New York, late 1840s, and in the wild, noisy, brash and beautiful circus of Silas P. Swift a shadowy, mesmeric woman entrances crowds because she can unlock the secrets of troubled minds. Above them all her daughter sweeps and soars: acrobat and tightrope-walker. People cannot take their eyes from the mysterious woman in the Big Top who can help so many others - but she cannot unlock dark, literally unspeakable, memories of her own. In London memories fester in the mind of an old and venomous duke of the realm. He plots, with an unscrupulous lawyer (and a huge financial reward) against the mother and the daughter: to kill one, and to abduct the other and bring her across the Atlantic to him: She is mine. The actress and mesmerist Cordelia Preston and her daughter Gwenlliam live with their unusual family in the exciting new city among exciting new ideas: the telegraph, the daguerrotype, anaesthesia, table-tapping. And among the dangerous street-gangs of New York also, whose raw violence meets Cordelia and Gwenlliam and those that they love, with unexpected results.
From the 1870s to the 1960s, circuses crisscrossed the nation providing entertainment. A unique workforce of human and animal laborers from around the world put on the show. They also formed the backbone of a tented entertainment industry that raised new questions about what constituted work and who counted as a worker. Andrea Ringer examines the industry-wide circus world--the collection of shows that traveled by rail, wagon, steamboat, and car--and the traditional and nontraditional laborers who created it. Performers and their onstage labor played an integral part in the popularity of the circus. But behind the scenes, other laborers performed the endless menial tasks that kept the show on the road. Circus operators regulated employee behavior both inside and outside the tent even as the employees themselves blurred the line between leisure and labor until, in all parts of the show, the workers could not escape their work. Illuminating and vivid, Circus World delves into the gender, class, and even species concerns within an extinct way of life.
It's Hallowe'en, and the time is right for a little supernatural hocus-pocus for Mary-Kate and Ashley in this great new story. It's the week before Hallowe'en and Mary-Kate and Ashley visit the travelling carnival that's pulled up next to their school, White Oak Academy. Mary-Kate visits a fortune-teller who gives her some spookily accurate predictions but it turns out that the fortune-teller is getting her information from the girls' rat-fink cousin, Jeremy. Only one thing will satisfy them: Revenge
What is inversionism? In simple terms, it is a reversal to ideals, step back from the edge of the cliff. It is not about an ordinary repetition of old ways but about returning updated. It is an attempt (perhaps a little quixotic) to turn the inverted world back. It is the avant-garde without provocation and scandalous tricks. It is art, experimental in form but traditional in the noblest sense of the word, since its goal is reaching out to minds and hearts to make the world slightly better.
From the New York Times bestselling author of Slaughterhouse-Five comes an irresistible novel that combines “clever wit with keen social observation...[and] re-establishes Mr. Vonnegut’s place as the Mark Twain of our times” (Atlanta Journal & Constitution). Here is the adventure of Eugene Debs Hartke. He’s a Vietnam veteran, a jazz pianist, a college professor, and a prognosticator of the apocalypse (and other things Earth-shattering). But that’s neither here nor there. Because at Tarkington College—where he teaches—the excrement is about to hit the air-conditioning. And it’s all Eugene’s fault.
A story, set up in Goa, back in the late 19th Century, Portuguese government sends its official along with his family, to India, for an important mission. Read to find out, what happens in the story, as it proceeds. Read other short stories along with Navio: Querida Viajante.