Hollywood’s Women of Action

Hollywood’s Women of Action

Author: Philip Caudrey

Publisher: Austin Macauley Publishers

Published: 2024-04-26

Total Pages: 540

ISBN-13: 1398447196

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The ‘action heroine’ has never been more popular than she is today, with the likes of The Hunger Games (2012), Mad Max: Fury Road (2015) and Wonder Woman (2017) granting her a newfound prominence in Hollywood filmmaking. When most knowledgeable action fans think of the action heroine historically, however, they tend to do so through the prism of her most iconic characters: Emma Peel in the 1960s; Lynda Carter’s Wonder Woman in the 1970s; Ripley and Sarah Connor in the 1980s; Xena Warrior Princess and Buffy the Vampire Slayer in the 1990s; and, of course, the likes of Hermione Granger, Katniss Everdeen, Imperator Furiosa and Princess Diana in modern times. Yet, the action heroine’s epic journey goes back much further than this. Indeed, it has its origins in the earliest days of cinema, amongst the serial-queens of the early silent-era, and the fleeting cowgirls, swordswomen, and jungle-girls of Hollywood’s ‘Golden Age’ in the 1930s, 1940s and 1950s. This book is about that epic journey. It traces the action heroine’s century-long struggle for legitimacy and respect, beginning with the silent-era serial, The Perils of Pauline (1914), and ending with the big-budget action-blockbusters of today. This book asks why the action heroine’s path towards acceptability on mainstream film and television has proven such a long and tortuous one, why she is so hated by a vocal minority of male action fans, and how she has overcome the conservativism of the Hollywood system to at last forge a reputation for herself as a genuinely viable protagonist on both the big and small screens?


Hollywood

Hollywood

Author: Jill Tietjen

Publisher: Rowman & Littlefield

Published: 2019-04-26

Total Pages: 401

ISBN-13: 1493037064

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The year was 1896, the woman was Alice Guy-Blaché, and the film was The Cabbage Fairy. It was less than a minute long. Guy-Blaché, the first female director, made hundreds of movies during her career. Thousands of women with passion and commitment to storytelling followed in her footsteps. Working in all aspects of the movie industry, they collaborated with others to create memorable images on the screen. This book pays tribute to the spirit, ambition, grit and talent of these filmmakers and artists. With more than 1200 women featured in the book, you will find names that everyone knows and loves—the movie legends. But you will also discover hundreds and hundreds of women whose names are unknown to you: actresses, directors, stuntwomen, screenwriters, composers, animators, editors, producers, cinematographers and on and on. Stunning photographs capture and document the women who worked their magic in the movie business. Perfect for anyone who enjoys the movies, this photo-treasury of women and film is not to be missed.


Liberating Hollywood

Liberating Hollywood

Author: Maya Montañez Smukler

Publisher: Rutgers University Press

Published: 2018-12-14

Total Pages: 364

ISBN-13: 0813587492

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Winner of the 2018 Richard Wall Memorial Award​ from the Theater Library Association Liberating Hollywood examines the professional experiences and creative output of women filmmakers during a unique moment in history when the social justice movements that defined the 1960s and 1970s challenged the enduring culture of sexism and racism in the U.S. film industry. Throughout the 1970s feminist reform efforts resulted in a noticeable rise in the number of women directors, yet at the same time the institutionalized sexism of Hollywood continued to create obstacles to closing the gender gap. Maya Montañez Smukler reveals that during this era there were an estimated sixteen women making independent and studio films: Penny Allen, Karen Arthur, Anne Bancroft, Joan Darling, Lee Grant, Barbara Loden, Elaine May, Barbara Peeters, Joan Rivers, Stephanie Rothman, Beverly Sebastian, Joan Micklin Silver, Joan Tewkesbury, Jane Wagner, Nancy Walker, and Claudia Weill. Drawing on interviews conducted by the author, Liberating Hollywood is the first study of women directors within the intersection of second wave feminism, civil rights legislation, and Hollywood to investigate the remarkable careers of these filmmakers during one of the most mythologized periods in American film history.


