Exquisite depictions of romantically idealized landscapes from woodcut master's superb Fifty-three Stages on the Tokaido. Reproduced from the Collection of the Elvehjem Museum of Art. Includes The Bridge on the Toyo River, The Ferryboat at Rokugo, The Junction of the Pilgrims' Road and Mt. Fuji in the Morning from Hara.
The art of the Ukiyo-e reflected the artistic expression of an isolated civilisation which, when it became accessible to the West, significantly influenced a number of European artists. The three masters of Ukiyo-e, Hokusai, Utamaro and Hiroshige, are united here for the first time to create a true reference on Japanese art. The three masters rank highly among the most famous Japanese artistic productions of all time. This new title of the Prestige of Art collection will be a reference for art students and Japanese art lovers.
Ando Hiroshige (1797-1858) was one of the last great artists in the ukiyo-e tradition. This text provides an introduction to his work and an overview of his career.
“Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen.” —Leonardo da Vinci Based on this simple statement by Leonardo, eighteen poets have written new poems inspired by some of the most popular works in the collection of The Metropolitan Museum. The collection represents a wide range of poets and artists, including acclaimed children’s poets Marilyn Singer, Alma Flor Alda, and Carole Boston Weatherford and popular artists such as Mary Cassatt, Fernando Botero, Winslow Homer, and Utagawa Hiroshige. Accompanying the artwork and specially commissioned poems is an introduction, biographies of each poet and artist, and an index.
A dazzling reprint of Hiroshige's views of Edo (modern-day Tokyo), one of the masterpieces of the ukiyo-e woodblock tradition and a paradigm of the Japonisme that inspired Impressionist, Post-Impressionist and Art Nouveau artists, from Vincent van Gogh to James McNeill Whistler.
In the winter of 1886-87, during his stay in Paris, Vincent van Gogh bought 660 Japanese prints at the art gallery of Siegfried Bing. His aim was to start dealing in them, but the exhibition he organized in the café-restaurant Le Tambourin was a total failure. However, he was now able to study his collection at ease and in close-up, and he gradually became captivated by their colourful, cheerful and unusual imagery. When he left for Arles, he took some prints with him, but the core remained in Paris with his brother Theo. Although some prints were later given away, the collection did not disperse. This book reveals new analyses of the collection, now held in the Van Gogh Museum, given as a long-term loan from the Vincent van Gogh Foundation. The authors delve into its history, and the role the prints played in Van Gogh's creative output. The book is illustrated with over 100 striking highlights from the collection.
"Presented alongside Hiroshige's prints, with descriptions and context, Delord's work offers an absorbing contemplation of Japan's past and present via one legendary travel route, and shows how thoroughly upended our surroundings have been in what was, in wider perspective, only a short time." -- The New York Times Journey along the famed Tokaido Road--an ancient thoroughfare with a modern twist. The Fifty-Three Stations of the Tokaido is the best-known work of the great 19th century Japanese woodblock artist Utagawa Hiroshige. The series of 53 masterful woodblock prints depicts stops along the ancient Tokaido Road--which, from the eleventh to the nineteenth century, was the main thoroughfare between Tokyo and Kyoto. Though the road itself is now submerged under Japan's twenty-first-century urban landscape, French artist Philippe Delord set out to see if he could find the original locations, with just a moped, sketchbook, watercolors and a book of Hiroshige's prints. Hiroshige's Japan allows readers to make the journey alongside Delord, venturing from Tokyo and Mount Fuji to mountain passes and rugged coastlines. Inside are all 53 original scenery prints made by Hiroshige, alongside their modern-day equivalent by Delord. A lively commentary about his experiences as he tries to locate each of the 53 scenes (without speaking Japanese!) offers readers an insightful, and often humorous, look into both modern and historical Japan. Part travelogue, part work of art, this book is sure to delight armchair travelers, history buffs, art enthusiasts and Japanophiles alike!