order of St. George, the Scarlet Masks, record within the shadows of the House of Slaughter? Enamored with stories of ancient hunters, as well as those in his midst, Edwin Slaughter only gets to write the stories... never live them. That is, until a legendary Oscuratype that’s taken the lives of countless children brings Edwin into the field. Will he live to survive long enough to document his experience, or perish with his story left untold? Collects House of Slaughter #6-10.
Erica Slaughter isn’t the only member of the House of Slaughter to have made sacrifices in order to become the monster hunter she is today. As a teenager, her handler and rival Aaron finds himself with a new roommate, the mysterious “transfer student” Jace Boucher. To initiate his training, Jace must prove his loyalty to the House of Slaughter through a binding ritual... a ritual that few survive.
Everyone who was invited to the house knows Walter-well, they know him a little, anyway. Some met him in childhood; some met him months ago. And Walter’s always been a little…off. But after the hardest year of their lives, nobody was going to turn down Walter’s invitation to an astonishingly beautiful house in the woods, overlooking an enormous sylvan lake. It’s beautiful, it’s opulent, it’s private-so a week of putting up with Walter’s weird little schemes and nicknames in exchange for the vacation of a lifetime? Why not? All of them were at that moment in their lives when they could feel themselves pulling away from their other friends; wouldn’t a chance to reconnect be…nice? With Something Is Killing The Children and The Department of Truth, James Tynion IV has changed the face of horror in modern comics - now get ready for his most ambitious story yet, alongside his Detective Comics partner Álvaro Martínez Bueno!
Kurt Vonnegut’s masterpiece, Slaughterhouse-Five is “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time). Selected by the Modern Library as one of the 100 best novels of all time Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had witnessed as an American prisoner of war. It combines historical fiction, science fiction, autobiography, and satire in an account of the life of Billy Pilgrim, a barber’s son turned draftee turned optometrist turned alien abductee. As Vonnegut had, Billy experiences the destruction of Dresden as a POW. Unlike Vonnegut, he experiences time travel, or coming “unstuck in time.” An instant bestseller, Slaughterhouse-Five made Kurt Vonnegut a cult hero in American literature, a reputation that only strengthened over time, despite his being banned and censored by some libraries and schools for content and language. But it was precisely those elements of Vonnegut’s writing—the political edginess, the genre-bending inventiveness, the frank violence, the transgressive wit—that have inspired generations of readers not just to look differently at the world around them but to find the confidence to say something about it. Authors as wide-ranging as Norman Mailer, John Irving, Michael Crichton, Tim O’Brien, Margaret Atwood, Elizabeth Strout, David Sedaris, Jennifer Egan, and J. K. Rowling have all found inspiration in Vonnegut’s words. Jonathan Safran Foer has described Vonnegut as “the kind of writer who made people—young people especially—want to write.” George Saunders has declared Vonnegut to be “the great, urgent, passionate American writer of our century, who offers us . . . a model of the kind of compassionate thinking that might yet save us from ourselves.” More than fifty years after its initial publication at the height of the Vietnam War, Vonnegut’s portrayal of political disillusionment, PTSD, and postwar anxiety feels as relevant, darkly humorous, and profoundly affecting as ever, an enduring beacon through our own era’s uncertainties.
The sweeping new chapter in writer James Tynion IV’s acclaimed saga—featuring a league of talented artists including Marcio Takara (THE FLASH) and Christian Duce (BATMAN AND ROBIN ETERNAL)—is here, in BATMAN: DETECTIVE COMICS VOL. 3: LEAGUE OF SHADOWS. Batwoman, an accomplished crime-fighter who’s overcome the darkest of betrayals. Clayface, a reformed villain whose potential is eclipsed only by his astonishing powers. New heroes like Azrael, an avenging angel, and Batwing, whose incredible armor makes him a true dark knight. Led by the Batman himself, this team of guardians stands ready to protect Gotham City. But the secrets of the team’s most mysterious member, Cassandra Cain, are about to come to light. And that light will cast a shadow darker than anything they’ve ever seen before. They thought the League of Shadows was just a rumor—a secret society of nihilistic killers often whispered about but never seen. But now the League is here, in Gotham. They’re destroying Batman’s team one by one. And their sinister leader, Lady Shiva, has come to reclaim her daughter—or destroy her. Can even Batman’s arch-enemy Ra’s al Ghul and his League of Assassins stop the onslaught? Or have the Shadows come to stay? Find out in BATMAN: DETECTIVE COMICS VOL. 3: LEAGUE OF SHADOWS. Collects DETECTIVE COMICS #950-956.
