See how homes in the United States have changed over the years. Our homes give us shelter and keep us safe, but homes have changed over time. Long ago families used oil lamps for light and kept food cold in iceboxes; now we use electricity to light our homes and refrigerators to keep our food cold. Historical and modern-day photographs interspersed throughout clearly illustrate how aspects of daily life change over time, while simple text shows readers how to compare and contrast ideas. Timelines in the back of each book give readers perspective by listing key inventions and developments that have modernized our lives.
See how schools in the United States have changed over the years. We go to school to learn and see friends, but school has changed over time. Long ago schools only had one room; now schools are large buildings with many rooms. This book includes such topics as transportation, supplies, and subjects taught. Historical and modern-day photographs interspersed throughout clearly illustrate how aspects of daily life change over time, while simple text shows readers how to compare and contrast ideas. Timelines in the back of each book give readers perspective by listing key inventions and developments that have modernized our lives.
See how transportation has changed over the years Transportation carries people from one place to another, but it has changed over time. Long ago airplanes began to fly in the sky, now airplanes fly very high and far. This book looks at how transportation has changed over the years Historical and modern-day photographs interspersed throughout these books clearly illustrate how aspects of daily life change over time, while simple text shows readers how to compare and contrast ideas. Timelines in the back of each book give readers perspective by listing key inventions and developments that have modernized our lives.
In Homes Then and Now, leveled text and vibrant, full-color photographs take readers through the cultural and technological advances that affected houses and homes through time. Readers will compare life in the past to life today. An infographic highlights a period in housing and What Do You Think? sidebars and an activity encourage deeper inquiry. Homes Then and Now also features reading tips for teachers and parents, a table of contents, a glossary, and an index.
By using the same locations and angles as in the original historic photographs, well-known Texas photographer Richard Reynolds retakes the images, illuminating the march of progress in the Lone Star State. Divided into six regions, the entire state is presented, from small towns to big cities and natural areas. An encapsulated history accompanies each photograph.
The continued story, that is full of intimate details and struggles of my life are exposed. I understand that everyone has a story to tell, but this is different. My first release, “A Cry for Justice”, wasn’t the half of it. People write a single book and leave it at that, I have written my second book and I am thrilled to share with you, the reader, the many lessons I have had in my search for truth and understanding. Can one man really be finished with a story about his life? Doesn’t life keep going and become stable, eventually? Well you be the judge of that, in your own heart, after reading this next release. You will be entertained and relieved that people do have it easier than others and the level of learning is different. The often said, “Been there done that”, will have a new meaning.
From commune to ecovillage — an in-depth look at the past, present and future of the world’s best-known intentional community In the Summer of Love in San Francisco's Haight-Asbury, a charismatic young hippie by the name of Stephen Gaskin launched "Monday Night Class"—a weekly event which drew together an eclectic mix of truth-seekers and flower children. Soon the class became a caravan, and after touring the country this colorful crew decided to seek a plot of land and found a commune based on their shared values. Thus was born The Farm in Summertown, Tennessee. The Farm Then and Now presents the story of a group that has defied the odds, blending idealism with a practical approach to intentional community and creating a model for sustainable living. Just as the Monday Night Classes taught students to open their hearts and minds, The Farm continues as a School of Change, demonstrating ways to operate collectively in terms of: Land, water, and stewardship Health care, building, and infrastructure Cooperation, compassion, and spiritual values For humans to survive as a species, we must relearn the skills needed to work together; the lessons of The Farm can be applied in any community or organization. The Farm Then and Now addresses both the successes and shortcomings of this unique ongoing social experiment, showing how what was once the largest commune in the world has evolved into an exceptional example of living lightly on the earth. Douglas Stevenson has been a member of The Farm Community for forty years. His company Green Life Retreats hosts the Farm Experience Weekend and other instructional seminars about sustainable living.
In Landscapes Between Then and Now, Nicola Brandt examines the increasingly compelling and diverse cross-disciplinary work of photographers and artists made during the transition from apartheid to post-apartheid and into the contemporary era. By examining specific artworks made in South Africa, Namibia and Angola, Brandt sheds light on established and emerging themes related to aftermath landscapes, embodied histories, (un)belonging, spirituality and memorialization. She shows how landscape and identity are mutually constituted, and profiles this process against the background of the legacy of the acutely racially divisive policies of the apartheid regime that are still reflected on the land. As a signpost throughout the book, Brandt draws on the work of the renowned South African photographer Santu Mofokeng and his critical thinking about landscape. Landscapes Between Then and Now explores how practitioners who engage with identity and their physical environment as a social product might reveal something about the complex and fractured nature of postcolonial and contemporary societies. Through diverse strategies and aesthetics, they comment on inherent structures and epistemologies of power whilst also expressing new and radical forms of self-determinism. Brandt asks why these cross-disciplinary works ranging from social documentary to experimental performance and embodied practices are critical now, and what important possibilities for social and political reflection and engagement they suggest.
