Hollywood Comedians, the Film Reader

Hollywood Comedians, the Film Reader

Author: Frank Krutnik

Publisher: Psychology Press

Published: 2003

Total Pages: 0

ISBN-13: 9780415235525

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Essays explore a variety of comedy films and comedians, from the silent era to the present day, covering such performers as the Marx Brothers, Buster Keaton, Charlie Chaplin, Lucille Ball, and Jerry Lewis.


Hollywood Musicals, the Film Reader

Hollywood Musicals, the Film Reader

Author: Steven Cohan

Publisher: Psychology Press

Published: 2002

Total Pages: 226

ISBN-13: 9780415235594

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This book explores one of the most popular genres in film history. Combining classic and recent articles, each section explores a central issue of the musical, including: the musical's significance as a genre; the musical's own particular representation of sexual difference; the idea of camp, both through stars such as Judy Garland and Carmen Miranda and musicals themselves; and the displacement of race in Hollywood's representations of entertainment. Each section features an editor's introduction setting debates in context.


Movie Acting, the Film Reader

Movie Acting, the Film Reader

Author: Pamela Robertson Wojcik

Publisher: Psychology Press

Published: 2004

Total Pages: 256

ISBN-13: 9780415310246

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Combining classic and recent essays and examining key issues such Movie Acting, the Film Reader explores one of the most central but often overlooked aspects of cinema: film acting.


Hollywood and War, The Film Reader

Hollywood and War, The Film Reader

Author: J. David Slocum

Publisher: Taylor & Francis

Published: 2023-04-28

Total Pages: 464

ISBN-13: 1000938565

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Discussing such classic films as Sergeant York, Air Force, and All Quiet on the Western Front, as well as more modern blockbusters like Apocalypse Now and Saving Private Ryan, this outstanding volume focuses on Hollywood and its production of war films. Topics covered include: the early formation of war cinema the apotheosis of the Hollywood war film the ascendancy of ambivalence Hollywood and the war since Vietnam war as a way of seeing. For any student of film studies or American cultural studies, this is a valuable companion.


Exhibition, the Film Reader

Exhibition, the Film Reader

Author: Ina Rae Hark

Publisher: Psychology Press

Published: 2002

Total Pages: 204

ISBN-13: 9780415235174

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From the kinetoscope, used by one viewer at a time, to the lavish movie palaces of Hollywood's golden era, the experience of watching films has varied enormously across film. Exhibition, The Film Reader traces the emergence of a culture of moviegoing, exploring the range of venues in which films have been shown and following the fluctuating status of film and the continuning struggle over audiences.


Movie Acting, the Film Reader

Movie Acting, the Film Reader

Author: Pamela Robertson Wojcik

Publisher: Psychology Press

Published: 2004

Total Pages: 256

ISBN-13: 9780415310253

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Combining classic and recent essays and examining key issues such Movie Acting, the Film Reader explores one of the most central but often overlooked aspects of cinema: film acting.


Movie Music, the Film Reader

Movie Music, the Film Reader

Author: Kay Dickinson

Publisher: Psychology Press

Published: 2003

Total Pages: 228

ISBN-13: 9780415281607

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This reader brings together a wide range of writings to examine the role of music in cinema. Articles by leading critics including Theodor Adorno, Lawrence Grossberg and Lisa A. Lewis explore the function of the soundtrack, the place of song in film, andlook at how cinema has represented music and the music industry.


Horror, The Film Reader

Horror, The Film Reader

Author: Mark Jancovich

Publisher: Routledge

Published: 2002-01-10

Total Pages: 197

ISBN-13: 1134563752

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Horror, The Film Reader brings together key articles to provide a comprehensive resource for students of horror cinema. Mark Jancovich's introduction traces the development of horror film from The Cabinet of Dr. Caligari to The Blair Witch Project, and outlines the main critical debates. Combining classic and recent articles, each section explores a central issue of horror film, and features an editor's introduction outlining the context of debates.


Technology and Culture, the Film Reader

Technology and Culture, the Film Reader

Author: Andrew Utterson

Publisher: Psychology Press

Published: 2005

Total Pages: 172

ISBN-13: 9780415319850

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Bringin together key theoretical texts from respected names in the field including Andre Bevin, Walter Benjamin and Vivian Sobchack, this book examines more than a century of writing on film and technology.


Hollywood Comedians, the Film Reader

Hollywood Comedians, the Film Reader

Author: Frank Krutnik

Publisher: Psychology Press

Published: 2003

Total Pages: 222

ISBN-13: 9780415235518

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Hollywood Comedians, The Film Reader brings together key writings on one of the most consistently popular genres of Hollywood cinema. Despite the cult reputations enjoyed by star performers such as Charlie Chaplin, Buster Keaton, the Marx Brothers and Woody Allen, comedians and the contexts within which they worked have not always received their due in scholarly discussions of cinema culture. Hollywood Comedians, The Film Reader seeks to fill this gap, combining distinguished work on comedian comedy produced since the early 1980s together with more recent material that explores the genre's contemporary revival. This reader provides a comprehensive guide to a range of comedians, contexts and issues: from the silent films of Chaplin and Keaton to the early sound comedy of Mae West and the Marx Brothers, and from the gender dynamics of Hope and Crosby, Lucille Ball and Jerry Lewis to contemporary comedians such as Jim Carrey and Chris Rock. In addition to exploring issues of genre, narrative, stardom and performance, the reader also traces how comedian films manage representations of otherness that are defined through ethnicity, race, class, gender and the body. Articles are grouped in thematic sections, each exploring a central issue to the study of comedian comedy, and featuring an editor's introduction outlining the context of issues and debates. Sections include: *Genre, narrative and performance *Approaches to silent comedy *Sound comedy, the vaudeville aesthetic and ethnicity *Comedian comedy and gender *Post-classical comedian comedy