An ancient civilization lost in a one thousand year old mystery. A modern, state-of-the-art spacecraft on her first mission, tapping into a radically new power source-or is it new? Could this power source have been available all along? An event in space-actually caused by something that has been buried right underneath our feet for over a millennium-is about to unfold into mankind's greatest adventure ... so far ...
1939, Cambridge. The opening weeks of the Second World War, and the first blackout - The Great Darkness - covers southern England, enveloping the city. Detective Inspector Eden Brooke, a wounded hero of the Great War, takes his nightly dip in the cool waters of the Cam. The night is full of alarms, but in this Phoney War, the enemy never comes. But daylight reveals a corpse on the riverside, the body torn apart by some unspeakable force. Brooke investigates, calling on the expertise and inspiration of a faithful group of fellow 'nighthawks' across the city, all condemned, like him, to a life lived away from the light. Within hours The Great Darkness has claimed a second victim. War, it seems, has many victims. But what links these crimes of the night?
The story is told by Albert N. Wilmarth, an instructor of literature at Miskatonic University in Arkham. When local newspapers report strange things seen floating in rivers during a historic Vermont flood, Wilmarth becomes embroiled in a controversy about the reality and significance of the sightings, though he sides with the skeptics. Wilmarth uncovers old legends about monsters living in the uninhabited hills who abduct people who venture or settle too close to their territory.
Rita, a former stunt woman, can’t believe she signed up to be a female Navy SEAL. She needed the signup money to pay her mother’s medical bills. Steven, a fierce Viking warrior, is depressed over the “death” of his brother Thorfinn. Yep, even Vikings get the blues. Rita can’t believe she’s been tossed back in time to the tenth century wearing a head-to-toe wetsuit and flippers with her face cammied up. Steven can’t believe the gods have sent him a fish woman to ease his woes. Not a beautiful mermaid, but an ugly-as-death fish. How dare the brute put her in a cage! How dare the wench teach his people line dancing! Love and laughter guaranteed in this trip down Memory Lane...uh Fjord.
The last of the world's great mages, the enigmatic Lord Eldrich has dedicated his life to eradicating all remaining vestiges of magic in the world. But the fanatical Tellerites—followers of a long-dead mage-apprentice—oppose Eldrich, desiring the hidden knowledge of the magical arts and with it the coveted key to immortality. Drawn into this conflict against his will is Erasmus Flattery, who as a boy dwelt with Eldrich, and is still haunted by the memories of what transpired during his stay with the mage. Now Erasmus must lead as expedition to search for a secret that has remained hidden since the time of the first Mages!
Invites skeptics and seekers to discover the intellectual richness of the Catholic faith, opening readers to the theological and philosophical depths of Christianity: the nature of belief, the mystery of God, the story of Christ, the work of the Spirit, the life of the church, and the resurrection of the dead. --Book jacket.
An extraordinary debut weaving magic and heroism into a classic tale of good and evil, featuring a heroine you'll never forget.Inquisitive twelve-year-old Alexa Daley is spending another summer in the walled town of Bridewell. This year, she is set on solving the mystery of what lies beyond the walls. Legend says the walls were built to keep out an unnamed evil that lurks in the forests and The Dark Hills. But what exactly is it that the townspeople are so afraid of? As Alexa begins to unravel the truth, pushing beyond the protective barrier she's lived behind all her life, she discovers a strange and ancient enchantment -- and exposes a danger that could destroy everything she holds dear.
Enter once more the world of Roland Deschain—and the world of the Dark Tower...now presented in a stunning graphic novel form that will unlock the doorways to terrifying secrets and bold storytelling as part of the dark fantasy masterwork and magnum opus from #1 New York Times bestselling author Stephen King. “The man in black fled across the desert, and the gunslinger followed.” With these unforgettable words, millions of readers were introduced to Stephen King’s iconic character Roland Deschain of Gilead. Roland is the last of his kind, a “gunslinger” charged with protecting whatever goodness and light remains in his world—a world that “moved on,” as they say. In this desolate reality—a dangerous land filled with ancient technology and deadly magic, and yet one that mirrors our own in frightening ways—Roland is on a spellbinding and soul-shattering quest to locate and somehow save the mystical nexus of all worlds, all universes: the Dark Tower. Now, in the graphic novel series Stephen King's The Dark Tower: Beginnings, originally published by Marvel Comics in single-issue form and creatively overseen by Stephen King himself, the full story of Roland's troubled past and coming-of-age is revealed. Sumptuously drawn by Jae Lee and Richard Isanove, plotted by longtime Stephen King expert Robin Furth, and scripted by New York Times bestselling author Peter David, Beginnings is an extraordinary and terrifying journey into Roland’s origins—ultimately serving as the perfect introduction for new readers to Stephen King’s modern literary classic The Dark Tower, while giving longtime fans thrilling adventures merely hinted at in his blockbuster novels. It has been nine years since the fall of Gilead, and the handful of survivors—proud young gunslingers led by Roland Deschain—have been flushed out beyond their homeland’s boundaries, where they can only watch as time continues to take its toll. For time is now a cruel instrument of violence ruled by “the Good Man” John Farson and his monstrous followers, who are making their move to dominate all of Mid-World itself. But despite the forces of the Affiliation having long been broken apart, there is still rebellion left in the heart of Roland and his ka-tet. With treachery abounding everywhere and the odds overwhelmingly against him, it is time for Roland to make his last stand for all that is good and face John Farson and his corruption of Mid-World head-on—even if he dies trying....
How old is prejudice against black people? Were the racist attitudes that fueled the Atlantic slave trade firmly in place 700 years before the European discovery of sub-Saharan Africa? In this groundbreaking book, David Goldenberg seeks to discover how dark-skinned peoples, especially black Africans, were portrayed in the Bible and by those who interpreted the Bible--Jews, Christians, and Muslims. Unprecedented in rigor and breadth, his investigation covers a 1,500-year period, from ancient Israel (around 800 B.C.E.) to the eighth century C.E., after the birth of Islam. By tracing the development of anti-Black sentiment during this time, Goldenberg uncovers views about race, color, and slavery that took shape over the centuries--most centrally, the belief that the biblical Ham and his descendants, the black Africans, had been cursed by God with eternal slavery. Goldenberg begins by examining a host of references to black Africans in biblical and postbiblical Jewish literature. From there he moves the inquiry from Black as an ethnic group to black as color, and early Jewish attitudes toward dark skin color. He goes on to ask when the black African first became identified as slave in the Near East, and, in a powerful culmination, discusses the resounding influence of this identification on Jewish, Christian, and Islamic thinking, noting each tradition's exegetical treatment of pertinent biblical passages. Authoritative, fluidly written, and situated at a richly illuminating nexus of images, attitudes, and history, The Curse of Ham is sure to have a profound and lasting impact on the perennial debate over the roots of racism and slavery, and on the study of early Judaism, Christianity, and Islam.
The publication of the King James version of the Bible, translated between 1603 and 1611, coincided with an extraordinary flowering of English literature and is universally acknowledged as the greatest influence on English-language literature in history. Now, world-class literary writers introduce the book of the King James Bible in a series of beautifully designed, small-format volumes. The introducers' passionate, provocative, and personal engagements with the spirituality and the language of the text make the Bible come alive as a stunning work of literature and remind us of its overwhelming contemporary relevance.
