Nicely produced paperback of the original Italian edition (Electa, s.p.A., Milan, 1972) and the English edition (Abrams, 1974). Profusely illustrated with drawings, reconstructions, and photographs. The bibliography has not been updated. Annotation copyrighted by Book News, Inc., Portland, OR
A survey of building techniques & architecture from the 3rd century B.C. through the fifth century A.D., this volume explores how the Greeks of the classical period & later the Romans created a complex & innovative built environment.
From Athens and Arcadia on one side of the Aegean Sea and from Ionia, Lycia, and Karia on the other, this book brings together some of the great monuments of classical antiquity--among them two of the seven wonders of the ancient world, the later temple of Artemis at Ephesos and the Mausoleum at Halikarnassos. With 250 photographs and specially commissioned line drawings, the book comprises a monumental narrative of the art and architecture that gave form, direction, and meaning to much of Western culture.
A Companion to Greek Architecture provides an expansive overview of the topic, including design, engineering, and construction as well as theory, reception, and lasting impact. Covers both sacred and secular structures and complexes, with particular attention to architectural decoration, such as sculpture, interior design, floor mosaics, and wall painting Makes use of new research from computer-driven technologies, the study of inscriptions and archaeological evidence, and recently excavated buildings Brings together original scholarship from an esteemed group of archaeologists and art historians Presents the most up-to-date English language coverage of Greek architecture in several decades while also sketching out important areas and structures in need of further research
Preface p. 6 1 Mesopotamia and Egypt p. 9 Mesopotamia p. 9 Egypt p. 13 2 The Classical Foundation: Greek, Hellenistic, Roman p. 19 The Bronze Age Heritage p. 19 The Hellenistic Background p. 41 The Rise of Rome p. 57 3 Early Christian and Byzantine p. 89 4 Carolingian and Romanesque p. 107 5 The Gothic Experiment p. 149 France p. 150 England p. 168 Germany and Central Europe, Belgium, Italy, Spain, Portugal p. 185 Town Planning p. 207 6 Renaissance Harmony p. 211 The Birth of the Renaissance p. 211 High Renaissance p. 223 The Renaissance Outside Italy p. 251 Town Planning p. 279 7 Baroque Expansion p. 283 Italy p. 283 Baroque Outside Italy p. 314 Town Planning p. 362 8 Eighteenth-Century Classicism p. 369 The Impact of Rome p. 369 The Rise of Neo-Classicism in France p. 391 The Classical Tradition Elsewhere in Europe p. 410 The Rise of Classicism in the USA p. 424 Town Planning p. 434 9 The Nineteenth Century p. 439 France p. 439 Britain p. 459 Germany, Austria and Italy p. 477 Scandinavia, Russia and Greece p. 497 Belgium and Holland p. 509 USA p. 512 Town Planning p. 530 10 Art Nouveau p. 537 Belgium and France p. 537 Scotland and England p. 543 Germany, Austria and Italy p. 546 Spain p. 556 11 The Twentieth Century p. 565 USA Up to 1939 p. 565 Europe Up to 1939 p. 582 Modernism After 1945 p. 648 Post-Modernism p. 660 Town Planning p. 668 Architecture for the Millennium p. 670 Glossary p. 685 Further Reading p. 688 Acknowledgements p. 693 Index p. 694.
"Classical Greek Architecture is a definitive account of classical architecture, its influences, and its significance for the structures of today from leading scholar Alexander Tzonis. The work contains a wealth of contemporary and vintage photographs from major archives that, together with numerous line drawings of the monuments and sites of Ancient Greece, provide a breath-taking introduction to visual thinking and architectural culture".--BOOKJACKET.
Much of our understanding of the origins and early development of the Greek architectural order is based on the writings of ancient authors, such as Virtruvius, and those of modern interpreters. Traditionally, the archaeological evidence has been viewed secondarily and often made to fit within a literary context, despite contradictions that occur. Barbara Barletta's study examines both forms of evidence in an effort to reconcile the two sources, as well as to offer a coherent reconstruction of the origins and early development of the Greek architectural orders. Beginning with the pre-canonical material, she demonstrates that the relatively late emergence of the Doric and Ionic orders arose from contributions of separate regions of the Greek world, rather than a single center. Barletta's reinterpretations of the evidence also assigns greater importance to the often overlooked contributions of Western Greece and the Cycladic Islands.