History of the Kinetograph, Kinetoscope And Kinetophonograph
History of the Kinetograph, Kinetoscope And Kinetophonograph

Author: W. K. L. Dickson

Publisher:

Published: 2000-08-30

Total Pages: 55

ISBN-13: 9780756782733

DOWNLOAD EBOOK

This is a facsimile ed. of the first history of the cinema by W.K.L. Dickson & Antonia Dickson, & was reproduced from W.K.L. Dickson's own annotated copy of the book. When this book was first published in 1895, practical moving pictures were barely two years old, & film projection was yet to be perfected. Dickson had begun to work with Edison in 1883; within 5 years, he was leader of the team that was attempting to build an instrument which does for the eye what the phonograph does for the Ear.Ó The results of their labor were the kinetograph (the camera used for photographing motion pictures) & the kinetoscope (the means for viewing them). This book allows the reader to experience the wonder & promise of the cinema in its infancy. Illustrations.

History of the Kinetograph, Kinetoscope, and Kineto-phonograph
History of the Kinetograph, Kinetoscope, and Kineto-phonograph

Author: William Kennedy-Laurie Dickson

Publisher: The Museum of Modern Art

Published: 2000

Total Pages: 68

ISBN-13: 9780870700385

DOWNLOAD EBOOK

This text is a facsimile edition of the first history of the cinema by W.K.L. Dickson and Antonia Dickson. The book was first published in 1895 when practical moving pictures were only two years old.

EDISON MOTION PICTURES
EDISON MOTION PICTURES

Author: MUSSER CHARLES

Publisher: Smithsonian Books (DC)

Published: 1997

Total Pages: 730

ISBN-13:

DOWNLOAD EBOOK

"This book provides essential documentation of all known Edison films made between 1890 and 1900. Thomas Edison and his associates at the Edison Laboratory in West Orange, New Jersey, invented the first system of commercial motion pictures." "Making the historical framework predominant while retaining traditional cataloging features, Edison Motion Pictures, 18901900 is of value to a wide range of scholars interested in American life at the turn of the century - those working in performance studies, film and media studies, cultural history, ethnic studies, and social and political history. Documentary filmmakers, film programmers, archivists, and librarians can also benefit from using this catalog." "Edison films from the end of the nineteenth century offer a unique visual record of American entertainment and popular culture - moving images that become much more interesting and useful when they can be examined in conjunction with pertinent documentation." "Scholars concerned with portrayals of war, depictions of the American presidency, and many other topics in the nation's political history will find much useful information."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The Man Who Made Movies
The Man Who Made Movies

Author: Paul Spehr

Publisher: Indiana University Press

Published: 2008-11-17

Total Pages: 713

ISBN-13: 0861969367

DOWNLOAD EBOOK

The story of W.K.L. Dickson—assistant to Edison, inventor, and key figure in early cinematography: “Valuable and comprehensive.” —Communication Booknotes Quarterly W.K.L. Dickson was Thomas Edison’s assistant in charge of the experimentation that led to the Kinetoscope and Kinetograph—the first commercially successful moving image machines. In 1891–1892, he established what we know today as the 35mm format. Dickson also designed the Black Maria film studio and facilities to develop and print film, and supervised production of more than one hundred films for Edison. After leaving Edison, he became a founding member of the American Mutoscope Company, which later became the American Mutoscope & Biograph, then Biograph. In 1897, he went to England to set up the European branch of the company. Over the course of his career, Dickson made between five hundred and seven hundred films, which are studied today by scholars of the early cinema. This well-illustrated book offers a window onto early film history from the perspective of Dickson’s own oeuvre.

