Organ Literature

Organ Literature

Author: Corliss Richard Arnold

Publisher: Scarecrow Press

Published: 2003-02

Total Pages: 399

ISBN-13: 0810846977

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Now in paperback! Cloth edition 0-8108-2964-9 originally published in 1995.


The British Union Catalogue of Music Periodicals

The British Union Catalogue of Music Periodicals

Author: John Wagstaff

Publisher: Routledge

Published: 2019-07-23

Total Pages: 1007

ISBN-13: 0429802617

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First published in 1998, the aim of this catalogue is to help students, researchers and librarians determine the UK locations of over 2,000 music periodical titles held in public, academic and national libraries. Over 220 libraries in the UK have been surveyed, from St. Austell to Aberdeen, Aberystwyth to Brighton. Each catalogue entry provides detailed information on library holdings, and full bibliographic details of periodical titles, including ISSNs. The main catalogue is preceded by an address list, and by a preface outlining the history of music periodicals in Britain, together with statistical tables.


J. S. Bach at His Royal Instrument

J. S. Bach at His Royal Instrument

Author: Russell Stinson

Publisher: Oxford University Press

Published: 2012-11-15

Total Pages: 224

ISBN-13: 0199917248

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In this wide-ranging set of original essays, musicologist and organist Russell Stinson investigates Johann Sebastian Bach's compositions for the organ, opening up a wealth of perspectives on the stylistic orientation and historical context of these timeless masterpieces. With a sweeping hand, Stinson sheds light on the entire corpus of Bach's organ chorales, and considers the reception of particular pieces not only by various luminaries in the classical music world, but also those within such disparate contexts as film, literature, politics, and rock music. Stinson's investigations include a revealing focus on a previously unpublished fugue by Bach pupil J. G. Schübler, unexplored techniques found in over twenty of Bach's chorale preludes, and the diverse ways in which Bach's organ works have been received from the composer's own lifetime to the present day. Individual essays are also devoted to Felix Mendelssohn as a performer; to Robert Schumann as an editor and critic; to César Franck as a performer, pedagogue, and composer; and to Edward Elgar as a performer, critic, and transcriber. Rich in archival data and filled with fascinating anecdotes, J. S. Bach at His Royal Instrument is entirely up-to-date, meticulously annotated and indexed, and eminently readable. This book is essential reading for anyone at all interested in Bach and "the king of instruments."