Published to accompany an exhibition at the Academy of Motion Picture Arts and Sciences, this book recounts Hirshfeld's career as a graphic artist, and reprints 100 plus drawings, paintings, collages, posters, billboards, and murals. Classic caricatures and behind-the scenes perspectives of major players in Hollywood are accompanied by more vibrantly colored works. Annotation copyrighted by Book News, Inc., Portland, OR
I am down to a pencil, a pen, and a bottle of ink. I hope one day to eliminate the pencil. Al Hirschfeld redefined caricature and exemplified Broadway and Hollywood, enchanting generations with his mastery of line. His art appeared in every major publication during nine decades of the twentieth and twenty-first centuries, as well as on numerous book, record, and program covers; film posters and publicity art; and on fifteen U.S. postage stamps. Now, The Hirschfeld Century brings together for the first time the artist’s extraordinary eighty-two-year career, revealed in more than 360 of his iconic black-and-white and color drawings, illustrations, and photographs—his influences, his techniques, his evolution from his earliest works to his last drawings, and with a biographical text by David Leopold, Hirschfeld authority, who, as archivist to the artist, worked side by side with him and has spent more than twenty years documenting the artist’s extraordinary output. Here is Hirschfeld at age seventeen, working in the publicity department at Goldwyn Pictures (1920–1921), rising from errand boy to artist; his year at Universal (1921); and, beginning at age eighteen, art director at Selznick Pictures, headed by Louis Selznick (father of David O.) in New York. We see Hirschfeld, at age twenty-one, being influenced by the stylized drawings of Miguel Covarrubias, newly arrived from Mexico (they shared a studio on West Forty-Second Street), whose caricatures appeared in many of the most influential magazines, among them Vanity Fair. We see, as well, how Hirschfeld’s friendship with John Held Jr. (Held’s drawings literally created the look of the Jazz Age) was just as central as Covarrubias to the young artist’s development, how Held’s thin line affected Hirschfeld’s early caricatures. Here is the Hirschfeld century, from his early doodles on the backs of theater programs in 1926 that led to his work for the drama editors of the New York Herald Tribune (an association that lasted twenty years) to his receiving a telegram from The New York Times, in 1928, asking for a two-column drawing of Sir Harry Lauder, a Scottish vaudeville singing sensation making one of his (many) farewell tours, an assignment that began a collaboration with the Times that lasted seventy-five years, to Hirschfeld’s theater caricatures, by age twenty-five, a drawing appearing every week in one of four different New York newspapers. Here, through Hirschfeld’s pen, are Ethel Merman, Benny Goodman, Judy Garland, Mickey Rooney, Katharine Hepburn, the Marx Brothers, Barbra Streisand, Elia Kazan, Mick Jagger, Ella Fitzgerald, Laurence Olivier, Martha Graham, et al. . . . Among the productions featured: Fiddler on the Roof, West Side Story, Rent, Guys and Dolls, The Wizard of Oz (Hirschfeld drew five posters for the original release), Gone with the Wind, The Sopranos, and more. Here as well are his brilliant portraits of writers, politicians, and the like, among them Ernest Hemingway (a pal from 1920s Paris), Tom Wolfe, Charles de Gaulle, Nelson Mandela, Joseph Stalin, Winston Churchill, and every president from Franklin D. Roosevelt to Bill Clinton. Sumptuous and ambitious, a book that gives us, through images and text, a Hirschfeld portrait of an artist and his age.
A collection of Al Hirschfeld's cartoons to accompany an exhibition at he Museum of the City of New York. Besides his famous caricatures of stage and screen stars, he includes scenes of New York City. Bell is a writer and art historian formerly with the Museum. c. Book News Inc.
