Being a teenager isn't easy. All Sara wants to do is experiment with make-up and hang out with friends. It doesn't help when you have a super-strict Egyptian dad who tells you that everything is "e;haram"e; a.k.a. forbidden. But when her family move to the Arabian Gulf, it feels like every door is being closed on Sara's future. Can Sara find her voice again? Will she ever be free?
A Muslim woman’s searingly honest memoir of her journey toward self-acceptance as she comes to see her body as a symbol of rebellion and hope—and chooses to live her life unapologetically Ever since she was little, Leah Vernon was told what to believe and how to act. There wasn’t any room for imperfection. ‘Good’ Muslim girls listened more than they spoke. They didn’t have a missing father or a mother with a mental disability. They didn’t have fat bodies or grow up wishing they could be like the white characters they saw on TV. They didn’t have husbands who abused and cheated on them. They certainly didn’t have secret abortions. In Unashamed, Vernon takes to task the myth of the perfect Muslim woman with frank dispatches on her love-hate relationship with her hijab and her faith, race, weight, mental health, domestic violence, sexuality, the millennial world of dating, and the process of finding her voice. She opens up about her tumultuous adolescence living at the poverty line with her fiercely loving but troubled mother, her absent dad, her siblings, and the violent dissolution of her 10-year marriage. Tired of the constant policing of her clothing in the name of Islam and Western beauty standards, Vernon reflects on her experiences with hustling paycheck to paycheck, body-shaming, and redefining what it means to be a “good” Muslim. Irreverent, youthful, and funny, Unashamed gives anyone who is marginalized permission to live unapologetic, confident lives. “Vernon’s determined advocacy for body positivity as a feminist and mental health issue, and her painful journey to self-acceptance, are moving and powerful, forcing readers to examine their own preconceptions about beauty standards and health.” —Booklist
A passionate manifesto decrying misogyny in the Arab world, by an Egyptian American journalist and activist When the Egyptian journalist Mona Eltahawy published an article in Foreign Policy magazine in 2012 titled "Why Do They Hate Us?" it provoked a firestorm of controversy. The response it generated, with more than four thousand posts on the website, broke all records for the magazine, prompted dozens of follow-up interviews on radio and television, and made it clear that misogyny in the Arab world is an explosive issue, one that engages and often enrages the public. In Headscarves and Hymens, Eltahawy takes her argument further. Drawing on her years as a campaigner and commentator on women's issues in the Middle East, she explains that since the Arab Spring began, women in the Arab world have had two revolutions to undertake: one fought with men against oppressive regimes, and another fought against an entire political and economic system that treats women in countries from Yemen and Saudi Arabia to Egypt, Tunisia, and Libya as second-class citizens. Eltahawy has traveled across the Middle East and North Africa, meeting with women and listening to their stories. Her book is a plea for outrage and action on their behalf, confronting the "toxic mix of culture and religion that few seem willing or able to disentangle lest they blaspheme or offend." A manifesto motivated by hope and fury in equal measure, Headscarves and Hymens is as illuminating as it is incendiary.
Don't panic - I'm Islamic! Amal is a 16-year-old Melbourne teen with all the usual obsessions about boys, chocolate and Cosmo magazine. She's also a Muslim, struggling to honour the Islamic faith in a society that doesn't understand it. The story of her decision to "shawl up" is funny, surprising and touching by turns.