The Kinetoscope
The Kinetoscope

Author: Richard Brown

Publisher: Indiana University Press

Published: 2017-10-01

Total Pages: 249

ISBN-13: 0861969316

DOWNLOAD EBOOK

The story of how the motion-picture device was developed, and its role in Victorian society and early cinema. The position of the kinetoscope in film history is central and undisputed; indicative of its importance is the detailed attention American scholars have given to examining its history. However, the Kinetoscope’s development in Britain has not been well documented and much current information about it is incomplete and out of date. This book, for the first time, presents a comprehensive account of the unauthorized and often colorful development of British kinetoscopes, using many previously unpublished sources. The commercial and technical backgrounds of the kinetoscope are looked at in detail; the style and content of the earliest British films analyzed; and the device’s place in the wider world of Victorian popular entertainment examined. In addition, a unique legal case is revealed and a number of previously unrecorded film pioneers are identified and discussed.

The Cinema in Flux
The Cinema in Flux

Author: Lenny Lipton

Publisher: Springer Nature

Published: 2021-04-07

Total Pages: 795

ISBN-13: 1071609513

DOWNLOAD EBOOK

The first of its kind, this book traces the evolution of motion picture technology in its entirety. Beginning with Huygens' magic lantern and ending in the current electronic era, it explains cinema’s scientific foundations and the development of parallel enabling technologies alongside the lives of the innovators. Product development issues, business and marketplace factors, the interaction of aesthetic and technological demands, and the patent system all play key roles in the tale. The topics are covered sequentially, with detailed discussion of the transition from the magic lantern to Edison’s invention of the 35mm camera, the development of the celluloid cinema, and the transition from celluloid to digital. Unique and essential reading from a lifetime innovator in the field of cinema technology, this engaging and well-illustrated book will appeal to anyone interested in the history and science of cinema, from movie buffs to academics and members of the motion picture industry.

Timeless Thomas
Timeless Thomas

Author: Gene Barretta

Publisher: Henry Holt and Company (BYR)

Published: 2012-07-17

Total Pages: 40

ISBN-13: 1466816848

DOWNLOAD EBOOK

What do record players, batteries, and movie cameras have in common? All these devices were created by the man known as The Wizard of Menlo Park: Thomas Edison. Edison is most famous for inventing the incandescent lightbulb, but at his landmark laboratories in Menlo Park & West Orange, New Jersey, he also developed many other staples of modern technology. Despite many failures, Edison persevered. And good for that, because it would be very difficult to go through a day without using one of his life-changing inventions. In this enlightening book, Gene Barretta enters the laboratories of one of America's most important inventors.

Sound, Image, Silence
Sound, Image, Silence

Author: Michael Gaudio

Publisher: U of Minnesota Press

Published: 2019-11-26

Total Pages: 248

ISBN-13: 1452960909

DOWNLOAD EBOOK

A visionary new approach to the Americas during the age of colonization, made by engaging with the aural aspects of supposedly “silent” images Colonial depictions of the North and South American landscape and its indigenous inhabitants fundamentally transformed the European imagination—but how did those images reach Europe, and how did they make their impact? In Sound, Image, Silence, noted art historian Michael Gaudio provides a groundbreaking examination of the colonial Americas by exploring the special role that aural imagination played in visible representations of the New World. Considering a diverse body of images that cover four hundred years of Atlantic history, Sound, Image, Silence addresses an important need within art history: to give hearing its due as a sense that can inform our understanding of images. Gaudio locates the noise of the pagan dance, the discord of battle, the din of revivalist religion, and the sublime sounds of nature in the Americas, such as lightning, thunder, and the waterfall. He invites readers to listen to visual media that seem deceptively couched in silence, offering bold new ideas on how art historians can engage with sound in inherently “mute” media. Sound, Image, Silence includes readings of Brazilian landscapes by the Dutch painter Frans Post, a London portrait of Benjamin Franklin, Thomas Edison’s early Kinetoscope film Sioux Ghost Dance, and the work of Thomas Cole, founder of the Hudson River School of American landscape painting. It masterfully fuses a diversity of work across vast social, cultural, and spatial distances, giving us both a new way of understanding sound in art and a powerful new vision of the New World.