It's almost Christmas, and everyone—from Mrs. Claus right down to the littlest elf—is getting ready for the big day. But there's something wrong at the North Pole. It's just a bit too . . . quiet. Oh no! Santa has lost his laugh! Where could it be? And how can there be Christmas without Santa's Ho! Ho! Ho! From the author of Santa's New Suit and Who'll Pull Santa's Sleigh Tonight? comes a holiday romp that's sure to make readers giggle with glee.
Have you ever thought what the world would be like if I didnt carry that sack and make that sleigh ride each year? I know one thing; there wouldnt be a need for a Naughty and Nice list anymore. Can you imagine all those children and their sad little faces? I could never give up this cause because the children are so angelic with those bright and cheery smiles when they look at you or the presents you leave on Christmas morning. -- Santa Claus
The Women's Liberation Movement held a foundational belief in the written word's power to incite social change. In this new collection, Jaime Harker and Cecilia Konchar Farr curate essays that reveal how second-wave feminists embraced this potential with a vengeance. The authors in This Book Is an Action investigate the dynamic print culture that emerged as the feminist movement reawakened in the late 1960s. The works created by women shined a light on taboo topics and offered inspiring accounts of personal transformation. Yet, as the essayists reveal, the texts represented something far greater: a distinct and influential American literary renaissance. On the one hand, feminists took control of the process by building a network of publishers and distributors owned and operated by women. On the other, women writers threw off convention to venture into radical and experimental forms, poetry, and genre storytelling, and in so doing created works that raised the consciousness of a generation. Examining feminist print culture from its structures and systems to defining texts by Margaret Atwood and Alice Walker, This Book Is an Action suggests untapped possibilities for the critical and aesthetic analysis of the diverse range of literary production during feminism's second wave.
Situating the Danish artist Asger Jorn’s work in an international, post-World War II context, Karen Kurczynski offers an account of the essential phases of this prolific artist’s career, and addresses his works in various media alongside his extensive writings and collaborations. The study reframes our understanding of the 1950s, and foregrounds the idea that the sensory address of art and its complex relationship to popular media can have a direct social and political impact.