For fans of Nina LaCour's We Are Okay and Adam Silvera's History Is All You Left Me, this heartfelt and ultimately uplifting novel follows one sixteen-year-old girl's friend breakup through two concurrent timelines--ultimately proving that even endings can lead to new beginnings. "Stunning." --Nic Stone, bestselling author of Dear Martin and Odd One Out You can't rewrite the past, but you can always choose to start again. It's been twenty-seven days since Cleo and Layla's friendship imploded. Nearly a month since Cleo realized they'll never be besties again. Now Cleo wants to erase every memory, good or bad, that tethers her to her ex-best friend. But pretending Layla doesn't exist isn't as easy as Cleo hoped, especially after she's assigned to be Layla's tutor. Despite budding friendships with other classmates--and a raging crush on a gorgeous boy named Dom--Cleo's turbulent past with Layla comes back to haunt them both. Alternating between time lines of Then and Now, When You Were Everything blends past and present into an emotional story about the beauty of self-forgiveness, the promise of new beginnings, and the courage it takes to remain open to love. "Breathtakingly beautiful....Woodfolk has a way of making words sing and burst with light." --Tiffany D. Jackson, award-winning author of Monday's Not Coming and Let Me Hear A Rhyme
It's been three years since Mustafa Bahdoon, one-time leader of the Southside Killaz, saved his fugitive son Adem from the clutches of pirates in Somalia. But when Mustafa is asked to rescue a young girl from the gang's sex trafficking empire, he returns from retirement to seize control once again. But his coup ignites a vicious gang war on the streets of Minneapolis.Meanwhile, still haunted by guilt over the girl he left behind in Somalia, Adem reprises the role of Mr Mohammed, legendary pirate negotiator. But the CIA is on his tail and he soon finds himself unwillingly enmeshed in a deadly campaign against organised crime.Half a world apart, survival for both father and son depends upon telling friend from enemy, truth from lie, and their own true selves from the roles they must play.Once A Warrior is the highly anticipated follow-up to the award-winning All The Young Warriors. Praise for All The Young Warriors"a brilliant book, possibly the best novel of the year." - Les Edgerton"written with a sureness of hand and a depth of character that are impressive. A highly accomplished crime novel exposing an often unseen world." - The Big Issue"All The Young Warriors will grip readers who enjoy the chance to slip into a foreign culture and also those who want a page-turning thriller" - Spinetingler Magazine"a powerful story that is both riveting and meaningful" - Crime Fiction Lover"this book is a classic in the making" - I Meant To Read That"All The Young Warriors is a pretty rare beast, a clever page-turner. It deserves to be a bestseller and has film adaptation stamped all over it." - Loitering With Intent"a courageous novel that raises a lot of pertinent questions" - Dead End Follies"Smith writes with force and clarity" - The Chicago Tribune"Smith's version of Minnesota is no Lake Wobegon; the inhabitants are refreshingly made up entirely of the deranged, the damaged, and the doomed. If you can picture the intellectual and physical mayhem that might have resulted from a Jim Thompson and Harry Crews collaboration, you'd be on the right track. But Anthony Neil Smith is his own writer — and a very fine one, indeed." - Booklist
Set in 1996 southern California, high school senior Rana Joon wants to honor her deceased best friend by entering a rap contest and living authentically as a lesbian, but feels conflicted by her Iranian family's expectations.
Jacqueline Saper, named after Jacqueline Kennedy, was born in Tehran to Iranian and British parents. At eighteen she witnessed the civil unrest of the 1979 Iranian revolution and continued to live in the Islamic Republic during its most volatile times, including the Iran-Iraq War. In a deeply intimate and personal story, Saper recounts her privileged childhood in prerevolutionary Iran and how she gradually became aware of the paradoxes in her life and community—primarily the disparate religions and cultures. In 1979 under the Ayatollah regime, Iran became increasingly unfamiliar and hostile to Saper. Seemingly overnight she went from living a carefree life of wearing miniskirts and attending high school to listening to fanatic diatribes, forced to wear the hijab, and hiding in the basement as Iraqi bombs fell over the city. She eventually fled to the United States in 1987 with her husband and children after, in part, witnessing her six-year-old daughter’s indoctrination into radical Islamic politics at school. At the heart of Saper’s story is a harrowing and instructive tale of how extremist ideologies seized a Westernized, affluent country and transformed it into a fundamentalist Islamic society.
This book uses everyday consumption as a lens to analyze how South Asian Muslim American women negotiate racial, religious, gendered, classed, and often political identities. In particular, Ternikar examines the use of food and clothing as well as social media accounts among this important immigrant population, offering new insight that goes beyond examining Muslim American women through the lens of hijab. This timely and nuanced interdisciplinary study draws on both sociology of consumption theory and intersectional feminism and will be valuable for courses in gender and women’s studies, sociology of consumption, and women and religion.
