"The single most beautiful, solid, unearthly, and unjustifiably forgotten novel of the twentieth century ... a little golden miracle of a book." —Neal Gaiman Hope Mirrlees penned Lud-in-the-Mist--a classic fantasy, and her only fantasy novel--in 1926. When the town of Lud severs its ties to a Faerie land, an illegal trade in fairy fruit develops. But eating the fruit has horrible and wondrous effects. "Helen Hope Mirrlees was born in England in 1887. Mirrlees was a close friend of such literary lights as Walter de la Mare, T.S. Eliot, André Gide, Katharine Mansfield, Lady Ottoline Morrell, Bertrand Russell, Gertrude Stein, Virginia Woolf, and William Butler Yeats. Under her own name, she published three novels: Madeleine— One of Life's Jansenists (1921); The Counterplot (1924); and her 1926 classic fantasy Lud-in-the-Mist, which has acknowledged inspiration to the likes of Neil Gaiman, Mary Gentle, Elizabeth Hand, Johanna Russ, and Tim Powers."--SF Site "Hope Mirrlees' writing, usually underrated, moves between gently crazy humour, poetic snatches, real menace, and real poignancy."—The Encyclopedia of Fantasy
Hope-in-the-Mist is the first book-length study of British author Hope Mirrlees (1887-1978), whom Virginia Woolf described as "her own heroine -- capricious, exacting, exquisite, very learned, and beautifully dressed." Raised in Scotland and Zululand, Mirrlees studied with the great classical scholar Jane Harrison and later lived with her in Paris and London. Mirrlees wrote one major poem, Paris (1920), the missing link between French avant-garde poetry and her friend T. S. Eliot's The Waste Land (1922); her novel Lud-in-the-Mist is an acknowledged classic of fantastical literature.
What's lurking in the Mist is the least of their worries... In a world where humanity lives in the sky to escape a deadly mist below, Cass's only goal is survival. That is, until she finds a job on the airship Daedalus as a diver. Now she explores ruined cities, looking for treasure and people's lost heirlooms until a young man hires her to find the impossible: a way to eradicate the Mist. Theodore Winchester is a member of one of the Five Families that rule the skies. Following in his father's footsteps, he searches for the source of the Mist and hopes to stop the purges used to control overpopulation. But what he finds are horrifying secrets and lethal ambition. If he continues his quest, it could mean his own death. The Mist is rising and soon the world will be enveloped in its deadly embrace, turning what's left of humanity into the undead.
In the tradition of Edward Eager and E.L. Konigsburg, a novel about the excitement—and the dangers—of wishing. Tess and her brother, Max, are sent for the summer to their aunt’s sleepy village in the English countryside, where excitement is as rare as a good wifi signal. So when Tess stumbles upon an old brass key that unlocks an ornately carved gate, attached to a strangely invisible wall, she jumps at the chance for adventure. And the world beyond the gate doesn’t disappoint. She finds rose gardens, a maze made of hedges, and a boy named William who is just as lonely as she is. But at William’s castle, strange things begin to happen. Carnival games are paid for in wishes, dreams seem to come alive, and then there's William's eerie warning: Beware of the hawthorn trees. A warning that chills Tess to the bone. In a magical, fantasy world that blurs the line between reality and imagination, readers are left to wonder exactly what they’d wish for if wishes could come true. Perfect for fans of Half Magic and The Secret Garden—and for anyone who's ever wondered if magic is real. For the further adventures of Tess and Max, be sure to check out Amy Ephron's Carnival Magic! Praise for The Castle in the Mist: “Bursting with imagination and warmth, Amy Ephron’s first novel for young people is a magical book in all ways.”—Holly Goldberg Sloan, New York Times bestselling author of Counting by 7s "This beautiful story’s quiet, peaceful tone nicely evokes both the serenity of country life and the haunting magic of the castle, and the emotional heft of Tess and Max’s separation from their parents, as well as their strong bond, keeps the tale firmly grounded in reality. Perfect for middle-graders who love classic fantasy."—Booklist "Rich description of the castle along with an elaborate map at the book's beginning and an illustration at the end enhance the fantasy world....A sequel is suggested; beguiled readers will hope it happens."—Kirkus Reviews "There are scenes...that are transcendent in their beautiful, ethereal descriptions [in this] uplifting novel about family and connection."—BCCB "A slightly darker, updated take on magical realism classics such as Edward Eager’s Half Magic and E. Nesbit’s The Enchanted Castle."—School Library Journal "A near-perfect 9....This book defies gravity because it’s hard to put down!"—Time for Kids, kid reporter "Ephron renders this magical world with such assertive beauty that readers of all ages, who are fortunate enough to believe in the power of magic, will enjoy immersing themselves in the roller-coaster fun of these stories, and come to trust, even if for a short time, that in this 'alternate universe' it is possible for us to come together and 'touch the sky.'"—Jewish Journal
Paris: A Poem is a daring, experimental, psychogeographic long poem written by the British writer Hope Mirrlees. Offering a snapshot of post-war Paris, it describes a journey through the city from day to night by means of innovative and playful typography, collage and fragmentation. This would be a centenary edition, reproducing the original design and setting of the very first, published by Leonard and Virginia Woolf at the Hogarth Press in 1920.
