The ballet for hippo ballerinas and their crocodile cavaliers (plus a corps de ballet of ostriches and elephants) set to Ponchielli’s “Dance of the Hours” in Fantasia (1940) is one of the best-loved scenes in all the Disney animated features. Many viewers may not realize, however, that this ballet is no mere generalized parody of ballet mannerisms, but is in fact a deeply informed, affectionate parody of a famous scene choreographed by George Balanchine for the film Goldwyn Follies (1938) and starring his wife, the ballerina movie star Vera Zorina. With this sequence as a point of departure, Hippo in a Tutu examines the roles that dance, dancing, and choreography play in the Disney animated shorts and features. This profusely-illustrated chronicle both analyzes and celebrates dance in the Disney studios’ work, while also investigating behind the scenes to find out how Disney’s animated dance sequences have been made.
Hillary has lost her happiness and cannot find it! Not knowing where to look, she seeks the help from her friends a high jumping frog, a soaring sparrow, a tree climbing squirrel, a fast cheetah and finally a twirling rabbit! Can she rely on her friends to help her find her happiness? Will she ever be happy again? Not knowing where to look, Hillary's journey begins in order to regain what is missing from her life..... her happiness!
A collection of stories that aim to capture the boundless variety and richness of dance as an art, a tradition, a profession, an obsession, and an ideal.
The great Archbishop of Capetown, South Africa, shares with us the simple but profound secrets of his extraordinary spiritual strength by unveiling his very own book of prayer. Prayer, our conversation with God, needs no set formulas or flowery phrases. It often needs no words at all. But for most believers, the words of others can be a wonderful aid to devotion, especially when these words come front faithful fellow pilgrims. The African Prayer Book is just such an aid, for in this collection all the spiritual riches of the vast and varied continent of Africa are bravely set forth. Here we may delight in Solomon's splendid encounter with the Queen of Sheba, overhear the simple prayer of a penniless Bushman, and glory in the sensuous sonorities of the mysterious liturgies of the Egyptian Copts. Here are Jesus' own encounters with Africa, which provided him refuge at the beginning of his life (from the murderous King Herod) and aid at its end (in the person of Simon of Cyrene, who helped Jesus carry his cross). Here are the prayers of some of the greatest among the mothers and fathers of the Church -- Monica, Augustine, Clement of Alexandria, Cyprian of Carthag -- as well as the prayers from the African diasporas of North America and the Caribbean. From thunderous multi-invocation litanies to quiet meditations, here are prayers that every heart can speak with strength and confidence. Archbishop Desmond Tutu, who is for millions the very soul of Africa, is our guide on this unique spiritual journey. His introduction is destined to become a classic, his characteristic energy and optimism light our way, and the words of his favorite prayers (many composed by the Archbishop himself) will stay with us forever.
This funny, charming story is the perfect way to introduce young children to what honesty is, and help them understand the importance of owning up to your mistakes. Also included are suggestions for activities and ideas to talk through together to help children fully understand how their behaviour can impact on others. Hippo is having a bad day. It all started when he missed his breakfast. He can't concentrate in class and his tummy won't stop rumbling. And when he sees Mrs Croc's special chocolate cake, he can't resist. Now somebody else is getting the blame for eating it. Will Hippo do the right thing and tell the truth and make amends for what he's done? The Behaviour Matters series of picture books provide a gentle means of discussing emotions, boosting self-esteem and reinforcing good behaviour. Supports the Personal, Social and Emotional Development Area of Learning in the Early Years Foundation Stage, and is also suitable for use with children in KS1 and can be used to discuss values. Suitable for children under 5.
“An ambitious and exciting book about creativity . . . chart[s] new territory.” —Science Consider Miles Davis, horn held high, sculpting a powerful musical statement full of tonal patterns, inside jokes, and thrilling climactic phrases—all on the fly. Or a comedy troupe riffing on cues from the audience until the whole room erupts with laughter; a team of software engineers brainstorming their way to the next Google; or the Einsteins of the world code-cracking the mysteries of nature. Maybe it’s simply a child playing with her toys. What do all of these activities share? With wisdom, humor, and joy, philosopher Stephen T. Asma answers that question: imagination. And from there he takes us on an extraordinary tour of the human creative spirit. Guided by neuroscience, animal behavior, evolution, philosophy, and psychology, Asma burrows deep into the human psyche to look at the enigmatic, powerful engine that is our improvisational creativity—the source, he argues, of our remarkable imaginational capacity. How, he asks, can a story evoke a whole world inside us? How are we able to rehearse a skill, a speech, or even an entire scenario simply by thinking about it? How does creativity go beyond experience and help us make something completely new? And how does our moral imagination help us sculpt a better society? As he shows, we live in a world that is only partly happening in reality. Huge swaths of our cognitive experiences are made up by “what-ifs,” “almosts,” and “maybes,” an imagined terrain that churns out one of the most overlooked but necessary resources for our flourishing: possibilities. Considering everything from how imagination works in our physical bodies to the ways we make images, from the mechanics of language and our ability to tell stories to the creative composition of self-consciousness, Asma expands our personal and day-to-day forms of imagination into a grand scale: as one of the decisive evolutionary forces that has guided human development from the Paleolithic era to today. The result is an inspiring look at the rich relationships among improvisation, imagination, and culture, and a privileged glimpse into the unique nature of our evolved minds.
Though the pygmy hippopotamus has been designated as a flagship species of West African forests (meaning that by raising conservation efforts for a single species, an entire ecological region could benefit), very little research has been published on the animal. They are solitary, nocturnal, and highly evasive, and until recent developments in "camera trap" technology, they were considered the least-photographed large mammal species in the world. The information currently available on this endangered species is scattered, limited, redundant, and often inaccurate, and no major volume exists as a resource for those interested in the conservation effort for the species, until now. Phillip Robinson and his coauthors provide a treatment of the natural history, biology, and ecology of the pygmy hippo, along with a discussion of the rare animal's taxonomic niche and a summary of the research initiatives involving it up to this point. The authors show the ways in which the pygmy hippo has come into contact with people in West African countries, both in terms of ecological and cultural impact. This creature has been the subject of local folktales, and is treated as almost mythic in some regions. Information on issues related to captivity, breeding, and zoos is provided. The book is heavily illustrated with original photographs and anatomic drawings. The project should be of use to conservation biologists, zoologists and natural history readers, and will be the definitive single-volume account of an animal that the scientific community has designated to be ecologically significant to West Africa.