Caricatures, photographs, and other works from throughout the artist's career are accompanied by his own comments and essays by family members and associates
The definitive biography of Al Hirchfeld, renowned caricaturist and artist. Al Hirschfeld knew everybody and drew everybody. He occupied the twentieth century, and illustrated it. Hirschfeld: The Biography is the first portrait of the renowned artist's life—as spirited and unique as his pen-and-ink drawings. Beginning in the 1920s, he caricatured Hollywood actors, Washington politicians, and—his favorite—celebrities of the stage. Broadway belonged to Hirschfeld. His work appeared in the New York Times and other publications, as well as on book jackets, album covers, posters, and postage stamps, for more than seventy-five years. He lived in Paris, Moscow, and Bali, and in a pink New York townhouse on a star-studded block where his closest friends—Carol Channing, S. J. Perelman, Gloria Vanderbilt, Brooks Atkinson, Elia Kazan, Marlene Dietrich, and William Saroyan—flocked in and out. He played the piano, went to jazz joints with Eugene O'Neill, and wrote a musical that bombed. He drove until he was ninety-eight years old and always found a parking space. He worked every day, threw dinner parties twice a week, and hosted New Year's Eve soirees that were legendary. He had three wives, a formidable agent, and a daughter, Nina, the most famous little girl that no one knows. Hirschfeld died in 2003, at the age of ninety-nine. "If you live long enough," he liked to say, "everything happens." For him, it did. And good and bad—it's all here. Through interviews with Hirschfeld himself, his friends and family (including the mysterious Nina), and his famous subjects, as well as through letters, scrapbooks, and home movies, Ellen Stern has crafted a delightful, detailed, and definitive portrait of Al Hirschfeld, one of our most beloved, and most influential, artists.
Published to accompany an exhibition at the Academy of Motion Picture Arts and Sciences, this book recounts Hirshfeld's career as a graphic artist, and reprints 100 plus drawings, paintings, collages, posters, billboards, and murals. Classic caricatures and behind-the scenes perspectives of major players in Hollywood are accompanied by more vibrantly colored works. Annotation copyrighted by Book News, Inc., Portland, OR
Learning cards are a wonderful way to reinforce basic principles, lessons, and skills. The Positional/Directional Concepts set includes 14 cards (5.5” x 8” each), featuring photographs of a plush puppy in different positions relative to a doghouse, 14 positional word cards, a 2-piece doghouse, and 2 puppies for use on a flannel or magnetic board. Positional concepts include over, under, inside, next to, between, behind, in front, and more. It includes resource guide with additional activity ideas and card descriptions in English, Spanish, and French, as well as supports NCTE, NCTM, and NAEYC standards.
Mel Brooks' own words telling all about the players, the filming, and studio antics during the production of this great comedy classic. The book is alive and teeming with hundreds of photos, original interviews, and hilarious commentary. Young Frankenstein was made with deep respect for the craft and history of cinema-and for the power of a good schwanzstucker joke. This picture-driven book, written by one of the greatest comedy geniuses of all time, takes readers inside the classic film's marvelous creation story via never-before-seen black and white and color photography from the set and contemporary interviews with the cast and crew, most notably, legendary writer-director Mel Brooks. With access to more than 225 behind-the-scenes photos and production stills, and with captions written by Brooks, this book will also rely on interviews with gifted director of photography Gerald Hirschfeld, Academy Award-winning actress Cloris Leachman and veteran producer Michael Gruskoff. Mel Brooks is an American film director, screenwriter, comedian, actor, producer, composer and songwriter. Brooks is best known as a creator of broad film farces and comic parodies including The Producers, The Twelve Chairs, Blazing Saddles, Young Frankenstein, Silent Movie, High Anxiety, History of the World, Part I, Spaceballs and Robin Hood: Men in Tights. More recently, he had a smash hit on Broadway with the musical adaptation of his first film, The Producers. An EGOT winner, he received a Kennedy Center Honor in 2009, the 41st AFI Life Achievement Award in June 2013, and a British Film Institute Fellowship in March 2015. Three of Brooks' classics have appeared on AFI's 100 Years . . . 100 Laughs list. Blazing Saddles at number 6, The Producers at number 11, and Young Frankenstein at number 13. Judd Apatow is one of the most important comic minds of his generation. He wrote and directed the films The 40-Year-Old Virgin (co-written with Steve Carell), Knocked Up, Funny People, and This Is 40, and his producing credits include Superbad, Bridesmaids, and Anchorman. Apatow is the executive producer of HBO's Girls.
Drawings by the famed illustrator depict the music, theater, performers, culture, and moods of Harlem, accompanied by commentary by such notables as Savion Glover, Whoopi Goldberg, Lena Horne, Eartha Kitt, Ossie Davis and Ruby Dee, Howard Dodson, Rev. James A. Forbes Jr., Chester Higgins Jr., Geoffrey Holder, Quincy Jones, Carmen de Lavallade, Audra McDonald, Arthur Mitchell, Brian Stokes Mitchell, Albert L. Murray, Charles B. Rangel, Bobby Short, George C. Wolfe, and Cicely Tyson.
