Jeremy Bremen has a secret. All his life he's been cursed with the ability to read minds. He knows the secret thoughts, fears, and desires of others as if they were his own. For years, his wife, Gail, has served as a shield between Jeremy and the burden of this terrible knowledge. But Gail is dying, her mind ebbing slowly away, leaving him vulnerable to the chaotic flood of thought that threatens to sweep away his sanity. Now Jeremy is on the run--from his mind, from his past, from himself--hoping to find peace in isolation. Instead he witnesses an act of brutality that propels him on a treacherous trek across a dark and dangerous America. From a fantasy theme park to the lair of a killer to a sterile hospital room in St. Louis, he follows a voice that is calling him to witness the stunning mystery at the heart of mortality.
Fans of YOU on Netlfix will love Mark Pryor's Hollow Man. “As sharp and slick as a switchblade—both excellent entertainment and an acute psychological portrait. Add Mark Pryor to your must-read list—I have.” —LEE CHILD, #1 New York Times–bestselling author Dominic is a prosecutor, a musician, and an Englishman living in Texas. He's also a psychopath. His main goal is to hide his condition and lead a seemingly normal life in hopes to pay off his debts and become a full-time musician in Austin's club scene. But on one lousy day his carefully-controlled world starts to shatter: he's demoted at work and accused of stealing a fellow musician's song. He also meets a beautiful woman in a lime green dress--perhaps the biggest threat to his safety of all. At her urging, Dominic hatches a plan to steal a van he knows will be filled with cash. He picks two friends as accomplices, insisting on no guns and no violence. But a security guard catches them in the act and simple theft turns into capital murder. Cracks start to show in the conspiracy and, with no allegiance to anyone but himself, Dominic has to decide whether to stick by his partners in crime, or let his true nature come out to play.
Dr. Harry Kent likes to keep himself busy—juggling hospital duties with his work as a police surgeon for the London Metropolitan Police—anything to ward off the memories of his time as an army medic.Usually the police work means minor injuries and mental health assessments. But teenager Solomon Idris’s case is different. Idris has taken eight people hostage in a fast-food restaurant, and is demanding to see a lawyer and a BBC reporter. Harry is sent in to treat the clearly-ill teenager . . . before the siege goes horribly wrong.When Solomon’s life is put in danger again at a critical care ward, it becomes clear he knows something people will kill to protect. Determined to uncover the secret that drove the boy to such desperate action, Harry soon realizes that someone in the medical world, someone he may even know, has broken the doctors’ commandment to “do no harm” many times over . . .
'A twisting spiral of lies and corruption' Val McDermid From the hilltop he could see London, stretched towards the hills of Kent and Surrey. The sky was beginning to pale at the edges. The city itself looked numb as a rough sleeper; Camden and then the West End, the Square Mile. His watch was missing. He searched his pockets, found a bloodstained serviette and a promotional leaflet for a spiritual retreat, but no keys, phone or police badge. Detective Nick Belsey needs help. Something happened last night - something with the boss's wife - and Belsey needs to get out of London, and away from the debt and the drink and the deceit. Collecting his belongings back at Hampstead CID on what should be the last day of his career, Belsey sees a missing person's report. But this one's different; this is on The Bishop's Avenue, one of the most expensive streets in the city. Belsey sees a chance for a new life. But someone else got there first. Praise for A Hollow Man '[Belsey has] got to be London's coolest cop... Harris has plundered London's underworld for his richly plotted and unusual detective series... It's heady stuff' Daily Mail 'Thrills, spills and fine writing' Telegraph
This book, the only biography ever authorized by a sitting President--yet written with complete interpretive freedom--is as revolutionary in method as it is formidable in scholarship. When Ronald Reagan moved into the White House in 1981, one of his first literary guests was Edmund Morris, the Pulitzer Prize-winning biographer of Theodore Roosevelt. Morris developed a fascination for the genial yet inscrutable President and, after Reagan's landslide reelection in 1984, put aside the second volume of his life of Roosevelt to become an observing eye and ear at the White House. During thirteen years of obsessive archival research and interviews with Reagan and his family, friends, admirers and enemies (the book's enormous dramatis personae includes such varied characters as Mikhail Gorbachev, Michelangelo Antonioni, Elie Wiesel, Mario Savio, François Mitterrand, Grant Wood, and Zippy the Pinhead), Morris lived what amounted to a doppelgänger life, studying the young "Dutch," the middle-aged "Ronnie," and the septuagenarian Chief Executive with a closeness and dispassion, not to mention alternations of amusement, horror,and amazed respect, unmatched by any other presidential biographer. This almost Boswellian closeness led to a unique literary method whereby, in the earlier chapters of Dutch: A Memoir of Ronald Reagan, Morris's biographical mind becomes in effect another character in the narrative, recording long-ago events with the same eyewitness vividness (and absolute documentary fidelity) with which the author later describes the great dramas of Reagan's presidency, and the tragedy of a noble life now darkened by dementia. "I quite understand," the author has remarked, "that readers will have to adjust, at first, to what amounts to a new biographical style. But the revelations of this style, which derive directly from Ronald Reagan's own way of looking at his life, are I think rewarding enough to convince them that one of the most interesting characters in recent American history looms here like a colossus."
