'The poet of the spy story' Sunday Times A sunken U-Boat has lain undisturbed on the Atlantic ocean floor since the Second World War - until now. Inside its rusting hull, among the corpses of top-rank Nazis, lie secrets people will kill to obtain. The sequel to Len Deighton's game-changing debut The IPCRESS File, Horse Under Water sees its nameless, laconic narrator sent from fogbound London to the Algarve, where he must dive through layers of deceit in a place rotten with betrayals.
Poetry. "'Everything beautiful occurs when the body / is suspended,' Helena Mesa quotes a performance artist who hangs his own pierced body in the air. Mesa's poems are artfully suspended between lyric and narrative, between humans and animals, between Latin America and the U.S., between desire and the difficulty of its fulfillment. HORSE DANCE UNDERWATER is an inventive, musical, and powerful debut"--Mark Doty.
A high-ranking scientist has been kidnapped, and a secret British intelligence agency has just recruited Deighton’s iconic unnamed protagonist—later christened Harry Palmer—to find out why. His search begins in a grimy Soho club and brings him to the other side of the world. When he ends up amongst the Soviets in Beirut, what seemed a straightforward mission turns into something far more sinister. With its sardonic, cool, working-class hero, Len Deighton’s sensational debut and first bestseller The IPCRESS File broke the mold of thriller writing and became the defining novel of 1960s London.
Poetry. BRIEF UNDER WATER is a sequence of 55 short passages that uses prose narrative as a design element in a larger lyric structure. The title refers to Kafka's 1919 Brief an den Vater, reflecting a struggle with the notion of literary inheritance. So does Console's sentence, refined nearly to the point of anachronism, that owes a great deal to Melville and to Garnett's translations of Dostoevsky, Tolstoy, and Turgenev. The book was written while the author supported himself as a metalworker, housepainter, and waiter. The clashing of these professional spheres contributed to the struggle outlined above. The binary numbering (1, 10, 11, 100, 101...) is meant to express his sense of movement-in-place. "[The] manuscript is terrific...The sensory detail of the writing, not surrealistic, not plot-oriented, is not even with the sense of 'leading anywhere' but accumulating both detail and expansion at once, opening a floating, fascinating, sometimes apparently violent yet detached terrain, as if not the author's psyche--but the world itself--seen from at once extreme and mundane edges"--Leslie Scalapino.
Winona LaDuke is a leader in cultural-based sustainable development strategies, renewable energy, sustainable food systems and Indigenous rights. Her new book, To Be a Water Protector: Rise of the Wiindigoo Slayers, is an expansive, provocative engagement with issues that have been central to her many years of activism. LaDuke honours Mother Earth and her teachings while detailing global, Indigenous-led opposition to the enslavement and exploitation of the land and water. She discusses several elements of a New Green Economy and outlines the lessons we can take from activists outside the US and Canada. In her unique way of storytelling, Winona LaDuke is inspiring, always a teacher and an utterly fearless activist, writer and speaker. Winona LaDuke is an Anishinaabekwe (Ojibwe) enrolled member of the Mississippi Band Anishinaabeg who lives and works on the White Earth Reservation in Northern Minnesota. She is executive director of Honor the Earth, a national Native advocacy and environmental organization. Her work at the White Earth Land Recovery Project spans thirty years of legal, policy and community development work, including the creation of one of the first tribal land trusts in the country. LaDuke has testified at the United Nations, US Congress and state hearings and is an expert witness on economics and the environment. She is the author of numerous acclaimed articles and books.
A New York Times notable book and winner of The Northern California Book Award for Best Short Fiction, these nine brave, wise, and spellbinding stories make up this debut. In "When She is Old and I Am Famous" a young woman confronts the inscrutable power of her cousin's beauty. In "Note to Sixth-Grade Self" a band of popular girls exert their social power over an awkward outcast. In "Isabel Fish" fourteen-year-old Maddy learns to scuba dive in order to mend her family after a terrible accident. Alive with the victories, humiliations, and tragedies of youth, How to Breathe Underwater illuminates this powerful territory with striking grace and intelligence. "These stories are without exception clear-eyed, compassionate and deeply moving.... Even her most bitter characters have a gift, the sharp wit of envy. This, Orringer's first book, is breathtakingly good, truly felt and beautifully delivered."—The Guardian
An endearing animal fantasy story from master storyteller Dick King-Smith. The story begins with a mysterious egg washed up on a Scottish beach, the morning after a great storm. Kirstie and her brother Angus find the egg and take it home. The next day it has hatched into a tiny greeny-grey creature with a horse's head, warty skin, four flippers and a crocodile's tail. The baby sea monster soon becomes the family pet - but the trouble is, it just doesn't stop growing!
'Dazzlingly intelligent and subtle' Sunday Times 'Worth of Raymond Chandler ... intelligent, inventive, constantly entertaining' Sunday Telegraph Texan billionaire General Midwinter will stop at nothing to bring down the USSR - even if it puts the whole world at risk. The fourth and final novel featuring the cynical, insolent narrator of The IPCRESS File sees him sent from his shabby Soho office to bone-freezing Helsinki in order to penetrate Midwinter's vast anti-Communist network - and stop a deadly virus from wiping out the planet.
