Carmina

Carmina

Author: Horace

Publisher:

Published: 2015-12-14

Total Pages: 218

ISBN-13: 9781348226130

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Horace: Odes Book II

Horace: Odes Book II

Author: Horace

Publisher: Cambridge University Press

Published: 2017-04-20

Total Pages: 279

ISBN-13: 1107012910

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The first substantial commentary for a generation on this book of Horace's Odes, a great masterpiece of classical Latin literature.


A Commentary on Horace: Odes Book III

A Commentary on Horace: Odes Book III

Author: R. G. M. Nisbet

Publisher: Oxford University Press, USA

Published: 2007

Total Pages: 0

ISBN-13: 9780199288748

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This book is a successor to the commentaries by Nisbet and Hubbard on Odes I and II, but it takes critical note of the abundant recent writing on Horace. It starts from the precise interpretation of the Latin; attention is paid to the nuances implied by the word-order; parallel passages arequoted, not to depreciate the poet's originality but to elucidate his meaning and to show how he adapted his predecessors; sometimes major English poets are cited to exemplify his influence on the tradition.In expounding the so-called Roman Odes the editors reject not only uncritical acceptance of Augustan ideology but also more recent attempts to find subversion in a court-poet. They show how Greek moralizing, particularly by the Epicureans, is applied to contemporary social situations. Poems oncountry festivals are treated sympathetically in the belief that the tolerant and inclusive religion of the Romans can easily be misunderstood. The poet's wit is emphasized in his addresses both to eminent Romans and to women with Greek names; the latter poems are taken as reflecting his generalexperience rather than particular occasions. Though Horace's ironic self-presentation must not be understood too literally, the editors reject the modern tendency to treat the author as unknowable.Although the text of the Odes is not printed separately, the headings to the notes provide a continuous text. The editors put forward a number of conjectures, most of them necessarily tentative, and in the few cases where they disagree, both opinions are summarized.


Carmina

Carmina

Author: Horace

Publisher: Cambridge University Press

Published: 2012-04-26

Total Pages: 257

ISBN-13: 0521854733

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This edition provides current information and guidance on fundamental matters of language usage, poetic structure, and literary interpretation.


Horace's Odes

Horace's Odes

Author: Richard Tarrant

Publisher: Oxford University Press

Published: 2020-05-15

Total Pages: 176

ISBN-13: 0198035624

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Horace: Odes Book III

Horace: Odes Book III

Author: A. J. Woodman

Publisher: Cambridge University Press

Published: 2021-11-30

Total Pages: 320

ISBN-13: 9781108481243

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Book 3 of the Odes completes the lyric trilogy which Horace, who rivals Virgil as the greatest of all Latin poets, published in 23 BC. Arguably his most famous book, it opens with the six so-called 'Roman Odes', those defining texts of the Augustan Age, and concludes with the statement of his achievement: he has produced for his Roman readers a body of lyric poetry to rival the great lyric poets of Greece, a monument which will last as long as Rome itself. The present volume aims to place Horace's Odes in their literary and historical context, to explain his Latin, to articulate his thought, and to attempt to elucidate his brilliance. It presents a new text and adopts an approach independent of that of earlier commentators.


Carmen saeculare

Carmen saeculare

Author: Horace

Publisher: Cambridge University Press

Published: 2011-06-23

Total Pages: 313

ISBN-13: 0521582792

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This is the first full English commentary since the 19th century, suitable for advanced undergraduates and graduate students.


Horace's Narrative Odes

Horace's Narrative Odes

Author: Michèle Lowrie

Publisher: Oxford University Press

Published: 1997

Total Pages: 402

ISBN-13: 9780198150534

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Narrative has not traditionally been a subject in the analysis of lyric poetry. This book deconstructs the polarity that divides and binds lyric and narrative means of representation in Horace's Odes. While myth is a canonical feature of Pindaric epinician, Horace cannot adopt the Pindaricmode for aesthetic and political reasons. Roman Callimacheanism's privileging of the small and elegant offers a pretext for Horace to shrink from the difficulty of writing praise poetry in the wake of civil war. But Horace by no means excludes story-telling from his enacted lyric. On the formallevel, numerous odes contain narration. Together they constitute a larger narrative told over the course of Horace's two lyric collections. Horace tells the story of his development as a lyricist and of the competing aesthetic and political demands on his lyric poetry. At issue is whether he canever truly become a poet of praise.