Hollywood and the Great Depression

Hollywood and the Great Depression

Author: Iwan Morgan

Publisher: Edinburgh University Press

Published: 2016-10-31

Total Pages: 296

ISBN-13: 1474414028

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Examines how Hollywood responded to and reflected the political and social changes that America experienced during the 1930sIn the popular imagination, 1930s Hollywood was a dream factory producing escapist movies to distract the American people from the greatest economic crisis in their nations history. But while many films of the period conform to this stereotype, there were a significant number that promoted a message, either explicitly or implicitly, in support of the political, social and economic change broadly associated with President Franklin D. Roosevelts New Deal programme. At the same time, Hollywood was in the forefront of challenging traditional gender roles, both in terms of movie representations of women and the role of women within the studio system. With case studies of actors like Shirley Temple, Cary Grant and Fred Astaire, as well as a selection of films that reflect politics and society in the Depression decade, this fascinating book examines how the challenges of the Great Depression impacted on Hollywood and how it responded to them.Topics covered include:How Hollywood offered positive representations of working womenCongressional investigations of big-studio monopolization over movie distributionHow three different types of musical genres related in different ways to the Great Depression the Warner Bros Great Depression Musicals of 1933, the Astaire/Rogers movies, and the MGM akids musicals of the late 1930sThe problems of independent production exemplified in King Vidors Our Daily BreadCary Grants success in developing a debonair screen persona amid Depression conditionsContributors Harvey G. Cohen, King's College LondonPhilip John Davies, British LibraryDavid Eldridge, University of HullPeter William Evans, Queen Mary, University of LondonMark Glancy, Queen Mary University of LondonIna Rae Hark, University of South CarolinaIwan Morgan, University College LondonBrian Neve, University of BathIan Scott, University of ManchesterAnna Siomopoulos, Bentley UniversityJ. E. Smyth, University of WarwickMelvyn Stokes, University College LondonMark Wheeler, London Metropolitan University


Women, Method Acting, and the Hollywood Film

Women, Method Acting, and the Hollywood Film

Author: Keri Walsh

Publisher: Routledge

Published: 2021-04-26

Total Pages: 242

ISBN-13: 1000378683

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Women, Method Acting, and the Hollywood Film is the first study dedicated to understanding the work of female Method actors on film. While Method acting on film has typically been associated with the explosive machismo of actors like Marlon Brando and Robert De Niro, this book explores an alternate tradition within the Method—the work that women from the Actors Studio did in Hollywood. Covering the period from the end of the Second World War until the 1970s, this study shows how the women associated with the Actors Studio increasingly used Method acting in ways that were compatible with their burgeoning feminist political commitments and developed a style of feminist Method acting. The book examines the complex intersection of Method acting, sexuality, and gender by analyzing performances such as Kim Hunter’s in A Streetcar Named Desire, Julie Harris’s in The Member of the Wedding, Shelley Winters’s in The Big Knife, Geraldine Page’s in Sweet Bird of Youth, and Jane Fonda’s in Coming Home. Challenging the longstanding assumption that Method acting’s approaches were harmful to women and incompatible with feminism, this book argues that some of Hollywood’s most interesting female actors, and leading feminists, emerged from the Actors Studio in the period between the 1950s and the 1970s. Written for students and scholars of Film Studies, Cultural Studies, Theatre and Performance Studies, and Gender Studies, Women, Method Acting, and the Hollywood Film reshapes the way we think of a central strain in American screen acting, and in doing so, allows women a new stake in that tradition.


Stuntwomen

Stuntwomen

Author: Mollie Gregory

Publisher: University Press of Kentucky

Published: 2015-11-19

Total Pages: 360

ISBN-13: 0813166241

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They've traded punches in knockdown brawls, crashed biplanes through barns, and raced to the rescue in fast cars. They add suspense and drama to the story, portraying the swimmer stalked by the menacing shark, the heroine dangling twenty feet below a soaring hot air balloon, or the woman leaping nine feet over a wall to escape a dog attack. Only an expert can make such feats of daring look easy, and stuntwomen with the skills to perform -- and survive -- great moments of action in movies have been hitting their mark in Hollywood since the beginning of film. Here, Mollie Gregory presents the first history of stuntwomen in the film industry from the silent era to the twenty-first century. In the early years of motion pictures, women were highly involved in all aspects of film production, but they were marginalized as movies became popular, and more important, profitable. Capable stuntwomen were replaced by men in wigs, and very few worked between the 1930s and 1960s. As late as the 1990s, men wore wigs and women's clothes to double as actresses, and were even "painted down" for some performances, while men and women of color were regularly denied stunt work. For decades, stuntwomen have faced institutional discrimination, unequal pay, and sexual harassment even as they jumped from speeding trains and raced horse-drawn carriages away from burning buildings. Featuring sixty-five interviews, Stuntwomen showcases the absorbing stories and uncommon courage of women who make their living planning and performing action-packed sequences that keep viewers' hearts racing.