The second book in a feminist space opera duology that follows the team of seven rebels who will free the galaxy from the ruthless Tholosian Empire--or die trying. After an ambush leaves the Novantae resistance in tatters, the survivors scatter across the galaxy. Wanted by two great empires, the bounty on any rebel's head is enough to make a captor filthy rich. And the seven devils? Biggest score of them all. To avoid attacks, the crew of Zelus scavenge for supplies on long-abandoned Tholosian outposts. Not long after the remnants of the rebellion settle briefly on Fortuna, Ariadne gets a message with unimaginable consequences: the Oracle has gone rogue. In a planned coup against the Empire's new ruler, the AI has developed a way of mass programming citizens into mindless drones. The Oracle's demand is simple: the AI wants One's daughter back at any cost. Time for an Impossible to Infiltrate mission: high chance of death, low chance of success. The devils will have to use their unique skills, no matter the sacrifice, and pair up with old enemies. Their plan? Get to the heart of the Empire. Destroy the Oracle. Burn it all to the ground.
Hope Mirrlees (1887-1978) has long been regarded as the lost modernist. Her extraordinary long poem Paris (1920), a journey through a day in post First World War Paris, was considered by Virginia Woolf obscure, indecent, and brilliant'. Read today, the poem retains its exhilarating daring. Mirrlees's experimentalism looks forward to The Waste Land; her writing is integral to the twentieth-century canon. And yet, after Paris, Mirrlees published no more poetry for almost half a century, and her later poems appear to have little in common with the avant garde spirit of Paris. In this first edition to gather the full span of Mirrlees's poetry, Sandeep Parmar explores the paradoxes of Mirrlees's development as a poet and the complexities of her life. Sandeep Parmar was the first scholar to gain access to the Mirrlees Archive at Newnham College, Cambridge, and her edition includes many previously unpublished poems discovered there in draft form. The text is supported by detailed notes, including a commentary on Paris by Julia Briggs, and a selection of Mirrlees's essays. The generous introduction provides the most accurate biographical account of Mirrlees's life available. Mirrlees's Collected Poems is an indispensible addition to a reading of modernism.
Sometimes the one you love is the very one you cannot have. Lady Eve Sotherby dreams of escaping her horrid life in England, yet she has nowhere to run. So when she spies a posting for a companion in the Highlands, she seizes the chance to disappear. She’s heard tales about the barbaric Highlanders, of course, but no one can be worse than the beast she once foolishly agreed to wed. And never mind that she doesn’t meet any of the requirements for the position: must have no family, must love the cold, and must know the healing arts. Her depraved relations hardly qualify as family, she’ll wear a shawl, and how hard can it be to learn medicinal ways? Laird Royce MacLeod rules the fiercest clan in the Highlands with an iron fist, but his two children are another matter. Since the death of his wife, they’ve grown quite unruly. Too busy with his clan duties to tend to them himself, he needs someone with both a spine of steel and a kind heart to subdue them. What he does not need—or want—is to get entangled with a woman who desires anything related to soft emotions from him. So when a mysterious woman appears at his holding showing the sort of mettle he requires, he takes her on, despite her two major flaws: she’s English and she’s beautiful. Soon, Eve finds herself yearning for the one thing her past prevents her from ever having—the honorable but brooding Highlander. And the Scot who was certain he desired only order and obedience cannot explain the undeniable pull to the chaos and warmth Eve brings to his home. But the more they deny their feelings, the more impossible they become to resist, and when enemies and secrets threaten, Eve and Royce may only survive by surrendering to true love. If only it’s not too late…
Renowned author Delphine Larue needs a haven. A crazed fan has gone over the deep end, and she’s not safe. Her security team has suggested a house by a lake. Secluded. Private. Far away. In a beautiful area of the Northwest close to the sleepy town of Misted Pines. It’s perfect. So perfect, Delphine has just moved in, and she’s thinking she’ll stay there forever. Until she sees the girl in the mist. After that, everything changes. Delphine quickly learns that Misted Pines isn’t so sleepy. A little girl has gone missing, and the town is in the grips of terror and tragedy. The local sheriff isn’t up for the job. The citizens are up in arms. And as the case unfolds, the seedy underbelly of a quiet community is exposed, layer by layer. But most importantly, girls are dying. There seems to be only one man they trust to find out what’s happening. The mysterious Cade Bohannan.
This book is about my life journey, about finding myself as I was lost in my fears and the battle with shame and guilt, and about how my spiritual life—guided by God—is full of twists and turns as I experienced his leading voice and as he silently toured me through it all: the struggle of an inherited fear of being alone; my suppressed feelings of hope for a better day through a life of pain, struggles, hurt, and disappointments; trying to reach, through faith and hope, a place of peace, happiness, and true joy within myself; being taught life struggles through shame, pain, and personal struggles; victory through inner healing and a meaningful purpose; the lost hope experienced in witnessing my husband’s murder; and learning that we can spend time helping others, never ourselves. We can carry others when they need carrying but leave ourselves behind with no one to carry us but God. Sometimes our heartfelt love for God is tested, and we should not allow that test to push us away from his presence. This is to encourage the reader that your hopes and dreams, which are in you, are put there as a goal and platform for your life. No matter how long it takes, keep hoping you will fulfill that destiny and keep reaching, and the inner spirit will guide you, help you, and heal you then place you in life’s purpose. You will learn that there is a hidden plan for everyone’s life, but unfortunately, everyone doesn’t push long enough to acquire it.