The most famous of all locked-room mysteries - a classic in the crime genre. 'The first deadly walking of the hollow man took place when the side streets of London were quiet with snow and the three coffins of the prophecy were filled at last...' The murderer of Dr Grimauld walked through a locked door, shot his victim and vanished. He killed his second victim in the middle of an empty street, with watchers at each end, yet nobody saw him, and he left no footprints in the snow. And so it is up to the irrepressible, larger-than-life Dr Gideon Fell to solve this most famous and taxing of locked-room mysteries.
Fans of YOU on Netlfix will love Mark Pryor's Dominic. Only two other people know that Dominic, a charming Englishman, prosecutor, and musician in Austin, Texas, is also a psychopath. They also know that a year ago he got away with murder. One of those people is his "special lady," and the other is her brother, a teenager and fellow psychopath called Bobby. When a wily homicide detective starts digging up that past murder, little Bobby offers to take care of the problem--permanently. Dominic tries to dissuade him, but as he himself knows, psychopaths aren't good with following instructions. Or impulse control. As Detective Megan Ledsome circles closer, Dominic knows his life depends on keeping his secrets hidden, from her and the rest of the world. And when his annoying office-mate declares his interest in a judicial position, one he himself would like, Dominic realizes that one of his carefully-orchestrated plans could kill two birds with one stone. Of course, that means some sleight of hand and a sacrifice or two. But if there's one thing a psychopath doesn't mind, it's sacrificing other people.
A New York Times Notable Book and Winner of The Los Angeles Times Book Prize, Neville's debut remains "a flat-out terror trip" (James Ellroy) and "one of the best Irish novels, in any genre, of recent times" (John Connolly). Northern Ireland’s Troubles may be over, but peace has not erased the crimes of the past. Gerry Fegan, a former paramilitary contract killer, is haunted by the ghosts of the twelve people he slaughtered. Every night, at the point of losing his mind, he drowns their screams in drink. But it’s not enough. In order to appease the ghosts, Fegan is going to have to kill the men who gave him orders. From the greedy politicians to the corrupt security forces, the street thugs to the complacent bystanders who let it happen, all are called to account. But when Fegan’s vendetta threatens to derail a hard-won truce and destabilize the government, old comrades and enemies alike want him dead.
Wells won instant acclaim for his three-novel debut about the adventures of John Wayne Cleaver, a heroic young man who is a potential serial killer. Now he returns with another innovative thriller told in a very different, equally unique voice that from the realm of madness.
An NPR Best Book of the Year, Hollow is the story of a professor whose life is unended after an unspeakable tragedy. When Oliver Bonds, a revered religious studies professor at the University of Texas, loses his toddler son and undergoes intense legal scrutiny over his involvement, grief engulfs him completely. His life as he knows it is over; Oliver loses his wife, home, and faith. Three years after his son's death, Oliver lives in a shack without electricity and frequents the soup kitchen where he used to volunteer. It's only when befriended by Lyle, a con artist with a passion for theories of Hollow Earth, that Oliver begins to reengage with the world. Oliver too becomes convinced that the inside of the planet might contain a different realm. Desperate to find a place where he can escape his past, Oliver chases after the most unlikely of miracles. With unforgettable characters, wild imagery, and dark humor, Hollow explores the depths of doubt and hope, stretching past grief and into the space where we truly begin to heal. "With the kind of grace not usually seen in accessible modern fiction, Egerton also invokes many other things with this central metaphor . . . Ollie's voice is one of the most believable I've encountered this year, sustained by honesty, realism, and compassion. In his exile, Ollie has taken stock. His reckoning with the past creates the story's exquisite tension and makes the final scene bloom with tenderness . . . The core of Hollow is anything but." --NPR