The Hollywood Action and Adventure Film

The Hollywood Action and Adventure Film

Author: Yvonne Tasker

Publisher: John Wiley & Sons

Published: 2015-06-15

Total Pages: 219

ISBN-13: 0470659246

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The Hollywood Action and Adventure Film presents a comprehensive overview and analysis of the history, myriad themes, and critical approaches to the action and adventure genre in American cinema. Draws on a wide range of examples, spanning the silent spectacles of early cinema to the iconic superheroes of 21st-century action films Features case studies revealing the genre’s diverse roots – from westerns and war films, to crime and espionage movies Explores a rich variety of aesthetic and thematic concerns that have come to define the genre, touching on themes such as the outsider hero, violence and redemption, and adventure as escape from the mundane Integrates discussion of gender, race, ethnicity, and nationality alongside genre history Provides a timely and richly revealing portrait of a powerful cinematic genre that has increasingly come to dominate the American cinematic landscape


Hollywood Divas, Indie Queens, and TV Heroines

Hollywood Divas, Indie Queens, and TV Heroines

Author: Susanne Kord

Publisher: Rowman & Littlefield

Published: 2005

Total Pages: 200

ISBN-13: 9780742537095

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Hollywood Divas, Indie Queens, and TV Heroines offers an entertaining and critical look at the representation of women in recent movies. Written in a refreshingly accessible style, the book analyzes over thirty box-office hits. The authors explore the screen personae of top stars such as Julia Roberts, Sandra Bullock, Meg Ryan, and Renée Zellweger, as well as independent movie queens like Parker Posey and TV heroines like Sarah Michelle Gellar of Buffy the Vampire Slayer. A must-read book for all film buffs who are tired of the mixed gender messages of mainstream culture.


Seduction

Seduction

Author: Karina Longworth

Publisher: HarperCollins

Published: 2018-11-13

Total Pages: 735

ISBN-13: 0062440535

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The host of the podcast You Must Remember This explores Hollywood’s golden age via the cinematic life of Howard Hughes and the women who encountered him. Howard Hughes’s reputation as a director and producer of films unusually defined by sex dovetails with his image as one of the most prolific womanizers of the twentieth century. The promoter of bombshell actresses such as Jean Harlow and Jane Russell, Hughes supposedly included among his off-screen conquests many of the most famous actresses of the era, among them Billie Dove, Katharine Hepburn, Ava Gardner, Ginger Rogers, and Lana Turner. Some of the women in Hughes’s life were or became stars and others would stall out at a variety of points within the Hollywood hierarchy, but all found their professional lives marked by Hughes’s presence. In Seduction, Karina Longworth draws upon her own unparalleled expertise and an unpreceded trove of archival sources, diaries, and documents to produce a landmark—and wonderfully effervescent and gossipy—work of Hollywood history. It’s the story of what it was like to be a woman in Hollywood during the industry’s golden age, through the tales of actresses involved with Howard Hughes. This was the era not only of the actresses Hughes sought to dominate, but male stars such as Errol Flynn, Cary Grant, and Robert Mitchum; directors such as John Ford, Howard Hawks, and Preston Sturges; and studio chiefs like Irving Thalberg, Darryl Zanuck, and David O. Selznick—many of whom were complicit in the bedroom and boardroom exploitation that stifled and disappointed so many of the women who came to Los Angeles with hopes of celluloid triumph. In his films, Howard Hughes commodified male desire more blatantly than any mainstream filmmaker of his time and in turn helped produce an incredibly influential, sexualized image of womanhood that has impacted American culture ever since. As a result, the story of him and the women he encountered is about not only the murkier shades of golden-age Hollywood, but also the ripples that still slither across today’s entertainment industry and our culture in general. Praise for Seduction “Guaranteed to engross anyone with any interest at all in Hollywood, in movies, in #MeToo and in the never-ending story of men with power and women without.” —New York Times Book Review “The stories Longworth uncovers—about Katharine Hepburn and Jane Russell, yes, but also Ida Lupino and Faith Domergue and Anita Loos—are so rich, so compelling, that they urge you to question how much else in history has been lost within the swirling vortex of Great Men.” —Atlantic “A compelling and relevant must-read.” —Entertainment Weekly


Ann Dvorak

Ann Dvorak

Author: Christina Rice

Publisher: University Press of Kentucky

Published: 2013-11-14

Total Pages: 344

ISBN-13: 0813144396

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The forgotten screen legend who made Hollywood history by challenging the all-powerful studio system is revealed in this first full-length biography. Seemingly destined for A-list fame, Ann Dvorak was touted as “Hollywood’s New Cinderella” after film mogul Howard Hughes cast her in the 1932 gangster film Scarface. But Dvorak’s journey to superstardom was derailed when she walked out on her contractual obligations to Warner Bros. for an extended honeymoon. Ann Dvorak: Hollywood’s Forgotten Rebel explores the life and career of one of the first individuals who dared to challenge the studio system. Dvorak reached her pinnacle during the early 1930s, when the film industry was relatively uncensored and free to produce movies with more daring storylines. She played several female leads in films including The Strange Love of Molly Louvain, Three on a Match, and Heat Lightning, but after her walk-out, Warner Bros retaliated by casting her in less significant roles. Following the casting conflicts and illness, Dvorak filed a lawsuit against the Warner Bros. studio, setting a precedent for other stars who eventually followed suit. In this insightful memoir, Christina Rice explores the spirited rebellion of a talented actress whose promising career fell victim to the studio empire.